Clement Greenberg inside out
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/2203 |
Resumo: | This article is the result from a reflexive effort, having as a subject the american critic of art Clement Greenberg, his works and his activity on the art field. This author, known by his controversial theoretic positions, is analysed through his before and through his after. The cultural context where his writing has been produced is considered, not as a cause, but as a source of theoretical problems, to which his critical work answers. Showing the theoretic rumour, which is contemporary to the activity of this author and constituted by non-artistical questions, we propose a critical distance, through which we try to comprehend Greenberg's most important texts. The platform of analysis settled by the historical context is also used for a brief survey on the legacy of these texts, considering the reactions to formalism in our days. |
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Revista Digital do LAV ( Laboratório de Artes Visuais) |
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Clement Greenberg inside outClement Greenberg pelo avessoArt theoryArt criticTheoretical-practical integrationClement GreenbergTeoria da arteCrítica de arteIntegração teórico-práticaClement GreenbergThis article is the result from a reflexive effort, having as a subject the american critic of art Clement Greenberg, his works and his activity on the art field. This author, known by his controversial theoretic positions, is analysed through his before and through his after. The cultural context where his writing has been produced is considered, not as a cause, but as a source of theoretical problems, to which his critical work answers. Showing the theoretic rumour, which is contemporary to the activity of this author and constituted by non-artistical questions, we propose a critical distance, through which we try to comprehend Greenberg's most important texts. The platform of analysis settled by the historical context is also used for a brief survey on the legacy of these texts, considering the reactions to formalism in our days.Este artigo é o resultado de um esforço reflexivo tendo como tema o crítico de arte norte-americano Clement Greenberg, sua obra e sua atuação no campo das artes. Esse autor de posições teóricas polêmicas é, aqui, analisado pelo seu antes e pelo seu depois. O contexto cultural em que se produziu a sua escrita é visado, não como causa, mas como fornecedor de problemas teóricos aos quais a crítica greenberguiana responderá. Apontando esse rumor teórico, contemporâneo à atividade do autor, e atravessado por questões extra-artísticas, propomos um distanciamento crítico através do qual se busca a compreensão dos principais textos de Greenberg. A plataforma analítica estabelecida pela contextualização histórica também é experimentada em um breve levantamento do legado desses textos, observando-se como as reações ao formalismo ainda reverberam na contemporaneidade.Universidade Federal de Santa Maria2010-10-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/220310.5902/198373482203Revista Digital do LAV; No. 4 (2010): Revista Digital do LAV - Ano III – Número 04 – Março de 2010; 084-095Revista Digital do LAV; n. 4 (2010): Revista Digital do LAV - Ano III – Número 04 – Março de 2010; 084-0951983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/2203/1359Butkus, Vitorinfo:eu-repo/semantics/openAccess2020-06-09T16:34:49Zoai:ojs.pkp.sfu.ca:article/2203Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-09T16:34:49Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Clement Greenberg inside out Clement Greenberg pelo avesso |
title |
Clement Greenberg inside out |
spellingShingle |
Clement Greenberg inside out Butkus, Vitor Art theory Art critic Theoretical-practical integration Clement Greenberg Teoria da arte Crítica de arte Integração teórico-prática Clement Greenberg |
title_short |
Clement Greenberg inside out |
title_full |
Clement Greenberg inside out |
title_fullStr |
Clement Greenberg inside out |
title_full_unstemmed |
Clement Greenberg inside out |
title_sort |
Clement Greenberg inside out |
author |
Butkus, Vitor |
author_facet |
Butkus, Vitor |
author_role |
author |
dc.contributor.author.fl_str_mv |
Butkus, Vitor |
dc.subject.por.fl_str_mv |
Art theory Art critic Theoretical-practical integration Clement Greenberg Teoria da arte Crítica de arte Integração teórico-prática Clement Greenberg |
topic |
Art theory Art critic Theoretical-practical integration Clement Greenberg Teoria da arte Crítica de arte Integração teórico-prática Clement Greenberg |
description |
This article is the result from a reflexive effort, having as a subject the american critic of art Clement Greenberg, his works and his activity on the art field. This author, known by his controversial theoretic positions, is analysed through his before and through his after. The cultural context where his writing has been produced is considered, not as a cause, but as a source of theoretical problems, to which his critical work answers. Showing the theoretic rumour, which is contemporary to the activity of this author and constituted by non-artistical questions, we propose a critical distance, through which we try to comprehend Greenberg's most important texts. The platform of analysis settled by the historical context is also used for a brief survey on the legacy of these texts, considering the reactions to formalism in our days. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-10-25 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2203 10.5902/198373482203 |
url |
http://periodicos.ufsm.br/revislav/article/view/2203 |
identifier_str_mv |
10.5902/198373482203 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/2203/1359 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; No. 4 (2010): Revista Digital do LAV - Ano III – Número 04 – Março de 2010; 084-095 Revista Digital do LAV; n. 4 (2010): Revista Digital do LAV - Ano III – Número 04 – Março de 2010; 084-095 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1789434625796341760 |