COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/268 |
Resumo: | This study proposes to investigate self-referential aspects present in the cinematographic and television production of David Lynch, director often associated with the notion of narrative complexity. For that, the Twin Peaks series (ABC, 1990-91) and Twin Peaks, Fire Walk With Me (1992) were highlighted. Although they are of a different nature (televisual and cinematographic), such works comprise a single diegetic universe, establishing a relationship of complementation and narrative expansion. From a narratological analysis of these works, it is sought to contribute to the investigation of audiovisual narrative complexity, especially in its self-referential aspects and in its developments in the Lynchian poetic narrative. |
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COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKSCOMPLEXIDADE NAS OBRAS TELEVISUAIS E CINEMATOGRÁFICAS DE DAVID LYNCHComplexidade NarrativaAutorreferênciaDavid LynchTwin PeaksThis study proposes to investigate self-referential aspects present in the cinematographic and television production of David Lynch, director often associated with the notion of narrative complexity. For that, the Twin Peaks series (ABC, 1990-91) and Twin Peaks, Fire Walk With Me (1992) were highlighted. Although they are of a different nature (televisual and cinematographic), such works comprise a single diegetic universe, establishing a relationship of complementation and narrative expansion. From a narratological analysis of these works, it is sought to contribute to the investigation of audiovisual narrative complexity, especially in its self-referential aspects and in its developments in the Lynchian poetic narrative.Este estudo propõe investigar aspectos autorreferenciais presentes na produção cinematográfica e televisual de David Lynch, realizador frequentemente associado à noção de complexidade narrativa. Para tanto, foram destacados para análise a série Twin Peaks (ABC, 1990-91) e o filme Twin Peaks, Fire Walk With Me (1992). Embora sejam de naturezas distintas (televisual e cinematográfica), tais obras compreendem um único universo diegético, estabelecendo entre si uma relação de complementação e expansão narrativa. A partir de uma análise narratológica dessas obras, busca-se contribuir para a investigação da complexidade narrativa audiovisual, especialmente em seus aspectos autorreferênciais e em seus desdobramentos na poética narrativa lynchiana.UFSCar2016-12-22info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/268Revista GEMInIS; v. 7 n. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-77Revista GEMInIS; Vol. 7 No. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-77Revista GEMInIS; Vol. 7 Núm. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-772179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/268/238Copyright (c) 2016 Letícia Xavier de Lemos Capanemainfo:eu-repo/semantics/openAccessde Lemos Capanema, Letícia Xavier2020-08-10T20:10:42Zoai:ojs.pkp.sfu.ca:article/268Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2020-08-10T20:10:42Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS COMPLEXIDADE NAS OBRAS TELEVISUAIS E CINEMATOGRÁFICAS DE DAVID LYNCH |
title |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
spellingShingle |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS de Lemos Capanema, Letícia Xavier Complexidade Narrativa Autorreferência David Lynch Twin Peaks |
title_short |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
title_full |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
title_fullStr |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
title_full_unstemmed |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
title_sort |
COMPLEXITY IN DAVID LYNCH'S TELEVISUAL AND CINEMATOGRAPHIC WORKS |
author |
de Lemos Capanema, Letícia Xavier |
author_facet |
de Lemos Capanema, Letícia Xavier |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Lemos Capanema, Letícia Xavier |
dc.subject.por.fl_str_mv |
Complexidade Narrativa Autorreferência David Lynch Twin Peaks |
topic |
Complexidade Narrativa Autorreferência David Lynch Twin Peaks |
description |
This study proposes to investigate self-referential aspects present in the cinematographic and television production of David Lynch, director often associated with the notion of narrative complexity. For that, the Twin Peaks series (ABC, 1990-91) and Twin Peaks, Fire Walk With Me (1992) were highlighted. Although they are of a different nature (televisual and cinematographic), such works comprise a single diegetic universe, establishing a relationship of complementation and narrative expansion. From a narratological analysis of these works, it is sought to contribute to the investigation of audiovisual narrative complexity, especially in its self-referential aspects and in its developments in the Lynchian poetic narrative. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-12-22 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/268 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/268 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/268/238 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Letícia Xavier de Lemos Capanema info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Letícia Xavier de Lemos Capanema |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 7 n. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-77 Revista GEMInIS; Vol. 7 No. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-77 Revista GEMInIS; Vol. 7 Núm. 2 (2016): Televisão: Formas Audiovisuais de Ficção e Documentário n.2; 56-77 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
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