When you mark, is there no going back?
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Digital do LAV ( Laboratório de Artes Visuais) |
Texto Completo: | http://periodicos.ufsm.br/revislav/article/view/31718 |
Resumo: | It was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism. |
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When you mark, is there no going back?Quando se marca, não há volta?“Pixação”ArtSubjectivitiesSchoolsPichaçãoArteSubjetividadesEscolasIt was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism.Foi o olhar problematizador da cidade para a escola que estruturou esta pesquisa para colocar sob suspeita aquilo que olhamos sem nos darmos conta. Como as imagens podem produzir sujeitos pertencentes ou não a um determinado lugar? Esta questão nos levou para o que a relação entre a arte do grafite e o que é conhecido como “pichação” para entender os processos de constituição dos sujeitos em meio a discursos de valorização e desvalorização dessas expressões e marcas na cidade. Trabalhamos com a perspectiva pós-estruturalista, com especial inspiração nos estudos de Michel Foucault para pensar que somos resultado de discursos atravessados por relações de poder.Universidade Federal de Santa Maria2018-12-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://periodicos.ufsm.br/revislav/article/view/3171810.5902/1983734831718Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set/dez. 2018; 098-121Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set./dez. 2018; 098-1211983-73481983-7348reponame:Revista Digital do LAV ( Laboratório de Artes Visuais)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttp://periodicos.ufsm.br/revislav/article/view/31718/pdfCopyright (c) 2018 Revista Digital do LAVinfo:eu-repo/semantics/openAccessOliveira, Bruna Tostes deFerrari, Anderson2020-06-19T11:57:16Zoai:ojs.pkp.sfu.ca:article/31718Revistahttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/PUBhttp://cascavel.ufsm.br/revistas/ojs-2.2.2/index.php/revislav/oairevistadigitaldolav@gmail.com||daniel@rswa.com.br1983-73481983-7348opendoar:2020-06-19T11:57:16Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
When you mark, is there no going back? Quando se marca, não há volta? |
title |
When you mark, is there no going back? |
spellingShingle |
When you mark, is there no going back? Oliveira, Bruna Tostes de “Pixação” Art Subjectivities Schools Pichação Arte Subjetividades Escolas |
title_short |
When you mark, is there no going back? |
title_full |
When you mark, is there no going back? |
title_fullStr |
When you mark, is there no going back? |
title_full_unstemmed |
When you mark, is there no going back? |
title_sort |
When you mark, is there no going back? |
author |
Oliveira, Bruna Tostes de |
author_facet |
Oliveira, Bruna Tostes de Ferrari, Anderson |
author_role |
author |
author2 |
Ferrari, Anderson |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Bruna Tostes de Ferrari, Anderson |
dc.subject.por.fl_str_mv |
“Pixação” Art Subjectivities Schools Pichação Arte Subjetividades Escolas |
topic |
“Pixação” Art Subjectivities Schools Pichação Arte Subjetividades Escolas |
description |
It was the problematizing look from the city to the school that structured this research to put under suspicion what we look at without realizing it. How can images produce subjects belonging or not to a particular place? This question led us to investigate the meanings between the art of graffiti and what is known as "pixação" to problematize the processes of constitution of subjects amid discourses of appreciation and devaluation of these expressions and marks in the city. We work with the poststructuralist perspective, with special inspiration by the studies of Michel Foucault, helping us think that we are the result of discourses crossed by relations of power. One of the points that caught our attention was the work of the cultural articulator, which enabled us to work with the relationship between art and feminism. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-08 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/31718 10.5902/1983734831718 |
url |
http://periodicos.ufsm.br/revislav/article/view/31718 |
identifier_str_mv |
10.5902/1983734831718 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
http://periodicos.ufsm.br/revislav/article/view/31718/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Revista Digital do LAV info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Revista Digital do LAV |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set/dez. 2018; 098-121 Revista Digital do LAV; 2018: Revista Digital do LAV - v. 11, n. 3, set./dez. 2018; 098-121 1983-7348 1983-7348 reponame:Revista Digital do LAV ( Laboratório de Artes Visuais) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
collection |
Revista Digital do LAV ( Laboratório de Artes Visuais) |
repository.name.fl_str_mv |
Revista Digital do LAV ( Laboratório de Artes Visuais) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
revistadigitaldolav@gmail.com||daniel@rswa.com.br |
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1789434628967235584 |