Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022)
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/83773 |
Resumo: | This article examined the artistic programming of the 1st International Congress of the Benjamin Constant Institute (I CONIN-IBC), held in November 2022, with a thematic focus on visual impairment. The aim was to characterize the artistic and cultural programming of the event through a qualitative approach, considering its aesthetic and inclusive specificities, while engaging in a dialogue between Cultural Studies and philosophies of difference. The divergences and convergences between these two perspectives facilitated a broader understanding of the complex and emergent phenomenon of practices involving art and inclusion. Theoretical and methodological considerations also considered the symbolic significance of the activities conducted in a space recognized as a locus of scientific production on the subject. The findings revealed that the artistic and cultural programming of the event was inclusive and multisensory, embodying a Deleuzian experimentation of minor art and minor inclusion, thus stimulating the generation of new meanings. The proposed activities also challenged visual supremacy, inviting congress participants to destabilize the sensory hegemony of vision. It was concluded that the inclusion of blind and visually impaired individuals in the processes of artistic and cultural creation and appreciation, although challenging, triggers the emergence of alternative possibilities for art and sociability. |
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Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022)Discapacidad Visual, Arte y Inclusión: reflexiones sobre la programación artístico-cultural del I Congreso Internacional del Instituto Benjamin Constant (2022)Deficiência Visual, Arte e Inclusão: reflexões sobre a programação artístico-cultural do I Congresso Internacional do Instituto Benjamin Constant (2022)Minor artVisual impairmentI CONIN-IBCMinor inclusionMultisensorialityArte menorDiscapacidad visualI CONIN-IBCInclusión menorMultisensorialidadArte menorDeficiência visualI CONIN-IBCInclusão menorMultissensorialidadeThis article examined the artistic programming of the 1st International Congress of the Benjamin Constant Institute (I CONIN-IBC), held in November 2022, with a thematic focus on visual impairment. The aim was to characterize the artistic and cultural programming of the event through a qualitative approach, considering its aesthetic and inclusive specificities, while engaging in a dialogue between Cultural Studies and philosophies of difference. The divergences and convergences between these two perspectives facilitated a broader understanding of the complex and emergent phenomenon of practices involving art and inclusion. Theoretical and methodological considerations also considered the symbolic significance of the activities conducted in a space recognized as a locus of scientific production on the subject. The findings revealed that the artistic and cultural programming of the event was inclusive and multisensory, embodying a Deleuzian experimentation of minor art and minor inclusion, thus stimulating the generation of new meanings. The proposed activities also challenged visual supremacy, inviting congress participants to destabilize the sensory hegemony of vision. It was concluded that the inclusion of blind and visually impaired individuals in the processes of artistic and cultural creation and appreciation, although challenging, triggers the emergence of alternative possibilities for art and sociability.El artículo examinó la programación artístico-cultural del I Congreso Internacional del Instituto Benjamin Constant (I CONIN-IBC), realizado en noviembre de 2022, cuyo tema principal fue la discapacidad visual. El objetivo fue caracterizar la programación artístico-cultural del evento mediante un enfoque cualitativo, considerando sus especificidades estéticas e inclusivas, a través de un diálogo entre los Estudios Culturales y las filosofías de la diferencia. Las divergencias y convergencias entre estas dos perspectivas permitieron una comprensión más amplia de las prácticas que involucran el arte y la inclusión, un fenómeno complejo. Desde una perspectiva teórico-metodológica, también se consideró el significado simbólico de las actividades llevadas a cabo en un espacio reconocido como lugar de producción científica sobre el tema. Los resultados mostraron que la programación artístico-cultural del evento fue inclusiva y multisensorial, configurándose como una experimentación deleuziana del arte menor y la inclusión menor, estimulando la producción de nuevos significados. Las actividades propuestas también cuestionaron la supremacía visual, invitando a los participantes del congreso a desestabilizar la hegemonía sensorial de la visión. Se concluyó que la inclusión de personas ciegas y con baja visión en los procesos de creación y apreciación artístico-cultural, aunque desafiante, genera otras posibilidades de arte y sociabilidad.O artigo examinou a programação artístico-cultural do I Congresso Internacional do Instituto Benjamin Constant (I CONIN-IBC), realizado em novembro de 2022, cuja temática foi a deficiência visual. O objetivo foi caracterizar a referida programação, por meio de uma abordagem qualitativa, considerando suas especificidades estéticas e inclusivas, a partir de um diálogo teórico entre os Estudos Culturais e as filosofias da diferença. As divergências e aproximações entre as duas perspectivas possibilitaram uma compreensão mais abrangente das práticas envolvendo arte e inclusão, um fenômeno emergente e complexo. Do ponto de vista teórico-metodológico, também foi considerado o significado simbólico das atividades realizadas em um espaço reconhecido como lócus de produção científica sobre a temática. Os resultados mostraram que a programação artístico-cultural do evento foi inclusiva e multissensorial, configurando-se como uma experimentação deleuziana de arte menor e inclusão menor, que estimulou a produção de novos significados. As atividades propostas também questionaram a supremacia visual, convidando os participantes do congresso a desestabilizarem a hegemonia sensorial dela. Concluiu-se que a inclusão de pessoas cegas e com baixa visão nos processos de criação e fruição artístico-cultural, embora desafiadora, dispara o surgimento de outras possibilidades de arte e sociabilidade.Universidade Federal de Santa Maria2023-12-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttp://periodicos.ufsm.br/revislav/article/view/8377310.5902/1983734883773Revista Digital do LAV; Vol. 16 No. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e31/1-22Revista Digital do LAV; v. 16 n. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e31/1-221983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/83773/62944http://periodicos.ufsm.br/revislav/article/view/83773/62945Copyright (c) 2023 Revista Digital do LAVinfo:eu-repo/semantics/openAccessSantos, Caue de Camargo dosBraga, Luiz Paulo da Silva2024-03-26T20:16:44Zoai:ojs.pkp.sfu.ca:article/83773Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2024-03-26T20:16:44Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) Discapacidad Visual, Arte y Inclusión: reflexiones sobre la programación artístico-cultural del I Congreso Internacional del Instituto Benjamin Constant (2022) Deficiência Visual, Arte e Inclusão: reflexões sobre a programação artístico-cultural do I Congresso Internacional do Instituto Benjamin Constant (2022) |
title |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
spellingShingle |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) Santos, Caue de Camargo dos Minor art Visual impairment I CONIN-IBC Minor inclusion Multisensoriality Arte menor Discapacidad visual I CONIN-IBC Inclusión menor Multisensorialidad Arte menor Deficiência visual I CONIN-IBC Inclusão menor Multissensorialidade |
title_short |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
title_full |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
title_fullStr |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
title_full_unstemmed |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
title_sort |
Visual Impairment, Art, and Inclusion: reflections on the Artistic and Cultural Programming of the 1st International Congress of the Benjamin Constant Institute (2022) |
author |
Santos, Caue de Camargo dos |
author_facet |
Santos, Caue de Camargo dos Braga, Luiz Paulo da Silva |
author_role |
author |
author2 |
Braga, Luiz Paulo da Silva |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Santos, Caue de Camargo dos Braga, Luiz Paulo da Silva |
dc.subject.por.fl_str_mv |
Minor art Visual impairment I CONIN-IBC Minor inclusion Multisensoriality Arte menor Discapacidad visual I CONIN-IBC Inclusión menor Multisensorialidad Arte menor Deficiência visual I CONIN-IBC Inclusão menor Multissensorialidade |
topic |
Minor art Visual impairment I CONIN-IBC Minor inclusion Multisensoriality Arte menor Discapacidad visual I CONIN-IBC Inclusión menor Multisensorialidad Arte menor Deficiência visual I CONIN-IBC Inclusão menor Multissensorialidade |
description |
This article examined the artistic programming of the 1st International Congress of the Benjamin Constant Institute (I CONIN-IBC), held in November 2022, with a thematic focus on visual impairment. The aim was to characterize the artistic and cultural programming of the event through a qualitative approach, considering its aesthetic and inclusive specificities, while engaging in a dialogue between Cultural Studies and philosophies of difference. The divergences and convergences between these two perspectives facilitated a broader understanding of the complex and emergent phenomenon of practices involving art and inclusion. Theoretical and methodological considerations also considered the symbolic significance of the activities conducted in a space recognized as a locus of scientific production on the subject. The findings revealed that the artistic and cultural programming of the event was inclusive and multisensory, embodying a Deleuzian experimentation of minor art and minor inclusion, thus stimulating the generation of new meanings. The proposed activities also challenged visual supremacy, inviting congress participants to destabilize the sensory hegemony of vision. It was concluded that the inclusion of blind and visually impaired individuals in the processes of artistic and cultural creation and appreciation, although challenging, triggers the emergence of alternative possibilities for art and sociability. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-12-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/83773 10.5902/1983734883773 |
url |
http://periodicos.ufsm.br/revislav/article/view/83773 |
identifier_str_mv |
10.5902/1983734883773 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/83773/62944 http://periodicos.ufsm.br/revislav/article/view/83773/62945 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; Vol. 16 No. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e31/1-22 Revista Digital do LAV; v. 16 n. 1 (2023): Revista Digital do LAV, Jan./Dez. – Publicação contínua; e31/1-22 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
_version_ |
1799874722434908160 |