Branded Content: entertainment and engagement in the era of video on demand
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/296 |
Resumo: | This text seeks to reflect on the importance of branded content for entertainment and advertising industries in a scenario marked by the significant growth of the consumption of videos on demand. It becomes imperative to rethink the disruptive nature of advertising at a time when entertainment itself is progressively consumed at the most convenient times for the audience. Therefore, we present concepts of entertainment and branded content, and exemplify with a case study of web series “Humanidade [em mim]” by the brand Molico, seeking to indicate the potential contribution of branded content to a new Brazilian audiovisual business model. |
id |
UFSCAR-2_c86473866d23370e80545d9905ca5815 |
---|---|
oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/296 |
network_acronym_str |
UFSCAR-2 |
network_name_str |
Revista GEMInIS |
repository_id_str |
|
spelling |
Branded Content: entertainment and engagement in the era of video on demandBranded Content: entretenimento e engajamento na era do vídeo sob demandabranded contentvideo on demandentertainmentadvertisingbranded contentvídeo sob demandaentretenimentopublicidadeThis text seeks to reflect on the importance of branded content for entertainment and advertising industries in a scenario marked by the significant growth of the consumption of videos on demand. It becomes imperative to rethink the disruptive nature of advertising at a time when entertainment itself is progressively consumed at the most convenient times for the audience. Therefore, we present concepts of entertainment and branded content, and exemplify with a case study of web series “Humanidade [em mim]” by the brand Molico, seeking to indicate the potential contribution of branded content to a new Brazilian audiovisual business model.Este texto busca refletir sobre a importância do branded content para as indústrias de entretenimento e publicidade num cenário marcado pelo crescimento significativo do consumo de vídeos sob demanda. Torna-se premente repensarmos o caráter interruptivo da publicidade neste momento em que o próprio entretenimento passa a ser progressivamente consumido nas ocasiões mais convenientes para a audiência. Para tanto, apresentamos conceituações de entretenimento e branded content, e exemplificamos com um estudo de caso da websérie “Humanidade [em mim]” da marca Molico, procurando indicar o potencial de contribuição do branded content a um novo modelo de negócio para o audiovisual brasileiro.UFSCar2017-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/296Revista GEMInIS; v. 8 n. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-67Revista GEMInIS; Vol. 8 No. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-67Revista GEMInIS; Vol. 8 Núm. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-672179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/296/263Copyright (c) 2017 Fernanda Ferreira de Abreu, Daniele de Castro Alvesinfo:eu-repo/semantics/openAccessFerreira de Abreu, FernandaCastro Alves, Daniele de2020-08-10T20:10:30Zoai:ojs.pkp.sfu.ca:article/296Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:30Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
Branded Content: entertainment and engagement in the era of video on demand Branded Content: entretenimento e engajamento na era do vídeo sob demanda |
title |
Branded Content: entertainment and engagement in the era of video on demand |
spellingShingle |
Branded Content: entertainment and engagement in the era of video on demand Ferreira de Abreu, Fernanda branded content video on demand entertainment advertising branded content vídeo sob demanda entretenimento publicidade |
title_short |
Branded Content: entertainment and engagement in the era of video on demand |
title_full |
Branded Content: entertainment and engagement in the era of video on demand |
title_fullStr |
Branded Content: entertainment and engagement in the era of video on demand |
title_full_unstemmed |
Branded Content: entertainment and engagement in the era of video on demand |
title_sort |
Branded Content: entertainment and engagement in the era of video on demand |
author |
Ferreira de Abreu, Fernanda |
author_facet |
Ferreira de Abreu, Fernanda Castro Alves, Daniele de |
author_role |
author |
author2 |
Castro Alves, Daniele de |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Ferreira de Abreu, Fernanda Castro Alves, Daniele de |
dc.subject.por.fl_str_mv |
branded content video on demand entertainment advertising branded content vídeo sob demanda entretenimento publicidade |
topic |
branded content video on demand entertainment advertising branded content vídeo sob demanda entretenimento publicidade |
description |
This text seeks to reflect on the importance of branded content for entertainment and advertising industries in a scenario marked by the significant growth of the consumption of videos on demand. It becomes imperative to rethink the disruptive nature of advertising at a time when entertainment itself is progressively consumed at the most convenient times for the audience. Therefore, we present concepts of entertainment and branded content, and exemplify with a case study of web series “Humanidade [em mim]” by the brand Molico, seeking to indicate the potential contribution of branded content to a new Brazilian audiovisual business model. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/296 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/296 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/296/263 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Fernanda Ferreira de Abreu, Daniele de Castro Alves info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Fernanda Ferreira de Abreu, Daniele de Castro Alves |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 8 n. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-67 Revista GEMInIS; Vol. 8 No. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-67 Revista GEMInIS; Vol. 8 Núm. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 48-67 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
_version_ |
1789434638052098048 |