Objectification and subjectivity in Murilo Mendes' poetry
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/72376 |
Resumo: | Murilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior. |
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Objectification and subjectivity in Murilo Mendes' poetryCoisificação e subjetividade na poesia de Murilo MendesModern Brazilian poetryHistoriographyTheodor AdornoPoesia brasileira modernaHistoriografiaTheodor AdornoMurilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior.A obra de Murilo Mendes tem sido largamente abordada como portadora de uma impostação singular no contexto do Modernismo, seja pela sua porção de surrealismo ou de catolicismo. A partir deste primeiro mapeamento da tonalidade de sua voz, interessa destacar nos interstícios de seu discurso os elementos que concorrem para o delineamento de sua expressão subjetiva, considerando que os traços estilísticos ali presentes se materializam de modo particular na linguagem utilizada. Por isso, tomaremos o poema “Coisas” coligido no livro Parábola (1952) como elemento de exploração a ser feita através dos ensaios “Sinais de pontuação” e “Palestra sobre lírica e sociedade” de Theodor Adorno. Não sem antes fazer uma breve apreciação de como aquele livro foi recebido por algumas perspectivas críticas, notadamente a de Antonio Candido e a de José Guilherme Merquior.Universidade Federal de Santa Maria2012-11-15info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7237610.5902/1679849X72376Literatura e Autoritarismo; n. 12 (2012): Dossiê "Theodor Adorno e o estudo da poesia"1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/72376/49415Correia, Éverton Barbosainfo:eu-repo/semantics/openAccess2023-05-24T02:40:07Zoai:ojs.pkp.sfu.ca:article/72376Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:40:07Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Objectification and subjectivity in Murilo Mendes' poetry Coisificação e subjetividade na poesia de Murilo Mendes |
title |
Objectification and subjectivity in Murilo Mendes' poetry |
spellingShingle |
Objectification and subjectivity in Murilo Mendes' poetry Correia, Éverton Barbosa Modern Brazilian poetry Historiography Theodor Adorno Poesia brasileira moderna Historiografia Theodor Adorno |
title_short |
Objectification and subjectivity in Murilo Mendes' poetry |
title_full |
Objectification and subjectivity in Murilo Mendes' poetry |
title_fullStr |
Objectification and subjectivity in Murilo Mendes' poetry |
title_full_unstemmed |
Objectification and subjectivity in Murilo Mendes' poetry |
title_sort |
Objectification and subjectivity in Murilo Mendes' poetry |
author |
Correia, Éverton Barbosa |
author_facet |
Correia, Éverton Barbosa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Correia, Éverton Barbosa |
dc.subject.por.fl_str_mv |
Modern Brazilian poetry Historiography Theodor Adorno Poesia brasileira moderna Historiografia Theodor Adorno |
topic |
Modern Brazilian poetry Historiography Theodor Adorno Poesia brasileira moderna Historiografia Theodor Adorno |
description |
Murilo Mendes' work has been widely discussed as a natural setting in the context of Modernism, for its portion of Surrealism or Catholicism. From this first mapping of his voice tone, it is interested to point out the interstices of his speech to emphasize the elements that contribute to the delineation of its subjective expression, considering the stylistic traits there present materialize in a particular way in the language used. Therefore, we will take the poem "Coisas" collected in the book Parábola (1952) as an element of exploration to be done through the essays "Signs of punctuation" and “Lecture on poetry and society” of Theodor Adorno. Not before making a brief assessment of how that book was received by some perspective of criticism, notably by Antonio Candido and José Guilherme Merquior. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-11-15 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/72376 10.5902/1679849X72376 |
url |
http://periodicos.ufsm.br/LA/article/view/72376 |
identifier_str_mv |
10.5902/1679849X72376 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/72376/49415 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 12 (2012): Dossiê "Theodor Adorno e o estudo da poesia" 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944021272952832 |