ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA

Detalhes bibliográficos
Autor(a) principal: Cazani Júnior, Luís Enrique
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/277
Resumo: What is the similarity between the fractional availability of the soap opera Avenida Brasil (2012) in Globo Play and the televising of the miniseries Justiça (2016)? The possibility of choosing just a few of your stories to enjoy. This work reveals which frames obtained the highest number of accesses on demand from the visualization analysis. The nucleus of Carminha surpassed the others in the soap opera. Justiça (2016) obtained daily average of twenty-six points on television, from Monday to Friday. Made available, Offered, the stories on Monday and Tuesday were given superior access. Although the flow already made the choice possible, it only materialized online.
id UFSCAR-2_1274cb7ec3dca7aa83226a0bb3e6cc63
oai_identifier_str oai:ojs.pkp.sfu.ca:article/277
network_acronym_str UFSCAR-2
network_name_str Revista GEMInIS
repository_id_str
spelling ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇAANÁLISE DA RECEPÇÃO SOB DEMANDA DA TELENOVELA AVENIDA BRASIL E DA MINISSÉRIE JUSTIÇAOn demandSoap OperaSeriesCliffhangerSob demandaTelenovela.MinissérieGanchoWhat is the similarity between the fractional availability of the soap opera Avenida Brasil (2012) in Globo Play and the televising of the miniseries Justiça (2016)? The possibility of choosing just a few of your stories to enjoy. This work reveals which frames obtained the highest number of accesses on demand from the visualization analysis. The nucleus of Carminha surpassed the others in the soap opera. Justiça (2016) obtained daily average of twenty-six points on television, from Monday to Friday. Made available, Offered, the stories on Monday and Tuesday were given superior access. Although the flow already made the choice possible, it only materialized online.Qual é a semelhança entre a disponibilização fracionada da telenovela Avenida Brasil (2012) no Globo Play e a transmissão televisiva da minissérie Justiça (2016)? A oportunidade de escolher apenas algumas de suas histórias para fruir. O trabalho revela quais tramas obtiveram maior número de acessos sob demanda com base na análise de visualizações de suas páginas. O núcleo de Carminha superou os demais na telenovela. Justiça (2016) obteve média diária de 26 pontos na tevê. Disponibilizadas, suas histórias de segunda-feira e de terça-feira obtiveram acesso superior. Embora a exibição no fluxo contínuo já possibilitasse realizar escolhas, ela concretizou-se apenas online.UFSCar2017-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/277Revista GEMInIS; v. 8 n. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-20Revista GEMInIS; Vol. 8 No. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-20Revista GEMInIS; Vol. 8 Núm. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-202179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/277/248Copyright (c) 2017 Luís Enrique Cazani Júniorinfo:eu-repo/semantics/openAccessCazani Júnior, Luís Enrique2020-08-10T20:10:38Zoai:ojs.pkp.sfu.ca:article/277Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:38Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
ANÁLISE DA RECEPÇÃO SOB DEMANDA DA TELENOVELA AVENIDA BRASIL E DA MINISSÉRIE JUSTIÇA
title ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
spellingShingle ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
Cazani Júnior, Luís Enrique
On demand
Soap Opera
Series
Cliffhanger
Sob demanda
Telenovela.
Minissérie
Gancho
title_short ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
title_full ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
title_fullStr ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
title_full_unstemmed ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
title_sort ON-DEMAND RECEPTION ANALYSIS OF THE SOAP OPERA AVENIDA BRASIL AND SERIES JUSTIÇA
author Cazani Júnior, Luís Enrique
author_facet Cazani Júnior, Luís Enrique
author_role author
dc.contributor.author.fl_str_mv Cazani Júnior, Luís Enrique
dc.subject.por.fl_str_mv On demand
Soap Opera
Series
Cliffhanger
Sob demanda
Telenovela.
Minissérie
Gancho
topic On demand
Soap Opera
Series
Cliffhanger
Sob demanda
Telenovela.
Minissérie
Gancho
description What is the similarity between the fractional availability of the soap opera Avenida Brasil (2012) in Globo Play and the televising of the miniseries Justiça (2016)? The possibility of choosing just a few of your stories to enjoy. This work reveals which frames obtained the highest number of accesses on demand from the visualization analysis. The nucleus of Carminha surpassed the others in the soap opera. Justiça (2016) obtained daily average of twenty-six points on television, from Monday to Friday. Made available, Offered, the stories on Monday and Tuesday were given superior access. Although the flow already made the choice possible, it only materialized online.
publishDate 2017
dc.date.none.fl_str_mv 2017-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/277
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/277
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/277/248
dc.rights.driver.fl_str_mv Copyright (c) 2017 Luís Enrique Cazani Júnior
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Luís Enrique Cazani Júnior
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 8 n. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-20
Revista GEMInIS; Vol. 8 No. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-20
Revista GEMInIS; Vol. 8 Núm. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 04-20
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
_version_ 1789434638019592192

Registros relacionados