O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional Manancial UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/29025 |
Resumo: | The present research is established from the History, Theory and Criticism of Art field in order to research curatorship, expography and mediation. The object of study is the mediation under digital environment for the Art, Science and Technology Festival (FACTORS), in its seventh edition. The general aim is to produce a cartography concerning the course of action from the mediator staff of FACTORS 7.0 as well as reflecting upon how these experiences have converged into making a mediation device for the event. It aims, more precisely, to discuss and analyse the development of what has been produced to mediate art pieces from the festival that took place in 2020 on both Instagram and Facebook digital platforms, while contributing with the online mediation strategies from the occasion using devices. It establishes the idea of Contemporaneity in Agamben (2009), of Contemporary Art in Archer (2001), Cauquelin (2005) and Smith (2013). It is inspired, initially, by the Rizome shape of Deleuze and Guattari (1995) in order to map ways of audience communication strategies at FACTORS. Curatorship is referenced through Alves (2010), Tejo (2010) as well as Bieguelman and Santos (2022); regarding mediation approaches, Grinspum (2014) Marandino (2008) in addition to Pinto e Gouvêa (2014) are considered; for the digital standpoint as well as for subject cognition, the contributions of Couchot (2003) are observed. The concept of device is worked under the views of Agamben (2009) and Deleuze (1997), broadening the discussion beyond the technological field. The experimental character of technological agency for communicating with the audience in virtual exhibition spaces is highlighted. Furthermore, mediation as a device is approached as a critical parameter concerning communicational structures in Art, Science and Technology events. |
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2023-05-09T19:30:02Z2023-05-09T19:30:02Z2022-04-26http://repositorio.ufsm.br/handle/1/29025The present research is established from the History, Theory and Criticism of Art field in order to research curatorship, expography and mediation. The object of study is the mediation under digital environment for the Art, Science and Technology Festival (FACTORS), in its seventh edition. The general aim is to produce a cartography concerning the course of action from the mediator staff of FACTORS 7.0 as well as reflecting upon how these experiences have converged into making a mediation device for the event. It aims, more precisely, to discuss and analyse the development of what has been produced to mediate art pieces from the festival that took place in 2020 on both Instagram and Facebook digital platforms, while contributing with the online mediation strategies from the occasion using devices. It establishes the idea of Contemporaneity in Agamben (2009), of Contemporary Art in Archer (2001), Cauquelin (2005) and Smith (2013). It is inspired, initially, by the Rizome shape of Deleuze and Guattari (1995) in order to map ways of audience communication strategies at FACTORS. Curatorship is referenced through Alves (2010), Tejo (2010) as well as Bieguelman and Santos (2022); regarding mediation approaches, Grinspum (2014) Marandino (2008) in addition to Pinto e Gouvêa (2014) are considered; for the digital standpoint as well as for subject cognition, the contributions of Couchot (2003) are observed. The concept of device is worked under the views of Agamben (2009) and Deleuze (1997), broadening the discussion beyond the technological field. The experimental character of technological agency for communicating with the audience in virtual exhibition spaces is highlighted. Furthermore, mediation as a device is approached as a critical parameter concerning communicational structures in Art, Science and Technology events.Esta pesquisa parte do campo da História, Teoria e Crítica da Arte para pensar curadoria, expografia e mediação. Tem como objeto de estudo a mediação em ambiente digital no Festival de Arte, Ciência e Tecnologia, em sua sétima edição. O objetivo geral consiste em cartografar os modos de atuação da equipe de mediadores para o FACTORS 7.0 e refletir como essas experiências convergiram para a produção de um dispositivo de mediação. Mais especificamente, visa discutir e problematizar o desenvolvimento do material produzido para mediar as obras no festival que aconteceu em 2020, nas plataformas Instagram e Facebook, e contribuir com as estratégias de mediação online por meio de dispositivos digitais. Fundamenta-se a ideia do que é o contemporâneo em Agamben (2009), Arte Contemporânea em Archer (2001), Cauquelin (2005) e Smith (2013). Inspira-se no Rizoma de Deleuze e Guattari (1995) com o intuito de mapear os modos de comunicação com o público no FACTORS. Referencia-se a curadoria a partir de Alves (2010), Tejo (2010), Beiguelman e Santos (2022); acerca da mediação são utilizadas as abordagens de Grinspum (2014), Marandino (2008) assim como de Pinto e Gouvêa (2014); do ponto de vista digital e da cognição do sujeito, as contribuições de Couchot (2003). O conceito de dispositivo é trabalhado pela óptica de Agamben (2009) e Deleuze (1997), ampliando a discussão além do âmbito tecnológico. Convém ressaltar o caráter experimental dos agenciamentos de tecnologias para comunicação com o público no espaço expositivo virtual. Ainda, destaca-se que a mediação como dispositivo é abordada como parâmetro crítico sobre as estruturas comunicacionais dos eventos de Arte, Ciência e Tecnologia.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e tecnologiaDispositivoMediaçãoMediação onlineContemporary artArt and technologyDeviceMediationOnline mediationCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESO dispositivo de mediação no Factors 7.0: experimentações em ambiente digitalThe mediation device at Factors 7.0: digital environment experimentationsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisSantos, Nara Cristinahttp://lattes.cnpq.br/0024977948247395Codevilla, Fernando FrancoGomes, Paulo César Ribeirohttp://lattes.cnpq.br/4840418497394669Lopes, Daniel Jaenisch8003000000066006006006006009b26ec9e-36a8-4a53-bfc7-cc636fb71f414c351c02-bda4-43a2-bd5b-eef27f0408fff3dd6de4-a1da-4932-9616-cdcdcb61e967b9316dd9-de06-43ea-ad0a-98bb435169bcreponame:Repositório Institucional Manancial UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMCC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/29025/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/29025/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD53ORIGINALDIS_PPGAV_2022_LOPES_DANIEL.pdfDIS_PPGAV_2022_LOPES_DANIEL.pdfDissertação de Mestradoapplication/pdf2039815http://repositorio.ufsm.br/bitstream/1/29025/1/DIS_PPGAV_2022_LOPES_DANIEL.pdf62a56514bec6ba6b9b9875abdd105ff8MD511/290252023-05-09 16:30:02.185oai:repositorio.ufsm.br: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ório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestouvidoria@ufsm.bropendoar:39132023-05-09T19:30:02Repositório Institucional Manancial UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
dc.title.alternative.eng.fl_str_mv |
The mediation device at Factors 7.0: digital environment experimentations |
title |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
spellingShingle |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital Lopes, Daniel Jaenisch Arte contemporânea Arte e tecnologia Dispositivo Mediação Mediação online Contemporary art Art and technology Device Mediation Online mediation CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
title_full |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
title_fullStr |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
title_full_unstemmed |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
title_sort |
O dispositivo de mediação no Factors 7.0: experimentações em ambiente digital |
author |
Lopes, Daniel Jaenisch |
author_facet |
Lopes, Daniel Jaenisch |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Santos, Nara Cristina |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0024977948247395 |
dc.contributor.referee1.fl_str_mv |
Codevilla, Fernando Franco |
dc.contributor.referee2.fl_str_mv |
Gomes, Paulo César Ribeiro |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/4840418497394669 |
dc.contributor.author.fl_str_mv |
Lopes, Daniel Jaenisch |
contributor_str_mv |
Santos, Nara Cristina Codevilla, Fernando Franco Gomes, Paulo César Ribeiro |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e tecnologia Dispositivo Mediação Mediação online Contemporary art |
topic |
Arte contemporânea Arte e tecnologia Dispositivo Mediação Mediação online Contemporary art Art and technology Device Mediation Online mediation CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Art and technology Device Mediation Online mediation |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
The present research is established from the History, Theory and Criticism of Art field in order to research curatorship, expography and mediation. The object of study is the mediation under digital environment for the Art, Science and Technology Festival (FACTORS), in its seventh edition. The general aim is to produce a cartography concerning the course of action from the mediator staff of FACTORS 7.0 as well as reflecting upon how these experiences have converged into making a mediation device for the event. It aims, more precisely, to discuss and analyse the development of what has been produced to mediate art pieces from the festival that took place in 2020 on both Instagram and Facebook digital platforms, while contributing with the online mediation strategies from the occasion using devices. It establishes the idea of Contemporaneity in Agamben (2009), of Contemporary Art in Archer (2001), Cauquelin (2005) and Smith (2013). It is inspired, initially, by the Rizome shape of Deleuze and Guattari (1995) in order to map ways of audience communication strategies at FACTORS. Curatorship is referenced through Alves (2010), Tejo (2010) as well as Bieguelman and Santos (2022); regarding mediation approaches, Grinspum (2014) Marandino (2008) in addition to Pinto e Gouvêa (2014) are considered; for the digital standpoint as well as for subject cognition, the contributions of Couchot (2003) are observed. The concept of device is worked under the views of Agamben (2009) and Deleuze (1997), broadening the discussion beyond the technological field. The experimental character of technological agency for communicating with the audience in virtual exhibition spaces is highlighted. Furthermore, mediation as a device is approached as a critical parameter concerning communicational structures in Art, Science and Technology events. |
publishDate |
2022 |
dc.date.issued.fl_str_mv |
2022-04-26 |
dc.date.accessioned.fl_str_mv |
2023-05-09T19:30:02Z |
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2023-05-09T19:30:02Z |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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Universidade Federal de Santa Maria Centro de Artes e Letras |
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