Editorial - AI Narratives: Trends in Audiovisual Production - part 1
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Data de Publicação: | 2024 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/846 |
Resumo: | As AI becomes increasingly integrated into production and storytelling practices, we face new challenges and opportunities that are defining the future of media. The rise of artificial intelligence in the audiovisual sector is not just a technical evolution; it's a revolution in the very structures of narrative. AI tools are enabling creators to explore unprecedented narrative complexities, where the convergence of data, algorithms, and human creativity can result in deeply personalized and immersive storytelling forms. But what are the limits of creativity when algorithms can learn, adapt, and create in ways that only humans used to? The generative capabilities of AI call into question the very conventional notions of authorship and creativity, challenging traditional boundaries and sparking debates about originality and ethics in creation. The ability of machines to simulate and create original content invites reflection on the future of authorship and the role of creators in the contemporary digital context. The innovations brought about by AI open up new possibilities for audiovisual production, real-time content personalization, and the development of interactive experiences where the audience can influence or even co-create narratives. In addition, its use also has significant implications in the context of authenticity and emotional manipulation. The potential to generate highly engaging and technically sophisticated content coexists with the risk of promoting disinformation or manipulating perceptions, a concern amplified by the emergence of "deepfakes" and other technologies that can produce falsifiable content indistinguishable from reality. This edition of Geminis Journal is dedicated to artificial intelligence and how it is reshaping the boundaries of creation and perception in the audiovisual field, an area marked by rapid technological transformations and significant cultural changes. |
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Editorial - AI Narratives: Trends in Audiovisual Production - part 1Editorial - Narrativas de IA: Tendencias en la Producción Audiovisual - parte 1Editorial - Narrativas de IA: tendências da produção audiovisual - parte 1inteligência artificialaudiovisualnarrativainteligencia artificialaudiovisualnarrativoartificial inteligenceaudiovisualnarrativeAs AI becomes increasingly integrated into production and storytelling practices, we face new challenges and opportunities that are defining the future of media. The rise of artificial intelligence in the audiovisual sector is not just a technical evolution; it's a revolution in the very structures of narrative. AI tools are enabling creators to explore unprecedented narrative complexities, where the convergence of data, algorithms, and human creativity can result in deeply personalized and immersive storytelling forms. But what are the limits of creativity when algorithms can learn, adapt, and create in ways that only humans used to? The generative capabilities of AI call into question the very conventional notions of authorship and creativity, challenging traditional boundaries and sparking debates about originality and ethics in creation. The ability of machines to simulate and create original content invites reflection on the future of authorship and the role of creators in the contemporary digital context. The innovations brought about by AI open up new possibilities for audiovisual production, real-time content personalization, and the development of interactive experiences where the audience can influence or even co-create narratives. In addition, its use also has significant implications in the context of authenticity and emotional manipulation. The potential to generate highly engaging and technically sophisticated content coexists with the risk of promoting disinformation or manipulating perceptions, a concern amplified by the emergence of "deepfakes" and other technologies that can produce falsifiable content indistinguishable from reality. This edition of Geminis Journal is dedicated to artificial intelligence and how it is reshaping the boundaries of creation and perception in the audiovisual field, an area marked by rapid technological transformations and significant cultural changes.A medida que la IA se integra cada vez más en las prácticas de producción y narración, enfrentamos nuevos desafíos y oportunidades que definen el futuro de los medios. El auge de la inteligencia artificial en el sector audiovisual no es solo una evolución técnica; es una revolución en las propias estructuras narrativas. Las herramientas de IA permiten a los creadores explorar complejidades narrativas sin precedentes, donde la convergencia de datos, algoritmos y creatividad humana puede dar lugar a formas de contar historias profundamente personalizadas e inmersivas. Pero, ¿cuáles serían los límites de la creatividad cuando los algoritmos pueden aprender, adaptarse y crear de maneras que solo los humanos solían hacer? Las capacidades generativas de la IA ponen en tela de juicio las nociones convencionales de autoría y creatividad, desafiando los límites tradicionales y suscitando debates sobre la originalidad y la ética en la creación. La capacidad de las máquinas para simular y crear contenido original invita a reflexionar sobre el futuro de la autoría y el papel de los creadores en el contexto digital contemporáneo. Las innovaciones impulsadas por la IA abren nuevas posibilidades para la producción audiovisual, la personalización de contenido en tiempo real y el desarrollo de experiencias interactivas donde la audiencia puede influir o incluso co-crear narrativas. Además, su uso también tiene implicaciones significativas en el contexto de la autenticidad y la manipulación de emociones. El potencial para generar contenido altamente atractivo y técnicamente sofisticado coexiste con el riesgo de promover la desinformación o manipular las percepciones, una preocupación amplificada por la emergencia de "deepfakes" y otras tecnologías que pueden producir contenido falsificable indistinguible de la realidad. Esta edición de la Revista Geminis está dedicada a la inteligencia artificial y cómo está reformulando las fronteras de la creación y la percepción en el campo audiovisual, un área marcada por rápidas transformaciones tecnológicas y cambios culturales significativos.À medida que a IA se torna cada vez mais integrada nas práticas de produção e narrativa, enfrentamos novos desafios e oportunidades que estão definindo o futuro da mídia. A ascensão da inteligência artificial no setor audiovisual não é apenas uma evolução técnica; é uma revolução nas próprias estruturas narrativas. As ferramentas de IA estão permitindo aos criadores explorar complexidades narrativas inéditas, onde a convergência de dados, algoritmos e criatividade humana podem resultar em formas de contar histórias profundamente personalizadas e imersivas. Mas quais seriam os limites da criatividade quando algoritmos podem aprender, adaptar e criar de maneiras como apenas os humanos faziam? As capacidades generativas da IA colocam em questão as próprias noções convencionais de autoria e criatividade, desafiando os limites tradicionais e suscitando debates sobre originalidade e ética na criação. A habilidade das máquinas em simular e criar conteúdos originais convida à reflexão sobre o futuro da autoria e o papel de criadores e criadoras no contexto digital contemporâneo. As inovações provocadas pela IA abrem novas possibilidades para a produção audiovisual, a personalização de conteúdo em tempo real e o desenvolvimento de experiências interativas onde o público pode influenciar ou mesmo co-criar narrativas. Além disso, sua utilização também traz implicações significativas no contexto de autenticidade e manipulação de emoções. O potencial para gerar conteúdos altamente envolventes e tecnicamente sofisticados coexiste com o risco de promover desinformação ou manipular percepções, uma preocupação amplificada pela emergência de “deepfakes” e outras tecnologias que podem produzir conteúdo falsificável indistinguível da realidade. Esta edição da Revista Geminis é dedicada à inteligência artificial e como ela está reformulando as fronteiras da criação e percepção no campo audiovisual, uma área marcada por rápidas transformações tecnológicas e mudanças culturais significativas. UFSCar2024-04-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/84610.14244/2179-1465.RG.2023v14i3p01-04Revista GEMInIS; v. 14 n. 3 (2023): Narrativas de IA: tendências da produção audiovisual - Parte 1; 01-04Revista GEMInIS; Vol. 14 No. 3 (2023): AI narratives: trends in audiovisual production - Part 1; 01-04Revista GEMInIS; Vol. 14 Núm. 3 (2023): Narrativas de IA: tendencias en la producción audiovisual - Parte 1; 01-042179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/846/532Copyright (c) 2024 Revista GEMInIS, João Carlos Massarolo, André Fischerhttp://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessCarlos Massarolo, João Fischer, André2024-04-22T21:30:16Zoai:ojs.pkp.sfu.ca:article/846Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2024-04-22T21:30:16Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 Editorial - Narrativas de IA: Tendencias en la Producción Audiovisual - parte 1 Editorial - Narrativas de IA: tendências da produção audiovisual - parte 1 |
title |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
spellingShingle |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 Carlos Massarolo, João inteligência artificial audiovisual narrativa inteligencia artificial audiovisual narrativo artificial inteligence audiovisual narrative |
title_short |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
title_full |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
title_fullStr |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
title_full_unstemmed |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
title_sort |
Editorial - AI Narratives: Trends in Audiovisual Production - part 1 |
author |
Carlos Massarolo, João |
author_facet |
Carlos Massarolo, João Fischer, André |
author_role |
author |
author2 |
Fischer, André |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Carlos Massarolo, João Fischer, André |
dc.subject.por.fl_str_mv |
inteligência artificial audiovisual narrativa inteligencia artificial audiovisual narrativo artificial inteligence audiovisual narrative |
topic |
inteligência artificial audiovisual narrativa inteligencia artificial audiovisual narrativo artificial inteligence audiovisual narrative |
description |
As AI becomes increasingly integrated into production and storytelling practices, we face new challenges and opportunities that are defining the future of media. The rise of artificial intelligence in the audiovisual sector is not just a technical evolution; it's a revolution in the very structures of narrative. AI tools are enabling creators to explore unprecedented narrative complexities, where the convergence of data, algorithms, and human creativity can result in deeply personalized and immersive storytelling forms. But what are the limits of creativity when algorithms can learn, adapt, and create in ways that only humans used to? The generative capabilities of AI call into question the very conventional notions of authorship and creativity, challenging traditional boundaries and sparking debates about originality and ethics in creation. The ability of machines to simulate and create original content invites reflection on the future of authorship and the role of creators in the contemporary digital context. The innovations brought about by AI open up new possibilities for audiovisual production, real-time content personalization, and the development of interactive experiences where the audience can influence or even co-create narratives. In addition, its use also has significant implications in the context of authenticity and emotional manipulation. The potential to generate highly engaging and technically sophisticated content coexists with the risk of promoting disinformation or manipulating perceptions, a concern amplified by the emergence of "deepfakes" and other technologies that can produce falsifiable content indistinguishable from reality. This edition of Geminis Journal is dedicated to artificial intelligence and how it is reshaping the boundaries of creation and perception in the audiovisual field, an area marked by rapid technological transformations and significant cultural changes. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-04-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/846 10.14244/2179-1465.RG.2023v14i3p01-04 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/846 |
identifier_str_mv |
10.14244/2179-1465.RG.2023v14i3p01-04 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/846/532 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Revista GEMInIS, João Carlos Massarolo, André Fischer http://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Revista GEMInIS, João Carlos Massarolo, André Fischer http://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 14 n. 3 (2023): Narrativas de IA: tendências da produção audiovisual - Parte 1; 01-04 Revista GEMInIS; Vol. 14 No. 3 (2023): AI narratives: trends in audiovisual production - Part 1; 01-04 Revista GEMInIS; Vol. 14 Núm. 3 (2023): Narrativas de IA: tendencias en la producción audiovisual - Parte 1; 01-04 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
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Universidade Federal de São Carlos (UFSCAR) |
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UFSCAR |
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UFSCAR |
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Revista GEMInIS |
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Revista GEMInIS |
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Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
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||revista.geminisufscar@gmail.com |
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