Memories and Resistance in the Poetics of Samba-Schools
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Literatura e Autoritarismo |
Texto Completo: | http://periodicos.ufsm.br/LA/article/view/63296 |
Resumo: | Artistic genre created in the urban periphery, the samba-school parades originated a new song genre, the samba-enredo, which has in its poetics the presence of History. Reproducing the tensions of the Brazilian reality, the hegemonic and counter-hegemonic discourses, the samba-schools see in periods of “screams of contraviolence” (POLLAK, 1989) spill out cycles of political and social criticism in the aesthetics of their parades and in the poetics of their song. In this article, after contextualizing the relationship between memory and carnival, a Case Study of two parades in 2020 will be made, understanding them under Interart Studies (CLÜVER, 2006): that of Grande Rio, Tata Londirá: the Canto do Caboclo in Quilombo de Caxias, and of Mangueira, The truth will set you free. In common, the fact that they evoke speeches of resistance and provoke the emergence of submersed memories, silenced (POLLAK, 1989), building other narratives about the national imaginary. |
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Memories and Resistance in the Poetics of Samba-SchoolsMemórias e resistência na poética das escolas de sambaSamba-EnredoBrazilian CarnivalSamba-SchoolsPopular SongMemorySamba-enredoCarnaval BrasileiroEscolas de sambaCanção popularMemóriaArtistic genre created in the urban periphery, the samba-school parades originated a new song genre, the samba-enredo, which has in its poetics the presence of History. Reproducing the tensions of the Brazilian reality, the hegemonic and counter-hegemonic discourses, the samba-schools see in periods of “screams of contraviolence” (POLLAK, 1989) spill out cycles of political and social criticism in the aesthetics of their parades and in the poetics of their song. In this article, after contextualizing the relationship between memory and carnival, a Case Study of two parades in 2020 will be made, understanding them under Interart Studies (CLÜVER, 2006): that of Grande Rio, Tata Londirá: the Canto do Caboclo in Quilombo de Caxias, and of Mangueira, The truth will set you free. In common, the fact that they evoke speeches of resistance and provoke the emergence of submersed memories, silenced (POLLAK, 1989), building other narratives about the national imaginary.Gênero artístico criado na periferia urbana, o desfile de escolas de samba deu origem a um novo gênero cancional, o samba-enredo, que tem na sua poética a forte presença da História. Reproduzindo as tensões da realidade brasileira, os discursos hegemônicos e contra-hegemônicos, as escolas de samba veem nos períodos de “gritos de contraviolência“ (POLLAK, 1989) extravasar ciclos de crítica política e social na estética de seus desfiles e na poética de sua canção. Neste artigo, após contextualizar a relação entre memória e carnaval, se fará um Estudo de Caso de dois desfiles de 2020, compreendendo-os sob os Estudos Interartes (CLÜVER, 2006): o da Grande Rio, Tata Londirá: o Canto do Caboclo no Quilombo de Caxias, e o da Mangueira, A verdade vos fará livre. Em comum, o fato de evocarem discursos de resistência e fazerem emergir memórias que estavam submersas, silenciadas (POLLAK, 1989), tecendo outras narrativas acerca do imaginário nacional.Universidade Federal de Santa Maria2021-01-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttp://periodicos.ufsm.br/LA/article/view/6329610.5902/1679849X63296Literatura e Autoritarismo; n. 36 (2020): Literatura e Autoritarismo: Tempos, memórias, histórias1679-849X1679-849Xreponame:Literatura e Autoritarismoinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/LA/article/view/63296/42866Copyright (c) 2021 Literatura e Autoritarismoinfo:eu-repo/semantics/openAccessRaymundo, Jackson2021-08-12T14:24:35Zoai:ojs.pkp.sfu.ca:article/63296Revistahttps://periodicos.ufsm.br/LA/indexPUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/LA/oaigla@mail.ufsm.br||jlourique@pq.cnpq.br1679-849X1679-849Xopendoar:2021-08-12T14:24:35Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Memories and Resistance in the Poetics of Samba-Schools Memórias e resistência na poética das escolas de samba |
title |
Memories and Resistance in the Poetics of Samba-Schools |
spellingShingle |
Memories and Resistance in the Poetics of Samba-Schools Raymundo, Jackson Samba-Enredo Brazilian Carnival Samba-Schools Popular Song Memory Samba-enredo Carnaval Brasileiro Escolas de samba Canção popular Memória |
title_short |
Memories and Resistance in the Poetics of Samba-Schools |
title_full |
Memories and Resistance in the Poetics of Samba-Schools |
title_fullStr |
Memories and Resistance in the Poetics of Samba-Schools |
title_full_unstemmed |
Memories and Resistance in the Poetics of Samba-Schools |
title_sort |
Memories and Resistance in the Poetics of Samba-Schools |
author |
Raymundo, Jackson |
author_facet |
Raymundo, Jackson |
author_role |
author |
dc.contributor.author.fl_str_mv |
Raymundo, Jackson |
dc.subject.por.fl_str_mv |
Samba-Enredo Brazilian Carnival Samba-Schools Popular Song Memory Samba-enredo Carnaval Brasileiro Escolas de samba Canção popular Memória |
topic |
Samba-Enredo Brazilian Carnival Samba-Schools Popular Song Memory Samba-enredo Carnaval Brasileiro Escolas de samba Canção popular Memória |
description |
Artistic genre created in the urban periphery, the samba-school parades originated a new song genre, the samba-enredo, which has in its poetics the presence of History. Reproducing the tensions of the Brazilian reality, the hegemonic and counter-hegemonic discourses, the samba-schools see in periods of “screams of contraviolence” (POLLAK, 1989) spill out cycles of political and social criticism in the aesthetics of their parades and in the poetics of their song. In this article, after contextualizing the relationship between memory and carnival, a Case Study of two parades in 2020 will be made, understanding them under Interart Studies (CLÜVER, 2006): that of Grande Rio, Tata Londirá: the Canto do Caboclo in Quilombo de Caxias, and of Mangueira, The truth will set you free. In common, the fact that they evoke speeches of resistance and provoke the emergence of submersed memories, silenced (POLLAK, 1989), building other narratives about the national imaginary. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-01-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/63296 10.5902/1679849X63296 |
url |
http://periodicos.ufsm.br/LA/article/view/63296 |
identifier_str_mv |
10.5902/1679849X63296 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/LA/article/view/63296/42866 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Literatura e Autoritarismo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Literatura e Autoritarismo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Literatura e Autoritarismo; n. 36 (2020): Literatura e Autoritarismo: Tempos, memórias, histórias 1679-849X 1679-849X reponame:Literatura e Autoritarismo instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Literatura e Autoritarismo |
collection |
Literatura e Autoritarismo |
repository.name.fl_str_mv |
Literatura e Autoritarismo - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
gla@mail.ufsm.br||jlourique@pq.cnpq.br |
_version_ |
1799944020705673216 |