Objectification and subjectivity in Murilo Mendes' poetry

Detalhes bibliográficos
Autor(a) principal: Correia, Éverton Barbosa
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Literatura e Autoritarismo
Texto Completo: http://periodicos.ufsm.br/LA/article/view/72376
Resumo: Murilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior.
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spelling Objectification and subjectivity in Murilo Mendes' poetryCoisificação e subjetividade na poesia de Murilo MendesModern Brazilian poetryHistoriographyTheodor AdornoPoesia brasileira modernaHistoriografiaTheodor AdornoMurilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior.A obra de Murilo Mendes tem sido largamente abordada como portadora de uma impostação singular no contexto do Modernismo, seja pela sua porção de surrealismo ou de catolicismo. A partir deste primeiro mapeamento da tonalidade de sua voz, interessa destacar nos interstícios de seu discurso os elementos que concorrem para o delineamento de sua expressão subjetiva, considerando que os traços estilísticos ali presentes se materializam de modo particular na linguagem utilizada. Por isso, tomaremos o poema “Coisas” coligido no livro Parábola (1952) como elemento de exploração a ser feita através dos ensaios “Sinais de pontuação” e “Palestra sobre lírica e sociedade” de Theodor Adorno. Não sem antes fazer uma breve apreciação de como aquele livro foi recebido por algumas perspectivas críticas, notadamente a de Antonio Candido e a de José Guilherme Merquior.Universidade Federal de Santa Maria2012-11-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7237610.5902/1679849X72376Literatura e Autoritarismo; n. 12 (2012): Dossiê "Theodor Adorno e o estudo da poesia"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/72376/49415Correia, Éverton Barbosainfo:eu-repo/semantics/openAccess2023-05-24T02:40:07Zoai:ojs.pkp.sfu.ca:article/72376Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:40:07Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Objectification and subjectivity in Murilo Mendes' poetry
Coisificação e subjetividade na poesia de Murilo Mendes
title Objectification and subjectivity in Murilo Mendes' poetry
spellingShingle Objectification and subjectivity in Murilo Mendes' poetry
Correia, Éverton Barbosa
Modern Brazilian poetry
Historiography
Theodor Adorno
Poesia brasileira moderna
Historiografia
Theodor Adorno
title_short Objectification and subjectivity in Murilo Mendes' poetry
title_full Objectification and subjectivity in Murilo Mendes' poetry
title_fullStr Objectification and subjectivity in Murilo Mendes' poetry
title_full_unstemmed Objectification and subjectivity in Murilo Mendes' poetry
title_sort Objectification and subjectivity in Murilo Mendes' poetry
author Correia, Éverton Barbosa
author_facet Correia, Éverton Barbosa
author_role author
dc.contributor.author.fl_str_mv Correia, Éverton Barbosa
dc.subject.por.fl_str_mv Modern Brazilian poetry
Historiography
Theodor Adorno
Poesia brasileira moderna
Historiografia
Theodor Adorno
topic Modern Brazilian poetry
Historiography
Theodor Adorno
Poesia brasileira moderna
Historiografia
Theodor Adorno
description Murilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior.
publishDate 2012
dc.date.none.fl_str_mv 2012-11-15
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/72376
10.5902/1679849X72376
url http://periodicos.ufsm.br/LA/article/view/72376
identifier_str_mv 10.5902/1679849X72376
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/72376/49415
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 12 (2012): Dossiê "Theodor Adorno e o estudo da poesia"
1679-849X
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
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