not everything is what it seems: between the documentary and the television reportage in the case of boate kiss
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/304 |
Resumo: | This article addresses the reasons why television documentary and reporting are constantly confused at a time when it is known, at least theoretically, that such audiovisual production shave particular aspects. Based on the analysis of three different audiovisual productions (a report, a large report and a documentary) involving the events related to Kiss Boate in January 2013, this research points the approach and fragility in the distinction of these materials. |
id |
UFSCAR-2_84e3de76736bca5292683bb8555c270d |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/304 |
network_acronym_str |
UFSCAR-2 |
network_name_str |
Revista GEMInIS |
repository_id_str |
|
spelling |
not everything is what it seems: between the documentary and the television reportage in the case of boate kissNEM TUDO É O QUE PARECE: ENTRE O DOCUMENTÁRIO E A REPORTAGEM TELEVISIVA NO CASO DA BOATE KISSAudiovisual productionDocumentaryTelevision reportingBoate KissThis article addresses the reasons why television documentary and reporting are constantly confused at a time when it is known, at least theoretically, that such audiovisual production shave particular aspects. Based on the analysis of three different audiovisual productions (a report, a large report and a documentary) involving the events related to Kiss Boate in January 2013, this research points the approach and fragility in the distinction of these materials.O presente artigo aborda as razões pelas quais documentário e reportagem televisiva são constantemente confundidos contemporaneamente, quando sabe-se, pelo menos teoricamente, que tais produções audiovisuais possuem aspectos particulares. Tomando por base a análise feita com três diferentes produções audiovisuais (uma reportagem, uma grande reportagem e um documentário) envolvendo os acontecimentos relacionados à Boate Kiss em janeiro de 2013, apresentam-se os pontos de aproximação e fragilidade na distinção destes materiais. UFSCar2017-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionProdução audiovisual; Documentário; Reportagem televisiva; Boate Kiss.application/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/304Revista GEMInIS; v. 8 n. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-167Revista GEMInIS; Vol. 8 No. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-167Revista GEMInIS; Vol. 8 Núm. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-1672179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/304/pdfCopyright (c) 2017 Vanessa Matos dos Matosinfo:eu-repo/semantics/openAccessMatos, Vanessa Matos dosSilveira Santos, Giovana2020-08-10T20:10:20Zoai:ojs.pkp.sfu.ca:article/304Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:20Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss NEM TUDO É O QUE PARECE: ENTRE O DOCUMENTÁRIO E A REPORTAGEM TELEVISIVA NO CASO DA BOATE KISS |
title |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
spellingShingle |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss Matos, Vanessa Matos dos Audiovisual production Documentary Television reporting Boate Kiss |
title_short |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
title_full |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
title_fullStr |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
title_full_unstemmed |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
title_sort |
not everything is what it seems: between the documentary and the television reportage in the case of boate kiss |
author |
Matos, Vanessa Matos dos |
author_facet |
Matos, Vanessa Matos dos Silveira Santos, Giovana |
author_role |
author |
author2 |
Silveira Santos, Giovana |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Matos, Vanessa Matos dos Silveira Santos, Giovana |
dc.subject.por.fl_str_mv |
Audiovisual production Documentary Television reporting Boate Kiss |
topic |
Audiovisual production Documentary Television reporting Boate Kiss |
description |
This article addresses the reasons why television documentary and reporting are constantly confused at a time when it is known, at least theoretically, that such audiovisual production shave particular aspects. Based on the analysis of three different audiovisual productions (a report, a large report and a documentary) involving the events related to Kiss Boate in January 2013, this research points the approach and fragility in the distinction of these materials. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Produção audiovisual; Documentário; Reportagem televisiva; Boate Kiss. |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/304 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/304 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/304/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Vanessa Matos dos Matos info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Vanessa Matos dos Matos |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 8 n. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-167 Revista GEMInIS; Vol. 8 No. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-167 Revista GEMInIS; Vol. 8 Núm. 3 (2017): Negócios, inovação, tecnologia e políticas públicas para o audiovisual multiplataformas; 150-167 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
_version_ |
1789434638067826688 |