Orphaned Films: Digital Film Practices by Today’s Children
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/67339 |
Resumo: | Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media. |
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Orphaned Films: Digital Film Practices by Today’s ChildrenOrphaned Films: Digital Film Practices by Today’s ChildrenChildrendigital filmmakingorphan filmsmedia archaeology.Criançascinegrafia digitalfilmes órfãosarqueologia da mídia.Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media.As crianças atuais começam a criar filmes digitais muito cedo, pelo uso de smartfones, câmeras compactas e outros dispositivos de mídia digital. Para estes jovens cineastas, filmar é uma forma de brincar. Em geral, uma vez que o filme tenha sido gravado, a criança perde interesse nele. Nós propomos chamar gravações de vídeos digitais feitas por essas crianças de “filmes órfãos”, não apenas porque são geralmente destinados ao esquecimento, mas também porque não são reivindicados por seus próprios criadores. Ao invés de estudar esses “filmes caseiros” na tradição de práticas de mídia domésticas, nós o tomamos como ponto de partida para discutir a contribuição de crianças à arqueologia da mídia como uma prática, ou seja, um engajamento concreto com a materialidade e temporalidade da mídia. Examinando as fronteiras entre gravação e produto gravado, por exemplo, as crianças intuitivamente criam conexões entre o passado, o presente e o futuro da imagem em movimento. Elas estão resistindo à obsolescência planejada dos dispositivos tecnológicos atuais de forma a reaproveitá-los, transformando-os em ferramentas lúdicas e usando-os para explorar não apenas o mundo a seu redor, mas também as limitações e potencialidades da mídia.Universidade Federal de Santa Maria2021-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/6733910.5902/1983734867339Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-2281983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMenghttp://periodicos.ufsm.br/revislav/article/view/67339/pdfCopyright (c) 2021 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSchneider, AlexandraStrauven, Wanda2021-11-22T19:10:19Zoai:ojs.pkp.sfu.ca:article/67339Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2021-11-22T19:10:19Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Orphaned Films: Digital Film Practices by Today’s Children Orphaned Films: Digital Film Practices by Today’s Children |
title |
Orphaned Films: Digital Film Practices by Today’s Children |
spellingShingle |
Orphaned Films: Digital Film Practices by Today’s Children Schneider, Alexandra Children digital filmmaking orphan films media archaeology. Crianças cinegrafia digital filmes órfãos arqueologia da mídia. |
title_short |
Orphaned Films: Digital Film Practices by Today’s Children |
title_full |
Orphaned Films: Digital Film Practices by Today’s Children |
title_fullStr |
Orphaned Films: Digital Film Practices by Today’s Children |
title_full_unstemmed |
Orphaned Films: Digital Film Practices by Today’s Children |
title_sort |
Orphaned Films: Digital Film Practices by Today’s Children |
author |
Schneider, Alexandra |
author_facet |
Schneider, Alexandra Strauven, Wanda |
author_role |
author |
author2 |
Strauven, Wanda |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Schneider, Alexandra Strauven, Wanda |
dc.subject.por.fl_str_mv |
Children digital filmmaking orphan films media archaeology. Crianças cinegrafia digital filmes órfãos arqueologia da mídia. |
topic |
Children digital filmmaking orphan films media archaeology. Crianças cinegrafia digital filmes órfãos arqueologia da mídia. |
description |
Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-08-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/67339 10.5902/1983734867339 |
url |
http://periodicos.ufsm.br/revislav/article/view/67339 |
identifier_str_mv |
10.5902/1983734867339 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/67339/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228 Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434630373376000 |