Drag Queen: uma potência transgressora
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/14386 |
Resumo: | This dissertation proposes to think the figure of drag queen in another scenario (in the field of education) realizing the infinite possibilities in addition to the arts, (un)building established between content and form, reinventing new forms of interaction, of knowing and knowledge. The intent of questioning of these possibilities is given through this figure always, which manufactures moving your own beauty, not being taken as a product and as a figure, drag does not follow standards, it creates its own. The encounter with this figure crossed by intensities that move, creating interconnections from a body in the process of doing art. The body/figure of drag who stars in actions and at the same time think about them in order to create new forms of interaction between subjects. To get to the cable research on drag, here was the auto-ethnography. For Daniela Versiani (2005), the construction of the auto-ethnography research takes place in the auto-reflection of the subject/artist and in this experience, the moves, what affects, what makes you think. When you think of the figure of the drag queen as a poetic figure I've been inspired in the philosopher Friedrich Nietzsche (2011) and your concept of will to power. It adds the set of references that don't only affect my practice as well as performativity, such as pedagogical movies Priscilla, Queen of the desert; To Wong Foo, Thanks for Everything! Julie Newmar; and the documentary Pageant; these materials which make me weave relationships and questioning as subject/drag/professor that I'm this way, the figure of drag queen invites thinking the subject/character in daily life, in your teaching and practice, and can be exploited under other settings. |
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Drag Queen: uma potência transgressoraDrag Queen: a transgressive powerDrag QueenSujeito/personagemVontade de potênciaExperiênciaDrag QueenSubject/characterWill powerExperienceCNPQ::CIENCIAS HUMANAS::EDUCACAOThis dissertation proposes to think the figure of drag queen in another scenario (in the field of education) realizing the infinite possibilities in addition to the arts, (un)building established between content and form, reinventing new forms of interaction, of knowing and knowledge. The intent of questioning of these possibilities is given through this figure always, which manufactures moving your own beauty, not being taken as a product and as a figure, drag does not follow standards, it creates its own. The encounter with this figure crossed by intensities that move, creating interconnections from a body in the process of doing art. The body/figure of drag who stars in actions and at the same time think about them in order to create new forms of interaction between subjects. To get to the cable research on drag, here was the auto-ethnography. For Daniela Versiani (2005), the construction of the auto-ethnography research takes place in the auto-reflection of the subject/artist and in this experience, the moves, what affects, what makes you think. When you think of the figure of the drag queen as a poetic figure I've been inspired in the philosopher Friedrich Nietzsche (2011) and your concept of will to power. It adds the set of references that don't only affect my practice as well as performativity, such as pedagogical movies Priscilla, Queen of the desert; To Wong Foo, Thanks for Everything! Julie Newmar; and the documentary Pageant; these materials which make me weave relationships and questioning as subject/drag/professor that I'm this way, the figure of drag queen invites thinking the subject/character in daily life, in your teaching and practice, and can be exploited under other settings.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESA presente dissertação se propõe a pensar a figura da drag queen em outro cenário (no campo da educação) percebendo as infinitas possibilidades para além das artes, (des)construindo o estabelecido entre conteúdo e forma, reinventando novas formas de interação, de saber e conhecimento. O intento de problematização dessas possibilidades se dá por meio desta figura sempre movente, que fabrica sua própria beleza, não sendo tomada como um produto e sim como uma figura, a drag não segue normas, ela cria as suas próprias. O encontro com essa figura atravessada por intensidades que a movimentam, criando interconexões a partir de um corpo em processo em fazer-se arte. O corpo/a figura da drag que protagoniza ações e ao mesmo tempo pensa sobre elas, de modo a criar novas formas de interação entre sujeitos. Para levar ao cabo a pesquisa sobre a drag, utilizou-se aqui da autoetnografia. Para Daniela Versiani (2005), a construção da pesquisa autoetnográfica se dá na autorreflexão do ser sujeito/artista e no que esse experiência, o movimenta, no que o afeta, no que o faz pensar. Ao pensar a figura da drag queen como figura poética inspirei-me no filósofo Friedrich Nietzsche (2011) e no seu conceito de vontade de potência. A isso se soma o conjunto de referências que não apenas influenciam minha prática performativa como também pedagógica, tais como os filmes Priscila, a Rainha do Deserto; To Wong Foo, Thanks for Everything! Julie Newmar; e o documentário Pageant; materiais esses que até hoje me fazem tecer relações e questionamentos como sujeito/drag/professor que sou. Dessa forma, a figura da dag queen convida a pensar o ser sujeito/personagem no cotidiano, na docência e sua prática, podendo ser explorada sob outras configurações.Universidade Federal de Santa MariaBrasilEducaçãoUFSMPrograma de Pós-Graduação em EducaçãoCentro de EducaçãoPereira, Marcelo de Andradehttp://lattes.cnpq.br/1518610535671838Oliveira, Marilda Oliveira dehttp://lattes.cnpq.br/7835230852202032Bonatto, Mônica Torreshttp://lattes.cnpq.br/0719342502225613Brasil, Iran Almeida2018-09-25T20:09:10Z2018-09-25T20:09:10Z2017-08-21info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisapplication/pdfhttp://repositorio.ufsm.br/handle/1/14386porAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessreponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSM2018-09-25T20:09:10Zoai:repositorio.ufsm.br:1/14386Biblioteca Digital de Teses e Dissertaçõeshttps://repositorio.ufsm.br/ONGhttps://repositorio.ufsm.br/oai/requestatendimento.sib@ufsm.br||tedebc@gmail.comopendoar:2018-09-25T20:09:10Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.none.fl_str_mv |
Drag Queen: uma potência transgressora Drag Queen: a transgressive power |
title |
Drag Queen: uma potência transgressora |
spellingShingle |
Drag Queen: uma potência transgressora Brasil, Iran Almeida Drag Queen Sujeito/personagem Vontade de potência Experiência Drag Queen Subject/character Will power Experience CNPQ::CIENCIAS HUMANAS::EDUCACAO |
title_short |
Drag Queen: uma potência transgressora |
title_full |
Drag Queen: uma potência transgressora |
title_fullStr |
Drag Queen: uma potência transgressora |
title_full_unstemmed |
Drag Queen: uma potência transgressora |
title_sort |
Drag Queen: uma potência transgressora |
author |
Brasil, Iran Almeida |
author_facet |
Brasil, Iran Almeida |
author_role |
author |
dc.contributor.none.fl_str_mv |
Pereira, Marcelo de Andrade http://lattes.cnpq.br/1518610535671838 Oliveira, Marilda Oliveira de http://lattes.cnpq.br/7835230852202032 Bonatto, Mônica Torres http://lattes.cnpq.br/0719342502225613 |
dc.contributor.author.fl_str_mv |
Brasil, Iran Almeida |
dc.subject.por.fl_str_mv |
Drag Queen Sujeito/personagem Vontade de potência Experiência Drag Queen Subject/character Will power Experience CNPQ::CIENCIAS HUMANAS::EDUCACAO |
topic |
Drag Queen Sujeito/personagem Vontade de potência Experiência Drag Queen Subject/character Will power Experience CNPQ::CIENCIAS HUMANAS::EDUCACAO |
description |
This dissertation proposes to think the figure of drag queen in another scenario (in the field of education) realizing the infinite possibilities in addition to the arts, (un)building established between content and form, reinventing new forms of interaction, of knowing and knowledge. The intent of questioning of these possibilities is given through this figure always, which manufactures moving your own beauty, not being taken as a product and as a figure, drag does not follow standards, it creates its own. The encounter with this figure crossed by intensities that move, creating interconnections from a body in the process of doing art. The body/figure of drag who stars in actions and at the same time think about them in order to create new forms of interaction between subjects. To get to the cable research on drag, here was the auto-ethnography. For Daniela Versiani (2005), the construction of the auto-ethnography research takes place in the auto-reflection of the subject/artist and in this experience, the moves, what affects, what makes you think. When you think of the figure of the drag queen as a poetic figure I've been inspired in the philosopher Friedrich Nietzsche (2011) and your concept of will to power. It adds the set of references that don't only affect my practice as well as performativity, such as pedagogical movies Priscilla, Queen of the desert; To Wong Foo, Thanks for Everything! Julie Newmar; and the documentary Pageant; these materials which make me weave relationships and questioning as subject/drag/professor that I'm this way, the figure of drag queen invites thinking the subject/character in daily life, in your teaching and practice, and can be exploited under other settings. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-08-21 2018-09-25T20:09:10Z 2018-09-25T20:09:10Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://repositorio.ufsm.br/handle/1/14386 |
url |
http://repositorio.ufsm.br/handle/1/14386 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.rights.driver.fl_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Brasil Educação UFSM Programa de Pós-Graduação em Educação Centro de Educação |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Brasil Educação UFSM Programa de Pós-Graduação em Educação Centro de Educação |
dc.source.none.fl_str_mv |
reponame:Manancial - Repositório Digital da UFSM instname:Universidade Federal de Santa Maria (UFSM) instacron:UFSM |
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Universidade Federal de Santa Maria (UFSM) |
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UFSM |
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UFSM |
reponame_str |
Manancial - Repositório Digital da UFSM |
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Manancial - Repositório Digital da UFSM |
repository.name.fl_str_mv |
Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM) |
repository.mail.fl_str_mv |
atendimento.sib@ufsm.br||tedebc@gmail.com |
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1805922134420094976 |