FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/284 |
Resumo: | The study aims to analyze the fanfictions of Malhação - Sonhos, aiming to know the narrative experiences carried out by the fans and how these dialogue the original narrative. The research has a qualitative approach, with bibliographical research and data collection conducted in an online community through documentary research. The collected information is studied from procedures inspired by Content Analysis. In the results, one can see the freedom of the fan to expand the television narrative from his point of view, focusing mainly on the characters with whom he maintains an affective bond. |
id |
UFSCAR-2_a15279060cd7e445484e3042206e8d52 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/284 |
network_acronym_str |
UFSCAR-2 |
network_name_str |
Revista GEMInIS |
repository_id_str |
|
spelling |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃOFANFICTION E FICÇÃO SERIADA TELEVISIVA: PRÁTICAS DA CULTURA PARTICIPATIVA EM MALHAÇÃOFanfictionMalhaçãoParticipatory cultureFanfictionMalhaçãoCultura participativaThe study aims to analyze the fanfictions of Malhação - Sonhos, aiming to know the narrative experiences carried out by the fans and how these dialogue the original narrative. The research has a qualitative approach, with bibliographical research and data collection conducted in an online community through documentary research. The collected information is studied from procedures inspired by Content Analysis. In the results, one can see the freedom of the fan to expand the television narrative from his point of view, focusing mainly on the characters with whom he maintains an affective bond.O estudo tem como objetivo analisar as fanfictions de Malhação - Sonhos, visando conhecer as experiências narrativas realizadas pelos fãs e como estas dialogam a narrativa original. A pesquisa tem abordagem qualitativa, com pesquisa bibliográfica e coleta de dados realizada em comunidade online por meio da pesquisa documental. As informações coletadas são estudadas a partir de procedimentos inspirados na Análise de Conteúdo. Nos resultados, percebe-se a liberdade do fã para expandir a narrativa televisiva a partir de seu ponto de vista, focando principalmente nas personagens com as quais mantém vínculo afetivo.UFSCar2017-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/284Revista GEMInIS; v. 8 n. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-150Revista GEMInIS; Vol. 8 No. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-150Revista GEMInIS; Vol. 8 Núm. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-1502179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/284/255Copyright (c) 2017 Wesley Pereira Grijó, Taluana Panizzainfo:eu-repo/semantics/openAccessPereira Grijó, WesleyPanizza, Taluana2020-08-10T20:10:34Zoai:ojs.pkp.sfu.ca:article/284Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:34Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO FANFICTION E FICÇÃO SERIADA TELEVISIVA: PRÁTICAS DA CULTURA PARTICIPATIVA EM MALHAÇÃO |
title |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
spellingShingle |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO Pereira Grijó, Wesley Fanfiction Malhação Participatory culture Fanfiction Malhação Cultura participativa |
title_short |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
title_full |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
title_fullStr |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
title_full_unstemmed |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
title_sort |
FANFICTION AND TELEVISION SERIAL FICTION: PARTICIPATORY CULTURE EXPERIENCES IN MALHAÇÃO |
author |
Pereira Grijó, Wesley |
author_facet |
Pereira Grijó, Wesley Panizza, Taluana |
author_role |
author |
author2 |
Panizza, Taluana |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Pereira Grijó, Wesley Panizza, Taluana |
dc.subject.por.fl_str_mv |
Fanfiction Malhação Participatory culture Fanfiction Malhação Cultura participativa |
topic |
Fanfiction Malhação Participatory culture Fanfiction Malhação Cultura participativa |
description |
The study aims to analyze the fanfictions of Malhação - Sonhos, aiming to know the narrative experiences carried out by the fans and how these dialogue the original narrative. The research has a qualitative approach, with bibliographical research and data collection conducted in an online community through documentary research. The collected information is studied from procedures inspired by Content Analysis. In the results, one can see the freedom of the fan to expand the television narrative from his point of view, focusing mainly on the characters with whom he maintains an affective bond. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-19 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/284 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/284 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/284/255 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Wesley Pereira Grijó, Taluana Panizza info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Wesley Pereira Grijó, Taluana Panizza |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 8 n. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-150 Revista GEMInIS; Vol. 8 No. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-150 Revista GEMInIS; Vol. 8 Núm. 1 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 1; 126-150 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
_version_ |
1789434638033223680 |