Orphaned Films: Digital Film Practices by Today’s Children

Detalhes bibliográficos
Autor(a) principal: Schneider, Alexandra
Data de Publicação: 2021
Outros Autores: Strauven, Wanda
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/67339
Resumo: Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media.
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spelling Orphaned Films: Digital Film Practices by Today’s ChildrenOrphaned Films: Digital Film Practices by Today’s ChildrenChildrendigital filmmakingorphan filmsmedia archaeology.Criançascinegrafia digitalfilmes órfãosarqueologia da mídia.Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media.As crianças atuais começam a criar filmes digitais muito cedo, pelo uso de smartfones, câmeras compactas e outros dispositivos de mídia digital. Para estes jovens cineastas, filmar é uma forma de brincar. Em geral, uma vez que o filme tenha sido gravado, a criança perde interesse nele. Nós propomos chamar gravações de vídeos digitais feitas por essas crianças de “filmes órfãos”, não apenas porque são geralmente destinados ao esquecimento, mas também porque não são reivindicados por seus próprios criadores. Ao invés de estudar esses “filmes caseiros” na tradição de práticas de mídia domésticas, nós o tomamos como ponto de partida para discutir a contribuição de crianças à arqueologia da mídia como uma prática, ou seja, um engajamento concreto com a materialidade e temporalidade da mídia. Examinando as fronteiras entre gravação e produto gravado, por exemplo, as crianças intuitivamente criam conexões entre o passado, o presente e o futuro da imagem em movimento. Elas estão resistindo à obsolescência planejada dos dispositivos tecnológicos atuais de forma a reaproveitá-los, transformando-os em ferramentas lúdicas e usando-os para explorar não apenas o mundo a seu redor, mas também as limitações e potencialidades da mídia.Universidade Federal de Santa Maria2021-08-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/6733910.5902/1983734867339Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-2281983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMenghttp://periodicos.ufsm.br/revislav/article/view/67339/pdfCopyright (c) 2021 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSchneider, AlexandraStrauven, Wanda2021-11-22T19:10:19Zoai:ojs.pkp.sfu.ca:article/67339Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2021-11-22T19:10:19Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Orphaned Films: Digital Film Practices by Today’s Children
Orphaned Films: Digital Film Practices by Today’s Children
title Orphaned Films: Digital Film Practices by Today’s Children
spellingShingle Orphaned Films: Digital Film Practices by Today’s Children
Schneider, Alexandra
Children
digital filmmaking
orphan films
media archaeology.
Crianças
cinegrafia digital
filmes órfãos
arqueologia da mídia.
title_short Orphaned Films: Digital Film Practices by Today’s Children
title_full Orphaned Films: Digital Film Practices by Today’s Children
title_fullStr Orphaned Films: Digital Film Practices by Today’s Children
title_full_unstemmed Orphaned Films: Digital Film Practices by Today’s Children
title_sort Orphaned Films: Digital Film Practices by Today’s Children
author Schneider, Alexandra
author_facet Schneider, Alexandra
Strauven, Wanda
author_role author
author2 Strauven, Wanda
author2_role author
dc.contributor.author.fl_str_mv Schneider, Alexandra
Strauven, Wanda
dc.subject.por.fl_str_mv Children
digital filmmaking
orphan films
media archaeology.
Crianças
cinegrafia digital
filmes órfãos
arqueologia da mídia.
topic Children
digital filmmaking
orphan films
media archaeology.
Crianças
cinegrafia digital
filmes órfãos
arqueologia da mídia.
description Today’s children start making digital films at a very young age by the use of smartphones, compact cameras and other mobile media devices. For these youngest filmmakers, filming is a form of play. In general, once the film has been recorded, the child loses interest in it. We propose to call children’s digital video recordings “orphaned films,” not only because they are generally destined for oblivion, but also because they are not claimed by their very own makers. Instead of studying these digital “home movies” within the tradition of domestic media practices, we take them as a starting point for discussing children’s contribution to media archaeology as a practice, that is, as a concrete engagement with media’s materiality and temporality. By probing the borders between recording and recorded, for instance, children intuitively create connections between the past, the present and the future of the moving image. They are resisting the planned obsolescence of today’s technological devices by repurposing them, by turning them into playful tools and by using them to explore not only the world around them but also the limitations and potentialities of the media.
publishDate 2021
dc.date.none.fl_str_mv 2021-08-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/67339
10.5902/1983734867339
url http://periodicos.ufsm.br/revislav/article/view/67339
identifier_str_mv 10.5902/1983734867339
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/67339/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2021 Revista Digital do LAV
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Revista Digital do LAV
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228
Revista Digital do LAV; 2021: Revista Digital do LAV - v. 14, n. 2, mai./ago. 2021; 208-228
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
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instname_str Universidade Federal de Santa Maria (UFSM)
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reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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