Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen

Detalhes bibliográficos
Autor(a) principal: Berte, Odailso Sinvaldo
Data de Publicação: 2013
Outros Autores: Tourinho, Irene, Martins, Raimundo
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Digital do LAV ( Laboratório de Artes Visuais)
Texto Completo: http://periodicos.ufsm.br/revislav/article/view/6942
Resumo: This article focuses on crossovers between fragments of cultural performances produced by the choreographer/artist Pina Bausch and the singer/artist Madonna, understanding both as contempoprary visualities. Taking a visual culture perspective and, as so, not establishing hierarchies among images, this study reflects on the categories of body, affection and pleasure, articulating a pedagogical perspective through which is possible to recognize the affective investment of students and teachers in the relationships they establish with cultural artifacts, wherever they are considered popular, erudite or mass products.
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spelling Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seenVisualidades contemPOPrâneas com Pina Bausch e Madonna: outros modos dos corpos se (mo)veremContempoprary visualitiesBodyPedagogyPina BauschMadonnaVisualidades contempoprâneasCorpopedagogiaPina BauschMadonnaorpoPedagogiaMadonnaThis article focuses on crossovers between fragments of cultural performances produced by the choreographer/artist Pina Bausch and the singer/artist Madonna, understanding both as contempoprary visualities. Taking a visual culture perspective and, as so, not establishing hierarchies among images, this study reflects on the categories of body, affection and pleasure, articulating a pedagogical perspective through which is possible to recognize the affective investment of students and teachers in the relationships they establish with cultural artifacts, wherever they are considered popular, erudite or mass products.Este estudo enfoca entrecruzamentos entre fragmentos de formas culturais produzidas pela coreógrafa/artista Pina Bausch e pela cantora/artista Madonna. Compreendendo as especificidades dos trabalhos de cada uma das artistas, a reflexão entende os produtos de ambas como visualidades contempoprâneas com as quais é possível articular abordagens pedagógicas privilegiando corpo, afeto, desejo e prazer. Esta perspectiva educativa enfatiza a importância do investimento afetivo de educandos e educadores na relação com artefatos culturais, sejam eles considerados populares, eruditos ou de massa. Universidade Federal de Santa Maria2013-03-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/694210.5902/198373486942Revista Digital do LAV; No. 10 (2013): Revista Digital do LAV - Ano VI – Número 10 – Março de 2013; 038-057Revista Digital do LAV; n. 10 (2013): Revista Digital do LAV - Ano VI – Número 10 – Março de 2013; 038-0571983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/6942/pdfBerte, Odailso SinvaldoTourinho, IreneMartins, Raimundoinfo:eu-repo/semantics/openAccess2020-06-10T13:18:47Zoai:ojs.pkp.sfu.ca:article/6942Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-10T13:18:47Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false
dc.title.none.fl_str_mv Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
Visualidades contemPOPrâneas com Pina Bausch e Madonna: outros modos dos corpos se (mo)verem
title Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
spellingShingle Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
Berte, Odailso Sinvaldo
Contempoprary visualities
Body
Pedagogy
Pina Bausch
Madonna
Visualidades contempoprâneas
Corpo
pedagogia
Pina Bausch
Madonnaorpo
Pedagogia
Madonna
title_short Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
title_full Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
title_fullStr Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
title_full_unstemmed Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
title_sort Contempoprary views with Pina Bausch and Madonna: others ways of the bodies to move and be seen
author Berte, Odailso Sinvaldo
author_facet Berte, Odailso Sinvaldo
Tourinho, Irene
Martins, Raimundo
author_role author
author2 Tourinho, Irene
Martins, Raimundo
author2_role author
author
dc.contributor.author.fl_str_mv Berte, Odailso Sinvaldo
Tourinho, Irene
Martins, Raimundo
dc.subject.por.fl_str_mv Contempoprary visualities
Body
Pedagogy
Pina Bausch
Madonna
Visualidades contempoprâneas
Corpo
pedagogia
Pina Bausch
Madonnaorpo
Pedagogia
Madonna
topic Contempoprary visualities
Body
Pedagogy
Pina Bausch
Madonna
Visualidades contempoprâneas
Corpo
pedagogia
Pina Bausch
Madonnaorpo
Pedagogia
Madonna
description This article focuses on crossovers between fragments of cultural performances produced by the choreographer/artist Pina Bausch and the singer/artist Madonna, understanding both as contempoprary visualities. Taking a visual culture perspective and, as so, not establishing hierarchies among images, this study reflects on the categories of body, affection and pleasure, articulating a pedagogical perspective through which is possible to recognize the affective investment of students and teachers in the relationships they establish with cultural artifacts, wherever they are considered popular, erudite or mass products.
publishDate 2013
dc.date.none.fl_str_mv 2013-03-05
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/6942
10.5902/198373486942
url http://periodicos.ufsm.br/revislav/article/view/6942
identifier_str_mv 10.5902/198373486942
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv http://periodicos.ufsm.br/revislav/article/view/6942/pdf
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Revista Digital do LAV; No. 10 (2013): Revista Digital do LAV - Ano VI – Número 10 – Março de 2013; 038-057
Revista Digital do LAV; n. 10 (2013): Revista Digital do LAV - Ano VI – Número 10 – Março de 2013; 038-057
1983-7348
1983-7348
reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Revista Digital do LAV ( Laboratório de Artes Visuais)
collection Revista Digital do LAV ( Laboratório de Artes Visuais)
repository.name.fl_str_mv Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv revistadigitaldolav@gmail.com||daniel@rswa.com.br
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