The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience

Detalhes bibliográficos
Autor(a) principal: Sabino Caldas, Carlos
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/297
Resumo: The article aims to analyze the production of meaning in interactional practices of interactive music videos, dealing with the media discursive universe as interaction space. As object of study analyzed the interactive music video Just A Band Reflektor Arcade Fire, produced in 2014. The results of the analysis, the analysis interactive clip presented in its functional structure, pre-established routines and without the possibility of breaking this programming by the recipient, an indication of its contents discursive elements that produce meaning effects of full interactivity.
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spelling The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experienceA era dos clipes musicais interativos: a produção de sentido nas práticas interacionais da experiência Just a ReflektorInteractive music videoSemioticsInteractivityRegimes of sense and interactionVideoclipe interativoSemióticaInteratividadeRegimes de interação e sentidoThe article aims to analyze the production of meaning in interactional practices of interactive music videos, dealing with the media discursive universe as interaction space. As object of study analyzed the interactive music video Just A Band Reflektor Arcade Fire, produced in 2014. The results of the analysis, the analysis interactive clip presented in its functional structure, pre-established routines and without the possibility of breaking this programming by the recipient, an indication of its contents discursive elements that produce meaning effects of full interactivity.O artigo propôs analisar a produção de sentido nas práticas interacionais de clipes musicais interativos, tratando do universo discursivo midiático como espaço de interação. Como objeto de estudo analisou-se o clipe musical interativo Just A Reflektor da Banda Arcade Fire, produzido em 2014. Como resultados da análise, o clipe interativo analisado apresentou em sua estrutura funcional, rotinas pré-estabelecidas e sem a possibilidade da quebra dessa programação pelo destinatário, demonstrando em seu conteúdo elementos discursivos que produzem efeitos de sentido de interatividade plena.UFSCar2017-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/297Revista GEMInIS; v. 8 n. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-82Revista GEMInIS; Vol. 8 No. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-82Revista GEMInIS; Vol. 8 Núm. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-822179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/297/264Copyright (c) 2017 Carlos Sabino Caldasinfo:eu-repo/semantics/openAccessSabino Caldas, Carlos2020-08-10T20:10:29Zoai:ojs.pkp.sfu.ca:article/297Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:29Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
A era dos clipes musicais interativos: a produção de sentido nas práticas interacionais da experiência Just a Reflektor
title The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
spellingShingle The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
Sabino Caldas, Carlos
Interactive music video
Semiotics
Interactivity
Regimes of sense and interaction
Videoclipe interativo
Semiótica
Interatividade
Regimes de interação e sentido
title_short The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
title_full The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
title_fullStr The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
title_full_unstemmed The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
title_sort The Era of Interactive Music Videos: the production of meaning in the interactional practices of the just a reflektor experience
author Sabino Caldas, Carlos
author_facet Sabino Caldas, Carlos
author_role author
dc.contributor.author.fl_str_mv Sabino Caldas, Carlos
dc.subject.por.fl_str_mv Interactive music video
Semiotics
Interactivity
Regimes of sense and interaction
Videoclipe interativo
Semiótica
Interatividade
Regimes de interação e sentido
topic Interactive music video
Semiotics
Interactivity
Regimes of sense and interaction
Videoclipe interativo
Semiótica
Interatividade
Regimes de interação e sentido
description The article aims to analyze the production of meaning in interactional practices of interactive music videos, dealing with the media discursive universe as interaction space. As object of study analyzed the interactive music video Just A Band Reflektor Arcade Fire, produced in 2014. The results of the analysis, the analysis interactive clip presented in its functional structure, pre-established routines and without the possibility of breaking this programming by the recipient, an indication of its contents discursive elements that produce meaning effects of full interactivity.
publishDate 2017
dc.date.none.fl_str_mv 2017-08-29
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/297
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/297
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/297/264
dc.rights.driver.fl_str_mv Copyright (c) 2017 Carlos Sabino Caldas
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Carlos Sabino Caldas
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 8 n. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-82
Revista GEMInIS; Vol. 8 No. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-82
Revista GEMInIS; Vol. 8 Núm. 2 (2017): Vídeo Sob Demanda - novo modelo de negócio para o audiovisual brasileiro - Parte 2; 68-82
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
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instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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