ON ‘SONICITY’

Detalhes bibliográficos
Autor(a) principal: Ernst, Wolfgang
Data de Publicação: 2019
Outros Autores: Luersen, Eduardo Harry
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista GEMInIS
Texto Completo: https://www.revistageminis.ufscar.br/index.php/geminis/article/view/398
Resumo: Through the concept of sonicity, developed in the present text, Wolfgang Ernst seeks to reconstruct sound both in its aesthetic character, as a manifest temporal phenomenon inscribed in a certain technocultural environment, and in its epistemological dimension, as object of information and knowledge. In addition to presenting the theoretical unfolding of his research on the sound expressions of media, Ernst demonstrates how his particular approach on the prominent field of Media Archeology operates. Through a technomathematical drive towards such objects, Ernst highlights one of the main methodological implications of his research: deriving insights from the interior of the technological agents. This article presents a partial translation of the first chapter of his book Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, where such questions are addressed.
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spelling ON ‘SONICITY’SOBRE A SONICIDADEArqueologia das mídiastemporalidades midiáticasepistemologia do somtecnocultura audiovisualMedia archaeologymedia temporalitiesepistemology of soundaudiovisual technocultureThrough the concept of sonicity, developed in the present text, Wolfgang Ernst seeks to reconstruct sound both in its aesthetic character, as a manifest temporal phenomenon inscribed in a certain technocultural environment, and in its epistemological dimension, as object of information and knowledge. In addition to presenting the theoretical unfolding of his research on the sound expressions of media, Ernst demonstrates how his particular approach on the prominent field of Media Archeology operates. Through a technomathematical drive towards such objects, Ernst highlights one of the main methodological implications of his research: deriving insights from the interior of the technological agents. This article presents a partial translation of the first chapter of his book Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, where such questions are addressed.Neste texto, através do conceito de sonicidade, Wolfgang Ernst procura repensar o som tanto em suas propriedades estéticas, como um fenômeno temporal inscrito em certo ambiente tecnocultural, quanto em sua dimensão epistemológica, enquanto objeto de informação e conhecimento. Além de apresentar os desdobramentos teóricos de sua pesquisa sobre as expressões sonoras das mídias, Ernst demonstra como opera sua abordagem particular sobre o proeminente campo da Arqueologia das Mídias. Através do que chama de um interesse tecnomatemático sobre tais objetos, Ernst evidencia uma das principais implicações metodológicas de sua pesquisa: produzir insights a partir do interior dos agentes tecnológicos. O presente artigo trata-se da tradução parcial do primeiro capítulo de seu livro Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, em que tais questões são abordadas.UFSCar2019-07-19info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/398Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 4-26Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 4-26Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 4-262179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/398/329Copyright (c) 2019 Eduardo Harry Luersen; Wolfgang Ernsthttp://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessErnst, WolfgangLuersen, Eduardo Harry2020-08-10T20:10:00Zoai:ojs.pkp.sfu.ca:article/398Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false
dc.title.none.fl_str_mv ON ‘SONICITY’
SOBRE A SONICIDADE
title ON ‘SONICITY’
spellingShingle ON ‘SONICITY’
Ernst, Wolfgang
Arqueologia das mídias
temporalidades midiáticas
epistemologia do som
tecnocultura audiovisual
Media archaeology
media temporalities
epistemology of sound
audiovisual technoculture
title_short ON ‘SONICITY’
title_full ON ‘SONICITY’
title_fullStr ON ‘SONICITY’
title_full_unstemmed ON ‘SONICITY’
title_sort ON ‘SONICITY’
author Ernst, Wolfgang
author_facet Ernst, Wolfgang
Luersen, Eduardo Harry
author_role author
author2 Luersen, Eduardo Harry
author2_role author
dc.contributor.author.fl_str_mv Ernst, Wolfgang
Luersen, Eduardo Harry
dc.subject.por.fl_str_mv Arqueologia das mídias
temporalidades midiáticas
epistemologia do som
tecnocultura audiovisual
Media archaeology
media temporalities
epistemology of sound
audiovisual technoculture
topic Arqueologia das mídias
temporalidades midiáticas
epistemologia do som
tecnocultura audiovisual
Media archaeology
media temporalities
epistemology of sound
audiovisual technoculture
description Through the concept of sonicity, developed in the present text, Wolfgang Ernst seeks to reconstruct sound both in its aesthetic character, as a manifest temporal phenomenon inscribed in a certain technocultural environment, and in its epistemological dimension, as object of information and knowledge. In addition to presenting the theoretical unfolding of his research on the sound expressions of media, Ernst demonstrates how his particular approach on the prominent field of Media Archeology operates. Through a technomathematical drive towards such objects, Ernst highlights one of the main methodological implications of his research: deriving insights from the interior of the technological agents. This article presents a partial translation of the first chapter of his book Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity, where such questions are addressed.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-19
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/398
url https://www.revistageminis.ufscar.br/index.php/geminis/article/view/398
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.revistageminis.ufscar.br/index.php/geminis/article/view/398/329
dc.rights.driver.fl_str_mv Copyright (c) 2019 Eduardo Harry Luersen; Wolfgang Ernst
http://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Eduardo Harry Luersen; Wolfgang Ernst
http://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UFSCar
publisher.none.fl_str_mv UFSCar
dc.source.none.fl_str_mv Revista GEMInIS; v. 10 n. 1 (2019): Comunicação Multiplataforma; 4-26
Revista GEMInIS; Vol. 10 No. 1 (2019): Multiplatform Communication; 4-26
Revista GEMInIS; Vol. 10 Núm. 1 (2019): Comunicação Multiplataforma; 4-26
2179-1465
reponame:Revista GEMInIS
instname:Universidade Federal de São Carlos (UFSCAR)
instacron:UFSCAR
instname_str Universidade Federal de São Carlos (UFSCAR)
instacron_str UFSCAR
institution UFSCAR
reponame_str Revista GEMInIS
collection Revista GEMInIS
repository.name.fl_str_mv Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)
repository.mail.fl_str_mv ||revista.geminisufscar@gmail.com
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