Inventariando memórias pela arte: entre afetos, objetos e fotografias
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Manancial - Repositório Digital da UFSM |
Texto Completo: | http://repositorio.ufsm.br/handle/1/25031 |
Resumo: | In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art. |
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2022-06-23T14:34:51Z2022-06-23T14:34:51Z2020-03-24http://repositorio.ufsm.br/handle/1/25031In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art.Na presente pesquisa em Artes Visuais, é abordada uma produção artística a partir de vivências e rememorações pessoais. Para esse fim, opero com a catalogação de objetos afetivos, obtidos em registros fotográficos (de moradas e guardados da infância), os quais são desdobrados imageticamente por distintos meios e processos. Nesse sentido o objetivo é expandir essas memórias para dialogar com outras pessoas e outras lembranças, para que tais objetos possam encontrar-se com outros afetos e experiências. Nessa perspectiva, a pesquisa é constituída por meio da Poiética (REY, 2002) e da construção de pensamentos a partir do fazer, visando uma percepção do processo e uma abertura para o experimentar. Além disso, na elaboração das produções práticas emerge a ideia de sobreposição de camadas de imagens, evocando o esmaecimento e o esquecimento e ressoando o trabalho em diferentes formas neste inventário pessoal. Visto que, é na ação de voltar para antigas moradas, de revirar armários e reencontrar os objetos que se inicia todo processo de trabalho, no qual a fotografia se torna um potente meio para realizar a produção poética afetiva (SPINOZA, 2019). Por fim, como resultado da pesquisa, apresento um conjunto de “sete” objetos e imagens, que constituem a mostra “Re(visitar)”, a qual evoca meus guardados e afetos vividos e propõe refletir sobre tal tema no campo da Arte.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e tecnologiaFotografiaMemóriaInventário afetivoContemporary artArt and technologyCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESInventariando memórias pela arte: entre afetos, objetos e fotografiasInventing memories by art: among affect, objects and photographsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMinuzzi, Reinilda de Fátima Berguenmayerhttp://lattes.cnpq.br/1234650265478193Vieira, Karine Gomes PerezCarbone, Helene Gomes Saccohttp://lattes.cnpq.br/3000703085248930Kuhn, Bruna800300000006600600600600600ea790c55-2bc9-49cd-8081-eef3f5d529456d35512f-324a-4b85-a5ad-bef9a5f68f1c13ad1417-10a0-452c-9125-9eac1492de307102aa7b-ba08-4153-a4ff-68dc8457bc4freponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2020_KUHN_BRUNA.pdfDIS_PPGAV_2020_KUHN_BRUNA.pdfDissertação de mestradoapplication/pdf3378586http://repositorio.ufsm.br/bitstream/1/25031/1/DIS_PPGAV_2020_KUHN_BRUNA.pdfc4f571d722e4e80b698c80466770be20MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/25031/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/25031/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD531/250312022-06-23 11:34:51.124oai:repositorio.ufsm.br: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ório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-06-23T14:34:51Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false |
dc.title.por.fl_str_mv |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
dc.title.alternative.eng.fl_str_mv |
Inventing memories by art: among affect, objects and photographs |
title |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
spellingShingle |
Inventariando memórias pela arte: entre afetos, objetos e fotografias Kuhn, Bruna Arte contemporânea Arte e tecnologia Fotografia Memória Inventário afetivo Contemporary art Art and technology CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
title_short |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
title_full |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
title_fullStr |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
title_full_unstemmed |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
title_sort |
Inventariando memórias pela arte: entre afetos, objetos e fotografias |
author |
Kuhn, Bruna |
author_facet |
Kuhn, Bruna |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Minuzzi, Reinilda de Fátima Berguenmayer |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/1234650265478193 |
dc.contributor.referee1.fl_str_mv |
Vieira, Karine Gomes Perez |
dc.contributor.referee2.fl_str_mv |
Carbone, Helene Gomes Sacco |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/3000703085248930 |
dc.contributor.author.fl_str_mv |
Kuhn, Bruna |
contributor_str_mv |
Minuzzi, Reinilda de Fátima Berguenmayer Vieira, Karine Gomes Perez Carbone, Helene Gomes Sacco |
dc.subject.por.fl_str_mv |
Arte contemporânea Arte e tecnologia Fotografia Memória Inventário afetivo |
topic |
Arte contemporânea Arte e tecnologia Fotografia Memória Inventário afetivo Contemporary art Art and technology CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
dc.subject.eng.fl_str_mv |
Contemporary art Art and technology |
dc.subject.cnpq.fl_str_mv |
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES |
description |
In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art. |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-03-24 |
dc.date.accessioned.fl_str_mv |
2022-06-23T14:34:51Z |
dc.date.available.fl_str_mv |
2022-06-23T14:34:51Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
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masterThesis |
status_str |
publishedVersion |
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http://repositorio.ufsm.br/handle/1/25031 |
url |
http://repositorio.ufsm.br/handle/1/25031 |
dc.language.iso.fl_str_mv |
por |
language |
por |
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800300000006 |
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600 600 600 600 600 |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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Attribution-NonCommercial-NoDerivatives 4.0 International http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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openAccess |
dc.publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
dc.publisher.program.fl_str_mv |
Programa de Pós-Graduação em Artes Visuais |
dc.publisher.initials.fl_str_mv |
UFSM |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Artes |
publisher.none.fl_str_mv |
Universidade Federal de Santa Maria Centro de Artes e Letras |
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