Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies

Detalhes bibliográficos
Autor(a) principal: Cardoso, Ricardo
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Letras (Santa Maria. Online)
Texto Completo: https://periodicos.ufsm.br/letras/article/view/56900
Resumo: The ambiguity ascribed to Shakespeare was a recent subject of academic scrutiny. This article investigates the history of modern political thought scholarship for that phenomenon. According to this proposition, polyphony would derive from the use of the rhetorical technique known as in utramque partem, an approach of two opposite sides of the same topic, in order to stage delicate political questions. Using a pair of plays written in the context of intense discussions about war and peace in London as case studies, I seek to explore how Shakespeare represented the Anglo-Spanish conflict through antagonistic perspectives.
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spelling Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studiesA ambiguidade como princípio retórico em Shakespeare - Muito Barulho por Nada (c. 1598) e Otelo (c. 1604): estudos de casoShakespeareAmbiguityRhetoricSpainAmbiguidadeShakespeareEspanhaRetóricaThe ambiguity ascribed to Shakespeare was a recent subject of academic scrutiny. This article investigates the history of modern political thought scholarship for that phenomenon. According to this proposition, polyphony would derive from the use of the rhetorical technique known as in utramque partem, an approach of two opposite sides of the same topic, in order to stage delicate political questions. Using a pair of plays written in the context of intense discussions about war and peace in London as case studies, I seek to explore how Shakespeare represented the Anglo-Spanish conflict through antagonistic perspectives.A conhecida ambiguidade atribuída aos textos de Shakespeare tem sido tema de exames. Este artigo investiga determinada explicação para o fenômeno creditada a alguns estudiosos da História do Pensamento Político Moderno. Segundo propõem, a polifonia em certas obras decorreria do uso pelo dramaturgo da técnica retórica in utramque partem, abordagem de dois lados opostos de um mesmo tópico, na dramatização de questões políticas delicadas. Utilizaremos como estudos de caso duas peças escritas em contexto de intensas discussões sobre guerra e paz em Londres, buscando compreender como Shakespeare representou o assunto por meio de perspectivas antagônicas.  Universidade Federal de Santa Maria2022-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTextoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.ufsm.br/letras/article/view/5690010.5902/2176148556900Letras; Edição Especial - 2/2020: Teatro Elisabetano e Jacobino: estudos textuais, teatrais e críticos; 93-1082176-14851519-3985reponame:Letras (Santa Maria. Online)instname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMporhttps://periodicos.ufsm.br/letras/article/view/56900/pdfCopyright (c) 2021 Letrashttp://creativecommons.org/licenses/by-nc-sa/4.0info:eu-repo/semantics/openAccessCardoso, Ricardo2022-11-08T18:41:08Zoai:ojs.pkp.sfu.ca:article/56900Revistahttps://periodicos.ufsm.br/letrasPUBhttps://periodicos.ufsm.br/letras/oai||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com2176-14851519-3985opendoar:2023-01-09T16:16:33.360432Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)true
dc.title.none.fl_str_mv Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
A ambiguidade como princípio retórico em Shakespeare - Muito Barulho por Nada (c. 1598) e Otelo (c. 1604): estudos de caso
title Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
spellingShingle Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
Cardoso, Ricardo
Shakespeare
Ambiguity
Rhetoric
Spain
Ambiguidade
Shakespeare
Espanha
Retórica
title_short Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
title_full Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
title_fullStr Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
title_full_unstemmed Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
title_sort Ambiguity as a rhetorical principle in Shakespeare - Much Adoabout Nothing (c. 1598) and Othello (c. 1604): case studies
author Cardoso, Ricardo
author_facet Cardoso, Ricardo
author_role author
dc.contributor.author.fl_str_mv Cardoso, Ricardo
dc.subject.por.fl_str_mv Shakespeare
Ambiguity
Rhetoric
Spain
Ambiguidade
Shakespeare
Espanha
Retórica
topic Shakespeare
Ambiguity
Rhetoric
Spain
Ambiguidade
Shakespeare
Espanha
Retórica
description The ambiguity ascribed to Shakespeare was a recent subject of academic scrutiny. This article investigates the history of modern political thought scholarship for that phenomenon. According to this proposition, polyphony would derive from the use of the rhetorical technique known as in utramque partem, an approach of two opposite sides of the same topic, in order to stage delicate political questions. Using a pair of plays written in the context of intense discussions about war and peace in London as case studies, I seek to explore how Shakespeare represented the Anglo-Spanish conflict through antagonistic perspectives.
publishDate 2022
dc.date.none.fl_str_mv 2022-08-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Texto
info:eu-repo/semantics/other
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.ufsm.br/letras/article/view/56900
10.5902/2176148556900
url https://periodicos.ufsm.br/letras/article/view/56900
identifier_str_mv 10.5902/2176148556900
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.ufsm.br/letras/article/view/56900/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2021 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Letras
http://creativecommons.org/licenses/by-nc-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
publisher.none.fl_str_mv Universidade Federal de Santa Maria
dc.source.none.fl_str_mv Letras; Edição Especial - 2/2020: Teatro Elisabetano e Jacobino: estudos textuais, teatrais e críticos; 93-108
2176-1485
1519-3985
reponame:Letras (Santa Maria. Online)
instname:Universidade Federal de Santa Maria (UFSM)
instacron:UFSM
instname_str Universidade Federal de Santa Maria (UFSM)
instacron_str UFSM
institution UFSM
reponame_str Letras (Santa Maria. Online)
collection Letras (Santa Maria. Online)
repository.name.fl_str_mv Letras (Santa Maria. Online) - Universidade Federal de Santa Maria (UFSM)
repository.mail.fl_str_mv ||gil.negreiros@ufsm.br|| periodicoletras.ufsm@gmail.com
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