Portraits of Susana: from text to painting

Detalhes bibliográficos
Autor(a) principal: Miranda, Vivian Castro de
Data de Publicação: 2017
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/26403
Resumo: From the notion about "what is Beauty", it is proposed to discuss a problematic theme that is the female harassment in the history of art and the ancient texts. Taking the story of Susana attributed to the prophet Daniel, is noticed that a profusion of plastic versions of this narrative, which usually represent a naked woman terrified by the male gaze, that violates and gets in the scene of what should be a quiet bath. The corpus analyzed comes from the text to the painting, with the main focus being the italian artist Artemisia Gentileschi (1593-1651/53), who points to important reflections of the contemporary context regarding the feminine view, being the same passage portrayed by several artists at different times. The aim is to contribute to the studies that think about the female authorship and the interference on the point of view, besides the relations between text, image and historical context.
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spelling Portraits of Susana: from text to paintingRetratos de Susana: do texto à pinturaAestheticPaintingApocryphal narrativePoint of viewFemale authorshipEstéticaPinturaNarrativa apócrifaPonto de vistaAutoria femininaFrom the notion about "what is Beauty", it is proposed to discuss a problematic theme that is the female harassment in the history of art and the ancient texts. Taking the story of Susana attributed to the prophet Daniel, is noticed that a profusion of plastic versions of this narrative, which usually represent a naked woman terrified by the male gaze, that violates and gets in the scene of what should be a quiet bath. The corpus analyzed comes from the text to the painting, with the main focus being the italian artist Artemisia Gentileschi (1593-1651/53), who points to important reflections of the contemporary context regarding the feminine view, being the same passage portrayed by several artists at different times. The aim is to contribute to the studies that think about the female authorship and the interference on the point of view, besides the relations between text, image and historical context.A partir da noção sobre “o que é Belo”, propõe-se discutir um tema problemático que é a violação feminina na história da arte e dos textos antigos. Tomando a história de Susana atribuída ao profeta Daniel, percebe-se uma profusão de versões plásticas dessa narrativa, que geralmente representam uma mulher nua aterrorizada pelo olhar masculino, que viola e adentra a cena do que deveria ser um tranquilo banho. O corpus analisado parte do texto para a pintura, tendo como principal foco a artista italiana Artemisia Gentileschi (1593-1651/53), que aponta para importantes reflexões do contexto contemporâneo no que se refere à visão feminina, sendo a mesma passagem retratada por diversos artistas homens em diferentes épocas. Pretende-se assim contribuir para os estudos que pensam a autoria feminina e a interferência sobre o ponto de vista, além das relações entre texto, imagem e contexto histórico.Universidade Federal de Santa Maria2017-05-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/2640310.5902/1983734826403Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 1, jan./abr. 2017; 068-081Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 1, jan./abr. 2017; 068-0811983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/26403/pdfCopyright (c) 2017 Revista Digital do LAVinfo:eu-repo/semantics/openAccessMiranda, Vivian Castro de2020-06-17T14:32:36Zoai:ojs.pkp.sfu.ca:article/26403Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-17T14:32:36Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Portraits of Susana: from text to painting
Retratos de Susana: do texto à pintura
title Portraits of Susana: from text to painting
spellingShingle Portraits of Susana: from text to painting
Miranda, Vivian Castro de
Aesthetic
Painting
Apocryphal narrative
Point of view
Female authorship
Estética
Pintura
Narrativa apócrifa
Ponto de vista
Autoria feminina
title_short Portraits of Susana: from text to painting
title_full Portraits of Susana: from text to painting
title_fullStr Portraits of Susana: from text to painting
title_full_unstemmed Portraits of Susana: from text to painting
title_sort Portraits of Susana: from text to painting
author Miranda, Vivian Castro de
author_facet Miranda, Vivian Castro de
author_role author
dc.contributor.author.fl_str_mv Miranda, Vivian Castro de
dc.subject.por.fl_str_mv Aesthetic
Painting
Apocryphal narrative
Point of view
Female authorship
Estética
Pintura
Narrativa apócrifa
Ponto de vista
Autoria feminina
topic Aesthetic
Painting
Apocryphal narrative
Point of view
Female authorship
Estética
Pintura
Narrativa apócrifa
Ponto de vista
Autoria feminina
description From the notion about "what is Beauty", it is proposed to discuss a problematic theme that is the female harassment in the history of art and the ancient texts. Taking the story of Susana attributed to the prophet Daniel, is noticed that a profusion of plastic versions of this narrative, which usually represent a naked woman terrified by the male gaze, that violates and gets in the scene of what should be a quiet bath. The corpus analyzed comes from the text to the painting, with the main focus being the italian artist Artemisia Gentileschi (1593-1651/53), who points to important reflections of the contemporary context regarding the feminine view, being the same passage portrayed by several artists at different times. The aim is to contribute to the studies that think about the female authorship and the interference on the point of view, besides the relations between text, image and historical context.
publishDate 2017
dc.date.none.fl_str_mv 2017-05-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/26403
10.5902/1983734826403
url http://periodicos.ufsm.br/revislav/article/view/26403
identifier_str_mv 10.5902/1983734826403
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/26403/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2017 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 1, jan./abr. 2017; 068-081
Revista Digital do LAV; 2017: Revista Digital do LAV - v. 10, n. 1, jan./abr. 2017; 068-081
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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