Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?

Detalhes bibliográficos
Autor(a) principal: Fernandes, Fernanda Pires Alvarenga
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: Literatura e Autoritarismo
Texto Completo: http://periodicos.ufsm.br/LA/article/view/75302
Resumo: This paper discusses the reception of art and literature on the assumption that common sense create a conservative audience, not given to dialectic manners and prone to censorship. It also seeks to evaluate strategies of intervention in the public space from the use of erotic or pornographic themes that destabilize the standard audience. We approach works that are accepted on private consumption and others that move the debate into the public sphere. For this purpose, we read the oil on canvas The origin of the world, painted by Gustave Courbet, and the book of poems Cosmologia do impreciso, written by Oswaldo Martins. Such works, despite the distance in time, led to recent reactions of censorship with the suspension of the Facebook account of the danish artist Frode Steinicke and with the dismissal of poet and teacher of the school where he worked.
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spelling Interventions in the public sphere: what kind of pornography destabilizes a conservative reception? Intervenções na esfera pública: que tipo de pornografia desestabiliza uma recepção conservadora?Media consumptionPublic sphereReceptionDemocracyConsumo midiáticoEspaço públicoRecepçãoDemocraciaThis paper discusses the reception of art and literature on the assumption that common sense create a conservative audience, not given to dialectic manners and prone to censorship. It also seeks to evaluate strategies of intervention in the public space from the use of erotic or pornographic themes that destabilize the standard audience. We approach works that are accepted on private consumption and others that move the debate into the public sphere. For this purpose, we read the oil on canvas The origin of the world, painted by Gustave Courbet, and the book of poems Cosmologia do impreciso, written by Oswaldo Martins. Such works, despite the distance in time, led to recent reactions of censorship with the suspension of the Facebook account of the danish artist Frode Steinicke and with the dismissal of poet and teacher of the school where he worked.Este trabalho propõe pensar a recepção de obras de arte e literárias a partir do pressuposto de que o senso comum institui um público conservador, pouco dialético e propenso a reações de censura. Busca também avaliar estratégias de intervenção no espaço público a partir do uso de temas considerados eróticos ou pornográficos, que desestabilizariam a recepção convencional. Procuramos diferenciar obras que são aceitas no consumo privado e outras que deslocam o debate para a esfera pública. Para tanto, valemo-nos de uma leitura aproximativa do quadro A origem do mundo, de Gustave Courbet, e do livro de poemas Cosmologia do impreciso, de Oswaldo Martins. Tais obras, apesar da distância no tempo, provocaram recentes reações de censura e debate público, tanto no fórum virtual, com a suspensão da conta do Facebook do artista dinamarquês Frode Steinicke, quanto na vida pública, com a demissão do poeta e professor de uma das escolas em que trabalhava.Universidade Federal de Santa Maria2012-09-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/7530210.5902/1679849X75302Literatura e Autoritarismo; n. 9 (2012): Dossiê "Forças de opressão e estratégias de resistência na cultura contemporânea"; 51-681679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/75302/52392Copyright (c) 2012 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessFernandes, Fernanda Pires Alvarenga 2023-05-24T02:35:54Zoai:ojs.pkp.sfu.ca:article/75302Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2023-05-24T02:35:54Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
Intervenções na esfera pública: que tipo de pornografia desestabiliza uma recepção conservadora?
title Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
spellingShingle Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
Fernandes, Fernanda Pires Alvarenga
Media consumption
Public sphere
Reception
Democracy
Consumo midiático
Espaço público
Recepção
Democracia
title_short Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
title_full Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
title_fullStr Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
title_full_unstemmed Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
title_sort Interventions in the public sphere: what kind of pornography destabilizes a conservative reception?
author Fernandes, Fernanda Pires Alvarenga
author_facet Fernandes, Fernanda Pires Alvarenga
author_role author
dc.contributor.author.fl_str_mv Fernandes, Fernanda Pires Alvarenga
dc.subject.por.fl_str_mv Media consumption
Public sphere
Reception
Democracy
Consumo midiático
Espaço público
Recepção
Democracia
topic Media consumption
Public sphere
Reception
Democracy
Consumo midiático
Espaço público
Recepção
Democracia
description This paper discusses the reception of art and literature on the assumption that common sense create a conservative audience, not given to dialectic manners and prone to censorship. It also seeks to evaluate strategies of intervention in the public space from the use of erotic or pornographic themes that destabilize the standard audience. We approach works that are accepted on private consumption and others that move the debate into the public sphere. For this purpose, we read the oil on canvas The origin of the world, painted by Gustave Courbet, and the book of poems Cosmologia do impreciso, written by Oswaldo Martins. Such works, despite the distance in time, led to recent reactions of censorship with the suspension of the Facebook account of the danish artist Frode Steinicke and with the dismissal of poet and teacher of the school where he worked.
publishDate 2012
dc.date.none.fl_str_mv 2012-09-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/LA/article/view/75302
10.5902/1679849X75302
url http://periodicos.ufsm.br/LA/article/view/75302
identifier_str_mv 10.5902/1679849X75302
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/LA/article/view/75302/52392
dc.rights.driver.fl_str_mv Copyright (c) 2012 Literatura e Autoritarismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2012 Literatura e Autoritarismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Literatura e Autoritarismo; n. 9 (2012): Dossiê "Forças de opressão e estratégias de resistência na cultura contemporânea"; 51-68
1679-849X
1679-849X
reponame:Literatura e Autoritarismo
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Literatura e Autoritarismo
collection Literatura e Autoritarismo
repository.name.fl_str_mv Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv gla@mail.ufsm.br||jlourique@pq.cnpq.br
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