JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY
Autor(a) principal: | |
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Data de Publicação: | 2024 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista GEMInIS |
Texto Completo: | https://www.revistageminis.ufscar.br/index.php/geminis/article/view/793 |
Resumo: | This essay proposes a critical reflection on the control of information on Spotify. Specifically, the writing discusses how Big Techs manage data and simulate a public space on private digital platforms. The effort is justified when we verify that, in the academic environment, there is the presence of a naive perspective that considers the internet as a free, democratic and public network. We resorted to the concepts of mediations (Martín-Barbero), strategies and tactics (Certeau) and communicational apparatus (Flusser) to weave ideas on the subject. The final considerations point to the submissiveness of user-interactors in the face of policies for the use of digital platforms. |
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JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY¡ES UNA BROMA! MIRA EL ALGORITMO: UN ENSAYO CRÍTICO-REFLEXIVO SOBRE LA PRODUCCIÓN DE UNA COSMOVISIÓN A PARTIR DEL CONTROL INFORMATIVO-ALGORITMICO DE SPOTIFY"BRINCADEIRINHA! Ó O ALGORITMO": UM ENSAIO CRÍTICO-REFLEXIVO SOBRE A PRODUÇÃO DE UMA COSMOVISÃO A PARTIR DO CONTROLE INFORMACIONAL-ALGORÍTMICO DO SPOTIFYPlataformização (cultural)GatekeepingSpotify(Cultural) platforming; Gatekeeping; Spotify.Plataformización (cultural)GatekeepingSpotifyThis essay proposes a critical reflection on the control of information on Spotify. Specifically, the writing discusses how Big Techs manage data and simulate a public space on private digital platforms. The effort is justified when we verify that, in the academic environment, there is the presence of a naive perspective that considers the internet as a free, democratic and public network. We resorted to the concepts of mediations (Martín-Barbero), strategies and tactics (Certeau) and communicational apparatus (Flusser) to weave ideas on the subject. The final considerations point to the submissiveness of user-interactors in the face of policies for the use of digital platforms.Este ensayo propone una reflexión crítica sobre el control de la información en Spotify. Específicamente, el escrito analiza cómo las Big Tech gestionan los datos y simulan un espacio público en plataformas digitales privadas. El esfuerzo se justifica cuando comprobamos que, en el ámbito académico, existe la presencia de una perspectiva ingenua que considera a internet como una red libre, democrática y pública. Recurrimos a los conceptos de mediaciones (Martín-Barbero), estrategias y tácticas (Certeau) y dispositivos de comunicación (Flusser) para tejer ideas sobre el tema. Las consideraciones finales apuntan a la sumisión de los usuarios-interactores frente a las políticas de uso de las plataformas digitales.Este ensaio propõe uma reflexão crítica acerca do controle da informação no Spotify. Em específico, a escrita discorre como as Big Techs gerenciam dados e simulam nas plataformas digitais privadas um espaço público. Justifica-se o esforço ao verificarmos que, no meio acadêmico, há a presença de uma perspectiva ingênua que considera a internet como uma rede livre, democrática e pública. Recorremos aos conceitos de mediações (Martín-Barbero), estratégias e táticas (Certeau) e aparelhos comunicológicos (Flusser) para tecer ideias sobre o tema. As considerações finais apontam para a submissividade dos usuários-interatores diante das políticas de uso das plataformas digitais.UFSCar2024-05-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/79310.14244/2179-1465.RG.2024v15i1p188-204Revista GEMInIS; v. 15 n. 1 (2024): Narrativas de IA: tendências da produção audiovisual - Parte 2; 188-204Revista GEMInIS; Vol. 15 No. 1 (2024): AI narratives: trends in audiovisual production - Part 2; 188-204Revista GEMInIS; Vol. 15 Núm. 1 (2024): Narrativas de IA: tendencias en la producción audiovisual - Parte 2; 188-2042179-1465reponame:Revista GEMInISinstname:Universidade Federal de São Carlos (UFSCAR)instacron:UFSCARporhttps://www.revistageminis.ufscar.br/index.php/geminis/article/view/793/545Copyright (c) 2024 Felipe Parra, Tadeu Rodrigues Iuamahttp://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessParra, FelipeRodrigues Iuama, Tadeu 2024-05-06T01:35:12Zoai:ojs.pkp.sfu.ca:article/793Revistahttps://www.revistageminis.ufscar.br/index.php/geminisPUBhttps://www.revistageminis.ufscar.br/index.php/geminis/oai||revista.geminisufscar@gmail.com2179-14652179-1465opendoar:2024-05-06T01:35:12Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR)false |
dc.title.none.fl_str_mv |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY ¡ES UNA BROMA! MIRA EL ALGORITMO: UN ENSAYO CRÍTICO-REFLEXIVO SOBRE LA PRODUCCIÓN DE UNA COSMOVISIÓN A PARTIR DEL CONTROL INFORMATIVO-ALGORITMICO DE SPOTIFY "BRINCADEIRINHA! Ó O ALGORITMO": UM ENSAIO CRÍTICO-REFLEXIVO SOBRE A PRODUÇÃO DE UMA COSMOVISÃO A PARTIR DO CONTROLE INFORMACIONAL-ALGORÍTMICO DO SPOTIFY |
title |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
spellingShingle |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY Parra, Felipe Plataformização (cultural) Gatekeeping Spotify (Cultural) platforming; Gatekeeping; Spotify. Plataformización (cultural) Gatekeeping Spotify |
title_short |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
title_full |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
title_fullStr |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
title_full_unstemmed |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
title_sort |
JUST KIDDING! LOOK AT THE ALGORITHM: A CRITICAL-REFLECTIVE ESSAY ON THE PRODUCTION OF A WORLDVIEW FROM THE INFORMATIONAL-ALGORITHMIC CONTROL OF SPOTIFY |
author |
Parra, Felipe |
author_facet |
Parra, Felipe Rodrigues Iuama, Tadeu |
author_role |
author |
author2 |
Rodrigues Iuama, Tadeu |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Parra, Felipe Rodrigues Iuama, Tadeu |
dc.subject.por.fl_str_mv |
Plataformização (cultural) Gatekeeping Spotify (Cultural) platforming; Gatekeeping; Spotify. Plataformización (cultural) Gatekeeping Spotify |
topic |
Plataformização (cultural) Gatekeeping Spotify (Cultural) platforming; Gatekeeping; Spotify. Plataformización (cultural) Gatekeeping Spotify |
description |
This essay proposes a critical reflection on the control of information on Spotify. Specifically, the writing discusses how Big Techs manage data and simulate a public space on private digital platforms. The effort is justified when we verify that, in the academic environment, there is the presence of a naive perspective that considers the internet as a free, democratic and public network. We resorted to the concepts of mediations (Martín-Barbero), strategies and tactics (Certeau) and communicational apparatus (Flusser) to weave ideas on the subject. The final considerations point to the submissiveness of user-interactors in the face of policies for the use of digital platforms. |
publishDate |
2024 |
dc.date.none.fl_str_mv |
2024-05-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/793 10.14244/2179-1465.RG.2024v15i1p188-204 |
url |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/793 |
identifier_str_mv |
10.14244/2179-1465.RG.2024v15i1p188-204 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistageminis.ufscar.br/index.php/geminis/article/view/793/545 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2024 Felipe Parra, Tadeu Rodrigues Iuama http://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2024 Felipe Parra, Tadeu Rodrigues Iuama http://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UFSCar |
publisher.none.fl_str_mv |
UFSCar |
dc.source.none.fl_str_mv |
Revista GEMInIS; v. 15 n. 1 (2024): Narrativas de IA: tendências da produção audiovisual - Parte 2; 188-204 Revista GEMInIS; Vol. 15 No. 1 (2024): AI narratives: trends in audiovisual production - Part 2; 188-204 Revista GEMInIS; Vol. 15 Núm. 1 (2024): Narrativas de IA: tendencias en la producción audiovisual - Parte 2; 188-204 2179-1465 reponame:Revista GEMInIS instname:Universidade Federal de São Carlos (UFSCAR) instacron:UFSCAR |
instname_str |
Universidade Federal de São Carlos (UFSCAR) |
instacron_str |
UFSCAR |
institution |
UFSCAR |
reponame_str |
Revista GEMInIS |
collection |
Revista GEMInIS |
repository.name.fl_str_mv |
Revista GEMInIS - Universidade Federal de São Carlos (UFSCAR) |
repository.mail.fl_str_mv |
||revista.geminisufscar@gmail.com |
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