CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/378 |
Resumo: | This article discusses about the mediations between the cultural context of Brazilian society and the process of meaning negotiation made by the children's audience with the videos digitally distributed by youtubers. The methodologies which guide this text are the focus group and the bibliographic research. It presents results from an empirical research that investigated the perceptions of YouTube users about performance in communication and thinks about them as from Performance Studies and Mediation Theory. The discussions in field highlighted the tendency of the collaborators to associate the youtubers’ performance with an authentic and improvised discourse. |
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CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVESINFÂNCIA E YOUTUBE:: A RECEPÇÃO INFANTIL DE NARRATIVAS AUDIOVISUAIS DIGITAISrecepçãoperformancesmediaçõesvlogculturareceptionperformancesmediationsvlogcultureThis article discusses about the mediations between the cultural context of Brazilian society and the process of meaning negotiation made by the children's audience with the videos digitally distributed by youtubers. The methodologies which guide this text are the focus group and the bibliographic research. It presents results from an empirical research that investigated the perceptions of YouTube users about performance in communication and thinks about them as from Performance Studies and Mediation Theory. The discussions in field highlighted the tendency of the collaborators to associate the youtubers’ performance with an authentic and improvised discourse.Embasada teoricamente nos estudos de recepção e em seus desdobramentos no ciberespaço, esta reflexão investiga a articulação entre o público infantil e o YouTube. Nossa hipótese sustenta que existem entre a narrativa dos youtubers e as crianças mecanismos de identificação evidentes e articulados entre si. Para analisar essa questão, utilizamos a pesquisa bibliográfica e o grupo focal como metodologias principais. Esperamos que esta pesquisa contribua com as discussões acerca da consolidação de narrativas audiovisuais digitais de youtubers e das mediações da recepção infantil na Internet.UFSCar2019-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/378Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 49-70Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 49-70Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 49-702179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/378/331Copyright (c) 2019 Lara Lima Satler, Ana Júlia Carrijoinfo:eu-repo/semantics/openAccessSatler, Lara LimaCarrijo, Ana Júlia2020-08-10T20:09:59Zoai:ojs.pkp.sfu.ca:article/378Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:09:59Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES INFÂNCIA E YOUTUBE:: A RECEPÇÃO INFANTIL DE NARRATIVAS AUDIOVISUAIS DIGITAIS |
title |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
spellingShingle |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES Satler, Lara Lima recepção performances mediações vlog cultura reception performances mediations vlog culture |
title_short |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
title_full |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
title_fullStr |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
title_full_unstemmed |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
title_sort |
CHILDHOOD AND YOUTUBE:: THE CHILDREN’S RECEPTION OF DIGITAL AUDIOVISUAL NARRATIVES |
author |
Satler, Lara Lima |
author_facet |
Satler, Lara Lima Carrijo, Ana Júlia |
author_role |
author |
author2 |
Carrijo, Ana Júlia |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Satler, Lara Lima Carrijo, Ana Júlia |
dc.subject.por.fl_str_mv |
recepção performances mediações vlog cultura reception performances mediations vlog culture |
topic |
recepção performances mediações vlog cultura reception performances mediations vlog culture |
description |
This article discusses about the mediations between the cultural context of Brazilian society and the process of meaning negotiation made by the children's audience with the videos digitally distributed by youtubers. The methodologies which guide this text are the focus group and the bibliographic research. It presents results from an empirical research that investigated the perceptions of YouTube users about performance in communication and thinks about them as from Performance Studies and Mediation Theory. The discussions in field highlighted the tendency of the collaborators to associate the youtubers’ performance with an authentic and improvised discourse. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-07-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/378 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/378 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/378/331 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Lara Lima Satler, Ana Júlia Carrijo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Lara Lima Satler, Ana Júlia Carrijo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 49-70 Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 49-70 Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 49-70 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
_version_ |
1789434638459994112 |