"Hamlet" on television: interfaces between stage and screen
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Letras (Santa Maria. Online) |
Texto Completo: | https://periodicos.ufsm.br/letras/article/view/55196 |
Resumo: | Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. |
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"Hamlet" on television: interfaces between stage and screen"Hamlet" na televisão: interfaces entre palco e telaShakespeareHamletIntermedialidadeRemediaçãoAdaptaçãoShakespeareHamlet Intermediality RemediationAdaptation Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. Várias produções britânicas de peças de Shakespeare para a televisão foram adaptadas de montagens teatrais. Essas adaptações do tipo palco-para-TV exploram elementos teatrais, televisivos e cinemáticos por meio de cuja combinação as performances ganham sentido na telinha. Este artigo investiga traços distintivos desse tipo específico de adaptação shakespeariana. Dando ênfase a uma adaptação televisiva de Hamlet a qual adaptou uma montagem teatral dirigida por Gregory Doran na Royal Shakespeare Company (2008), discutirei os mecanismos de intermedialidade e os processos de remediação a partir dos quais esse Hamlet se constitui. Ao invés de ser simplesmente um registro da performance para o palco, essa adaptação é uma forma híbrida que não apenas complica distinções tradicionais entre teatro e televisão, mas também desafia noções de que que adaptações do tipo palco-para-TV são secundárias e derivativas.Universidade Federal de Santa Maria2022-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/5519610.5902/2176148555196Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 112-1262176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/55196/50589Copyright (c) 2022 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessGregório, Paulo da Silva2022-12-06T17:55:08Zoai:ojs.pkp.sfu.ca:article/55196Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:33.139499Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true |
dc.title.none.fl_str_mv |
"Hamlet" on television: interfaces between stage and screen "Hamlet" na televisão: interfaces entre palco e tela |
title |
"Hamlet" on television: interfaces between stage and screen |
spellingShingle |
"Hamlet" on television: interfaces between stage and screen Gregório, Paulo da Silva Shakespeare Hamlet Intermedialidade Remediação Adaptação Shakespeare Hamlet Intermediality Remediation Adaptation |
title_short |
"Hamlet" on television: interfaces between stage and screen |
title_full |
"Hamlet" on television: interfaces between stage and screen |
title_fullStr |
"Hamlet" on television: interfaces between stage and screen |
title_full_unstemmed |
"Hamlet" on television: interfaces between stage and screen |
title_sort |
"Hamlet" on television: interfaces between stage and screen |
author |
Gregório, Paulo da Silva |
author_facet |
Gregório, Paulo da Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Gregório, Paulo da Silva |
dc.subject.por.fl_str_mv |
Shakespeare Hamlet Intermedialidade Remediação Adaptação Shakespeare Hamlet Intermediality Remediation Adaptation |
topic |
Shakespeare Hamlet Intermedialidade Remediação Adaptação Shakespeare Hamlet Intermediality Remediation Adaptation |
description |
Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-12-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufsm.br/letras/article/view/55196 10.5902/2176148555196 |
url |
https://periodicos.ufsm.br/letras/article/view/55196 |
identifier_str_mv |
10.5902/2176148555196 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufsm.br/letras/article/view/55196/50589 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Letras http://creativecommons.org/licenses/by-nc-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Letras http://creativecommons.org/licenses/by-nc-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria |
dc.source.none.fl_str_mv |
Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 112-126 2176-1485 1519-3985 reponame:Letras (Santa Maria. Online) instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
instname_str |
Universidade Federal de Santa Maria (UFSM) |
instacron_str |
UFSM |
institution |
UFSM |
reponame_str |
Letras (Santa Maria. Online) |
collection |
Letras (Santa Maria. Online) |
repository.name.fl_str_mv |
Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com |
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1792205418312761344 |