“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags”
Autor(a) principal: | |
---|---|
Data de Publicação: | 2021 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | https://tede.unioeste.br/handle/tede/5867 |
Resumo: | Based on the Pecheutian Discourse Analysis (1975), in this study, we intend to analyze the “Super Drags” series made available by the Netflix streaming platform. We intend to reflect on the effects of meanings produced by the series, which is the first Brazilian animation on the platform, and which suffered interdictions such as the cancellation of new seasons. With only five episodes, Super Drags addressed issues such as homosexuality, family constitution, as well as the hegemonic discourse. Thus, our objective is to analyze, through discursive sequences, the series and how an imaginary about the Drag Queen subject is conveyed in the discourses present in this series. Therefore, to achieve the presented objectives, our work will be based on Discourse Analysis theorists such as Pêcheux (1993) and Orlandi (2007); in addition to theorists who underpin the study of gender, such as Butler (2003) and Louro (2018). The clippings are separated into Discursive Sequences (SD) for better organization of the analyses. In order to understand the effects of meanings, the subject-position and the imaginary that constitutes the Drag Queen subject in Super Drags, we present a reading that makes it possible to understand how, through hegemonic discourses, Drag Queen's resistance occurs in the series under analysis. Thus, we saw that Drag art is plural and expresses the uniqueness of each subject, which goes beyond joy and extends to a confrontation position; considering that, behind all the wigs, garments, and flashy makeup, there are subjects who do not fit into the hegemonic discourses, but who – when performing on stage, in auditorium shows and, mainly, in Super Drags, being, therefore, superheroines – find their self-esteem imbued with authority which is substantial to their resistance within a society which represses them. |
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Garcia, Dantielli Assumpçãohttp://lattes.cnpq.br/4595437339696603Garcia, Dantielli Assumpçãohttp://lattes.cnpq.br/4595437339696603Soares, Alexandre Sebastião Ferrarihttp://lattes.cnpq.br/2323106437650213Dela Silva, Silmara Cristinahttp://lattes.cnpq.br/9632313729137282Daneluz, Vanessa Kauana2022-03-09T14:08:49Z2021-11-30DANELUZ, Vanessa Kauana. “Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags”. 2021. 156. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR.https://tede.unioeste.br/handle/tede/5867Based on the Pecheutian Discourse Analysis (1975), in this study, we intend to analyze the “Super Drags” series made available by the Netflix streaming platform. We intend to reflect on the effects of meanings produced by the series, which is the first Brazilian animation on the platform, and which suffered interdictions such as the cancellation of new seasons. With only five episodes, Super Drags addressed issues such as homosexuality, family constitution, as well as the hegemonic discourse. Thus, our objective is to analyze, through discursive sequences, the series and how an imaginary about the Drag Queen subject is conveyed in the discourses present in this series. Therefore, to achieve the presented objectives, our work will be based on Discourse Analysis theorists such as Pêcheux (1993) and Orlandi (2007); in addition to theorists who underpin the study of gender, such as Butler (2003) and Louro (2018). The clippings are separated into Discursive Sequences (SD) for better organization of the analyses. In order to understand the effects of meanings, the subject-position and the imaginary that constitutes the Drag Queen subject in Super Drags, we present a reading that makes it possible to understand how, through hegemonic discourses, Drag Queen's resistance occurs in the series under analysis. Thus, we saw that Drag art is plural and expresses the uniqueness of each subject, which goes beyond joy and extends to a confrontation position; considering that, behind all the wigs, garments, and flashy makeup, there are subjects who do not fit into the hegemonic discourses, but who – when performing on stage, in auditorium shows and, mainly, in Super Drags, being, therefore, superheroines – find their self-esteem imbued with authority which is substantial to their resistance within a society which represses them.A partir da Análise de Discurso Pecheutiana (1975), neste estudo, pretendemos analisar a série “Super Drags” disponibilizada pela plataforma de streaming Netflix. Propomo-nos a refletir acerca dos efeitos de sentidos produzidos pela série, a qual é a primeira animação brasileira da plataforma e que sofreu interdições como o próprio cancelamento de novas temporadas. Com apenas cinco episódios, Super Drags abordou temas como a homossexualidade, a constituição familiar, bem como o discurso hegemônico. Desse modo, nosso objetivo é analisar, por meio de sequências discursivas, a série e como um imaginário sobre o sujeito Drag Queen é veiculado nos discursos presentes nessa. Portanto, para que se alcancem os objetivos apresentados, nosso trabalho será baseado em teóricos da Análise do Discurso como Pêcheux (1993) e Orlandi (2007); além de teóricos que fundamentam o estudo do gênero como Butler (2003) e Louro (2018). Os recortes encontram-se separados em Sequências Discursivas (SD) para melhor organização das análises. A fim de compreender os efeitos de sentidos, a posição-sujeito e o imaginário que constitui o sujeito Drag Queen em Super Drags, apresentamos uma leitura que possibilita compreender como ocorre, através de discursos hegemônicos, a resistência da Drag Queen na série em análise. Destarte, vimos que a arte Drag é plural e expressa a singularidade de cada sujeito a qual ultrapassa a alegria e se estende à posição de enfrentamento; tendo em vista que, por trás de toda a montagem com perucas, roupas e maquiagens chamativas, há sujeitos que não se encaixam nos discursos hegemônicos, mas que, ao performarem nos palcos, em programas de auditório e, principalmente, em Super Drags sendo, portanto, super-heroínas, encontram sua autoestima imbuída de autoridade a qual é substancial para sua resistência dentro de uma sociedade que a reprime.Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2022-03-09T14:08:49Z No. of bitstreams: 2 Vanessa_Daneluz2021.pdf: 1580638 bytes, checksum: 07dcaefbc1cf8338ae212a788db445aa (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2022-03-09T14:08:49Z (GMT). No. of bitstreams: 2 Vanessa_Daneluz2021.pdf: 1580638 bytes, checksum: 07dcaefbc1cf8338ae212a788db445aa (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2021-11-30application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessAnálise de DiscursoDrag QueenSérie Super DragsSujeito Drag QueenDiscourse AnalysisDrag QueenSuper Drags seriesSubject Drag QueenEstudos da linguagem“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags”“Faaaaag”: the imaginary of the drag queen subject released in the discourses of “super drags”info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis84473450707363215696006006678066452762177366reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALVanessa_Daneluz2021.pdfVanessa_Daneluz2021.pdfapplication/pdf1580638http://tede.unioeste.br:8080/tede/bitstream/tede/5867/5/Vanessa_Daneluz2021.pdf07dcaefbc1cf8338ae212a788db445aaMD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
dc.title.alternative.eng.fl_str_mv |
“Faaaaag”: the imaginary of the drag queen subject released in the discourses of “super drags” |
title |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
spellingShingle |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” Daneluz, Vanessa Kauana Análise de Discurso Drag Queen Série Super Drags Sujeito Drag Queen Discourse Analysis Drag Queen Super Drags series Subject Drag Queen Estudos da linguagem |
title_short |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
title_full |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
title_fullStr |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
title_full_unstemmed |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
title_sort |
“Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags” |
author |
Daneluz, Vanessa Kauana |
author_facet |
Daneluz, Vanessa Kauana |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Garcia, Dantielli Assumpção |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/4595437339696603 |
dc.contributor.referee1.fl_str_mv |
Garcia, Dantielli Assumpção |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/4595437339696603 |
dc.contributor.referee2.fl_str_mv |
Soares, Alexandre Sebastião Ferrari |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/2323106437650213 |
dc.contributor.referee3.fl_str_mv |
Dela Silva, Silmara Cristina |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/9632313729137282 |
dc.contributor.author.fl_str_mv |
Daneluz, Vanessa Kauana |
contributor_str_mv |
Garcia, Dantielli Assumpção Garcia, Dantielli Assumpção Soares, Alexandre Sebastião Ferrari Dela Silva, Silmara Cristina |
dc.subject.por.fl_str_mv |
Análise de Discurso Drag Queen Série Super Drags Sujeito Drag Queen |
topic |
Análise de Discurso Drag Queen Série Super Drags Sujeito Drag Queen Discourse Analysis Drag Queen Super Drags series Subject Drag Queen Estudos da linguagem |
dc.subject.eng.fl_str_mv |
Discourse Analysis Drag Queen Super Drags series Subject Drag Queen |
dc.subject.cnpq.fl_str_mv |
Estudos da linguagem |
description |
Based on the Pecheutian Discourse Analysis (1975), in this study, we intend to analyze the “Super Drags” series made available by the Netflix streaming platform. We intend to reflect on the effects of meanings produced by the series, which is the first Brazilian animation on the platform, and which suffered interdictions such as the cancellation of new seasons. With only five episodes, Super Drags addressed issues such as homosexuality, family constitution, as well as the hegemonic discourse. Thus, our objective is to analyze, through discursive sequences, the series and how an imaginary about the Drag Queen subject is conveyed in the discourses present in this series. Therefore, to achieve the presented objectives, our work will be based on Discourse Analysis theorists such as Pêcheux (1993) and Orlandi (2007); in addition to theorists who underpin the study of gender, such as Butler (2003) and Louro (2018). The clippings are separated into Discursive Sequences (SD) for better organization of the analyses. In order to understand the effects of meanings, the subject-position and the imaginary that constitutes the Drag Queen subject in Super Drags, we present a reading that makes it possible to understand how, through hegemonic discourses, Drag Queen's resistance occurs in the series under analysis. Thus, we saw that Drag art is plural and expresses the uniqueness of each subject, which goes beyond joy and extends to a confrontation position; considering that, behind all the wigs, garments, and flashy makeup, there are subjects who do not fit into the hegemonic discourses, but who – when performing on stage, in auditorium shows and, mainly, in Super Drags, being, therefore, superheroines – find their self-esteem imbued with authority which is substantial to their resistance within a society which represses them. |
publishDate |
2021 |
dc.date.issued.fl_str_mv |
2021-11-30 |
dc.date.accessioned.fl_str_mv |
2022-03-09T14:08:49Z |
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info:eu-repo/semantics/publishedVersion |
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dc.identifier.citation.fl_str_mv |
DANELUZ, Vanessa Kauana. “Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags”. 2021. 156. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR. |
dc.identifier.uri.fl_str_mv |
https://tede.unioeste.br/handle/tede/5867 |
identifier_str_mv |
DANELUZ, Vanessa Kauana. “Viaaado”: o imaginário do sujeito drag queen veiculado nos discursos de “super drags”. 2021. 156. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR. |
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