The Brazilian documentary in the video era

Detalhes bibliográficos
Autor(a) principal: Alexandre Sobrinho, Gilberto
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/178
Resumo: Historically, in its appearance, the video was inaugurated after the television and was directly associated with her. He joined the technologies of communication and information that, in addition to increasing the power of the state and of the large private corporations, also came to the face of political activism, provoking practices in the contentious spirit of the late 1960s. was artistically appropriate and interwoven with contemporary art artists interested in language experiences with moving image technologies. Also the cinema was not unscathed to the contact with the video. The term video, from the Latin videre, see, is slippery in its definition, in addition to having an identity activated in certain contexts of the word video, in isolation, also contemplates video art, video installation, alternative TV programs, street TV, single and multiple channels, institutional video, surveillance cameras, etc.
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spelling The Brazilian documentary in the video eraO documentário brasileiro na era do vídeoHistorically, in its appearance, the video was inaugurated after the television and was directly associated with her. He joined the technologies of communication and information that, in addition to increasing the power of the state and of the large private corporations, also came to the face of political activism, provoking practices in the contentious spirit of the late 1960s. was artistically appropriate and interwoven with contemporary art artists interested in language experiences with moving image technologies. Also the cinema was not unscathed to the contact with the video. The term video, from the Latin videre, see, is slippery in its definition, in addition to having an identity activated in certain contexts of the word video, in isolation, also contemplates video art, video installation, alternative TV programs, street TV, single and multiple channels, institutional video, surveillance cameras, etc.Historicamente, em seu surgimento, o vídeo foi inaugurado após a televisão e ficou diretamente associado a ela. Ele integrou-se às tecnologias da comunicação e da informação que, além de incrementarem o poder do Estado e das grandes corporações privadas, também foi ao encontro do ativismo político ensejando práticas reivindicatórias, no espírito contestatório do final da década de 1960. O vídeo também foi apropriado artisticamente e entrosou-se com artistas da arte contemporânea interessados em experiências de linguagem com tecnologias da imagem em movimento. O cinema também não ficou incólume ao contato com o vídeo. O termo vídeo, do latim videre, ver, é escorregadio em sua definição, além de haver uma identidade ativada em certos contextos da palavra vídeo, isoladamente, também contempla a videoarte, a videoinstalação, programas alternativos de televisão, TV de rua, vídeos em canais únicos e múltiplos, vídeo institucional, câmeras de vigilância etc.UFSCar2014-05-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/178Revista GEMInIS; Edição Especial - JIG 2014; 17-21Revista GEMInIS; Edição Especial - JIG 2014; 17-21Revista GEMInIS; Edição Especial - JIG 2014; 17-212179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/178/148Alexandre Sobrinho, Gilbertoinfo:eu-repo/semantics/openAccess2020-08-10T20:11:30Zoai:ojs.pkp.sfu.ca:article/178Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:11:30Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv The Brazilian documentary in the video era
O documentário brasileiro na era do vídeo
title The Brazilian documentary in the video era
spellingShingle The Brazilian documentary in the video era
Alexandre Sobrinho, Gilberto
title_short The Brazilian documentary in the video era
title_full The Brazilian documentary in the video era
title_fullStr The Brazilian documentary in the video era
title_full_unstemmed The Brazilian documentary in the video era
title_sort The Brazilian documentary in the video era
author Alexandre Sobrinho, Gilberto
author_facet Alexandre Sobrinho, Gilberto
author_role author
dc.contributor.author.fl_str_mv Alexandre Sobrinho, Gilberto
description Historically, in its appearance, the video was inaugurated after the television and was directly associated with her. He joined the technologies of communication and information that, in addition to increasing the power of the state and of the large private corporations, also came to the face of political activism, provoking practices in the contentious spirit of the late 1960s. was artistically appropriate and interwoven with contemporary art artists interested in language experiences with moving image technologies. Also the cinema was not unscathed to the contact with the video. The term video, from the Latin videre, see, is slippery in its definition, in addition to having an identity activated in certain contexts of the word video, in isolation, also contemplates video art, video installation, alternative TV programs, street TV, single and multiple channels, institutional video, surveillance cameras, etc.
publishDate 2014
dc.date.none.fl_str_mv 2014-05-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/178
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/178
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/178/148
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; Edição Especial - JIG 2014; 17-21
Revista GEMInIS; Edição Especial - JIG 2014; 17-21
Revista GEMInIS; Edição Especial - JIG 2014; 17-21
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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