"Hamlet" on television: interfaces between stage and screen

Detalhes bibliográficos
Autor(a) principal: Gregório, Paulo da Silva
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/55196
Resumo: Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. 
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spelling "Hamlet" on television: interfaces between stage and screen"Hamlet" na televisão: interfaces entre palco e telaShakespeareHamletIntermedialidadeRemediaçãoAdaptaçãoShakespeareHamlet Intermediality RemediationAdaptation Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. Várias produções britânicas de peças de Shakespeare para a televisão foram adaptadas de montagens teatrais. Essas adaptações do tipo palco-para-TV exploram elementos teatrais, televisivos e cinemáticos por meio de cuja combinação as performances ganham sentido na telinha. Este artigo investiga traços distintivos desse tipo específico de adaptação shakespeariana. Dando ênfase a uma adaptação televisiva de Hamlet a qual adaptou uma montagem teatral dirigida por Gregory Doran na Royal Shakespeare Company (2008), discutirei os mecanismos de intermedialidade e os processos de remediação a partir dos quais esse Hamlet se constitui. Ao invés de ser simplesmente um registro da performance para o palco, essa adaptação é uma forma híbrida que não apenas complica distinções tradicionais entre teatro e televisão, mas também desafia noções de que que adaptações do tipo palco-para-TV são secundárias e derivativas.Universidade Federal de Santa Maria2022-12-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/5519610.5902/2176148555196Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 112-1262176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/55196/50589Copyright (c) 2022 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessGregório, Paulo da Silva2022-12-06T17:55:08Zoai:ojs.pkp.sfu.ca:article/55196Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:33.139499Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv "Hamlet" on television: interfaces between stage and screen
"Hamlet" na televisão: interfaces entre palco e tela
title "Hamlet" on television: interfaces between stage and screen
spellingShingle "Hamlet" on television: interfaces between stage and screen
Gregório, Paulo da Silva
Shakespeare
Hamlet
Intermedialidade
Remediação
Adaptação
Shakespeare
Hamlet
Intermediality
Remediation
Adaptation
title_short "Hamlet" on television: interfaces between stage and screen
title_full "Hamlet" on television: interfaces between stage and screen
title_fullStr "Hamlet" on television: interfaces between stage and screen
title_full_unstemmed "Hamlet" on television: interfaces between stage and screen
title_sort "Hamlet" on television: interfaces between stage and screen
author Gregório, Paulo da Silva
author_facet Gregório, Paulo da Silva
author_role author
dc.contributor.author.fl_str_mv Gregório, Paulo da Silva
dc.subject.por.fl_str_mv Shakespeare
Hamlet
Intermedialidade
Remediação
Adaptação
Shakespeare
Hamlet
Intermediality
Remediation
Adaptation
topic Shakespeare
Hamlet
Intermedialidade
Remediação
Adaptação
Shakespeare
Hamlet
Intermediality
Remediation
Adaptation
description Many British productions of Shakespeare’s plays for television have been adapted from stage performances. These stage-to-small-screen adaptations combine theatrical, televisual and cinematic elements in order to reinvent the performances meaningfully on the small screen. This article examines distinctive features of this specific genre of Shakespearean adaptation. Looking at Gregory Doran’s television adaptation of his stage production of Hamlet for the Royal Shakespeare Company (2008), I will discuss the mechanisms of intermediality and the processes of remediation on which it is grounded. Instead of being simply a record of the stage performance, this adaptation is a hybrid form that not only complicates traditional distinctions between theatre and television, but also challenges assumptions that stage-to-small-screen adaptations are secondary and derivative. 
publishDate 2022
dc.date.none.fl_str_mv 2022-12-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/55196
10.5902/2176148555196
url https://periodicos.ufsm.br/letras/article/view/55196
identifier_str_mv 10.5902/2176148555196
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/55196/50589
dc.rights.driver.fl_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; n. 63 (2021): Poéticas interartes e cultura brasileira; 112-126
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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