The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo

Detalhes bibliográficos
Autor(a) principal: Ernica, Mauricio
Data de Publicação: 2017
Outros Autores: Molina, Sergio
Tipo de documento: Artigo
Idioma: por
Título da fonte: Per Musi
Texto Completo: https://periodicos.ufmg.br/index.php/permusi/article/view/5207
Resumo: This article introduces an approach to popular song that combines socio‐historic analysis – which discusses the relationship between the work and its social environment – with the musical‐linguistic‐discursive aspects of its inner structure. It also seeks to identify and analyse the elements responsible for the production of musical aesthetic responses. Firstly, the work introduces a series of theoretical frames of reference based on the works of Antonio Candido, Lev S. Vigotski, Carlos Sandroni, Simha Arom and Godfried Toussaint. Secondly, we will analyse a particular case: the samba Portela na avenida by Mauro Duarte and Paulo César Pinheiro, popularized in recording by Clara Nunes.
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spelling The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredoA sagração da Portela: música, letra e contexto social na produção de reações estéticas em um samba‐enredosongBrazilian popular musicsambasamba‐enredocançãomúsica popularsambasamba‐enredoThis article introduces an approach to popular song that combines socio‐historic analysis – which discusses the relationship between the work and its social environment – with the musical‐linguistic‐discursive aspects of its inner structure. It also seeks to identify and analyse the elements responsible for the production of musical aesthetic responses. Firstly, the work introduces a series of theoretical frames of reference based on the works of Antonio Candido, Lev S. Vigotski, Carlos Sandroni, Simha Arom and Godfried Toussaint. Secondly, we will analyse a particular case: the samba Portela na avenida by Mauro Duarte and Paulo César Pinheiro, popularized in recording by Clara Nunes.Este artigo propõe uma abordagem para o estudo de canções populares que articula a análise sócio‐histórica – que diz respeito às relações da obra com o espaço social – com as abordagens musical e linguístico‐discursiva de sua estrutura interna, identificando e analisando os elementos responsáveis por produzir reações estéticas. Primeiramente, apresentamos referenciais teóricos baseados, sobretudo, nas obras de Antonio Candido, Lev S. Vigotski, Carlos Sandroni, Simha Arom e Godfried Toussaint. Em seguida, analisamos um caso particular: o samba Portela na avenida, de Mauro Duarte e Paulo César Pinheiro, popularizado na gravação de Clara Nunes.Universidade Federal de Minas Gerais (UFMG)2017-02-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufmg.br/index.php/permusi/article/view/520710.1590/permusi20163407Per Musi; No. 34 (2016): General TopicsPer Musi; Núm. 34 (2016): General TopicsPer Musi; n. 34 (2016): General Topics2317-63771517-7599reponame:Per Musiinstname:Universidade Federal de Minas Gerais (UFMG)instacron:UFMGporhttps://periodicos.ufmg.br/index.php/permusi/article/view/5207/3232Ernica, MauricioMolina, Sergioinfo:eu-repo/semantics/openAccess2020-01-23T17:09:18Zoai:periodicos.ufmg.br:article/5207Revistahttp://www.scielo.br/revistas/pm/iaboutj.htmPUBhttps://old.scielo.br/oai/scielo-oai.phpantoniom@fgvnf.br||permusi@ufmg.br2317-63771517-7599opendoar:2020-01-23T17:09:18Per Musi - Universidade Federal de Minas Gerais (UFMG)false
dc.title.none.fl_str_mv The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
A sagração da Portela: música, letra e contexto social na produção de reações estéticas em um samba‐enredo
title The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
spellingShingle The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
Ernica, Mauricio
song
Brazilian popular music
samba
samba‐enredo
canção
música popular
samba
samba‐enredo
title_short The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
title_full The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
title_fullStr The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
title_full_unstemmed The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
title_sort The rite of Portela: music, lyrics and social context in the production of aesthetic responses in a samba‐enredo
author Ernica, Mauricio
author_facet Ernica, Mauricio
Molina, Sergio
author_role author
author2 Molina, Sergio
author2_role author
dc.contributor.author.fl_str_mv Ernica, Mauricio
Molina, Sergio
dc.subject.por.fl_str_mv song
Brazilian popular music
samba
samba‐enredo
canção
música popular
samba
samba‐enredo
topic song
Brazilian popular music
samba
samba‐enredo
canção
música popular
samba
samba‐enredo
description This article introduces an approach to popular song that combines socio‐historic analysis – which discusses the relationship between the work and its social environment – with the musical‐linguistic‐discursive aspects of its inner structure. It also seeks to identify and analyse the elements responsible for the production of musical aesthetic responses. Firstly, the work introduces a series of theoretical frames of reference based on the works of Antonio Candido, Lev S. Vigotski, Carlos Sandroni, Simha Arom and Godfried Toussaint. Secondly, we will analyse a particular case: the samba Portela na avenida by Mauro Duarte and Paulo César Pinheiro, popularized in recording by Clara Nunes.
publishDate 2017
dc.date.none.fl_str_mv 2017-02-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5207
10.1590/permusi20163407
url https://periodicos.ufmg.br/index.php/permusi/article/view/5207
identifier_str_mv 10.1590/permusi20163407
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufmg.br/index.php/permusi/article/view/5207/3232
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
publisher.none.fl_str_mv Universidade Federal de Minas Gerais (UFMG)
dc.source.none.fl_str_mv Per Musi; No. 34 (2016): General Topics
Per Musi; Núm. 34 (2016): General Topics
Per Musi; n. 34 (2016): General Topics
2317-6377
1517-7599
reponame:Per Musi
instname:Universidade Federal de Minas Gerais (UFMG)
instacron:UFMG
instname_str Universidade Federal de Minas Gerais (UFMG)
instacron_str UFMG
institution UFMG
reponame_str Per Musi
collection Per Musi
repository.name.fl_str_mv Per Musi - Universidade Federal de Minas Gerais (UFMG)
repository.mail.fl_str_mv antoniom@fgvnf.br||permusi@ufmg.br
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