Inventariando memórias pela arte: entre afetos, objetos e fotografias

Detalhes bibliográficos
Autor(a) principal: Kuhn, Bruna
Data de Publicação: 2020
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Manancial - Repositório Digital da UFSM
Texto Completo: http://repositorio.ufsm.br/handle/1/25031
Resumo: In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art.
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spelling 2022-06-23T14:34:51Z2022-06-23T14:34:51Z2020-03-24http://repositorio.ufsm.br/handle/1/25031In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art.Na presente pesquisa em Artes Visuais, é abordada uma produção artística a partir de vivências e rememorações pessoais. Para esse fim, opero com a catalogação de objetos afetivos, obtidos em registros fotográficos (de moradas e guardados da infância), os quais são desdobrados imageticamente por distintos meios e processos. Nesse sentido o objetivo é expandir essas memórias para dialogar com outras pessoas e outras lembranças, para que tais objetos possam encontrar-se com outros afetos e experiências. Nessa perspectiva, a pesquisa é constituída por meio da Poiética (REY, 2002) e da construção de pensamentos a partir do fazer, visando uma percepção do processo e uma abertura para o experimentar. Além disso, na elaboração das produções práticas emerge a ideia de sobreposição de camadas de imagens, evocando o esmaecimento e o esquecimento e ressoando o trabalho em diferentes formas neste inventário pessoal. Visto que, é na ação de voltar para antigas moradas, de revirar armários e reencontrar os objetos que se inicia todo processo de trabalho, no qual a fotografia se torna um potente meio para realizar a produção poética afetiva (SPINOZA, 2019). Por fim, como resultado da pesquisa, apresento um conjunto de “sete” objetos e imagens, que constituem a mostra “Re(visitar)”, a qual evoca meus guardados e afetos vividos e propõe refletir sobre tal tema no campo da Arte.Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPESporUniversidade Federal de Santa MariaCentro de Artes e LetrasPrograma de Pós-Graduação em Artes VisuaisUFSMBrasilArtesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessArte contemporâneaArte e tecnologiaFotografiaMemóriaInventário afetivoContemporary artArt and technologyCNPQ::LINGUISTICA, LETRAS E ARTES::ARTESInventariando memórias pela arte: entre afetos, objetos e fotografiasInventing memories by art: among affect, objects and photographsinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisMinuzzi, Reinilda de Fátima Berguenmayerhttp://lattes.cnpq.br/1234650265478193Vieira, Karine Gomes PerezCarbone, Helene Gomes Saccohttp://lattes.cnpq.br/3000703085248930Kuhn, Bruna800300000006600600600600600ea790c55-2bc9-49cd-8081-eef3f5d529456d35512f-324a-4b85-a5ad-bef9a5f68f1c13ad1417-10a0-452c-9125-9eac1492de307102aa7b-ba08-4153-a4ff-68dc8457bc4freponame:Manancial - Repositório Digital da UFSMinstname:Universidade Federal de Santa Maria (UFSM)instacron:UFSMORIGINALDIS_PPGAV_2020_KUHN_BRUNA.pdfDIS_PPGAV_2020_KUHN_BRUNA.pdfDissertação de mestradoapplication/pdf3378586http://repositorio.ufsm.br/bitstream/1/25031/1/DIS_PPGAV_2020_KUHN_BRUNA.pdfc4f571d722e4e80b698c80466770be20MD51CC-LICENSElicense_rdflicense_rdfapplication/rdf+xml; charset=utf-8805http://repositorio.ufsm.br/bitstream/1/25031/2/license_rdf4460e5956bc1d1639be9ae6146a50347MD52LICENSElicense.txtlicense.txttext/plain; charset=utf-81956http://repositorio.ufsm.br/bitstream/1/25031/3/license.txt2f0571ecee68693bd5cd3f17c1e075dfMD531/250312022-06-23 11:34:51.124oai:repositorio.ufsm.br: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ório Institucionalhttp://repositorio.ufsm.br/PUBhttp://repositorio.ufsm.br/oai/requestopendoar:39132022-06-23T14:34:51Manancial - Repositório Digital da UFSM - Universidade Federal de Santa Maria (UFSM)false
dc.title.por.fl_str_mv Inventariando memórias pela arte: entre afetos, objetos e fotografias
dc.title.alternative.eng.fl_str_mv Inventing memories by art: among affect, objects and photographs
title Inventariando memórias pela arte: entre afetos, objetos e fotografias
spellingShingle Inventariando memórias pela arte: entre afetos, objetos e fotografias
Kuhn, Bruna
Arte contemporânea
Arte e tecnologia
Fotografia
Memória
Inventário afetivo
Contemporary art
Art and technology
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
title_short Inventariando memórias pela arte: entre afetos, objetos e fotografias
title_full Inventariando memórias pela arte: entre afetos, objetos e fotografias
title_fullStr Inventariando memórias pela arte: entre afetos, objetos e fotografias
title_full_unstemmed Inventariando memórias pela arte: entre afetos, objetos e fotografias
title_sort Inventariando memórias pela arte: entre afetos, objetos e fotografias
author Kuhn, Bruna
author_facet Kuhn, Bruna
author_role author
dc.contributor.advisor1.fl_str_mv Minuzzi, Reinilda de Fátima Berguenmayer
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/1234650265478193
dc.contributor.referee1.fl_str_mv Vieira, Karine Gomes Perez
dc.contributor.referee2.fl_str_mv Carbone, Helene Gomes Sacco
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/3000703085248930
dc.contributor.author.fl_str_mv Kuhn, Bruna
contributor_str_mv Minuzzi, Reinilda de Fátima Berguenmayer
Vieira, Karine Gomes Perez
Carbone, Helene Gomes Sacco
dc.subject.por.fl_str_mv Arte contemporânea
Arte e tecnologia
Fotografia
Memória
Inventário afetivo
topic Arte contemporânea
Arte e tecnologia
Fotografia
Memória
Inventário afetivo
Contemporary art
Art and technology
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
dc.subject.eng.fl_str_mv Contemporary art
Art and technology
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
description In this research in Visual Arts, an artistic production from personal experiences and memories is approached. For that purpose, I operate with the cataloging of affective objects, obtained in photographic records (of addresses and saved from childhood), which are imagetically unfolded by different means and processes. In this sense, the objective is to expand these memories to dialogue with other people and other memories, so that such objects can meet other affections and experiences. In this perspective, the research is constituted through Poiética (REY, 2002) and from the construction of thoughts from doing aiming at a perception of the process and an opening to experience it. In addition, in the elaboration of practical productions, emerges the idea of overlapping layers of images, evoking fading and forgetting and resonating work in different ways in this personal inventory. Since it is in the action of going back to old addresses, turning over cabinets and finding objects that the whole work process begins, in which photography becomes a potent means to carry out affective poetic production (SPINOZA, 2019). Finally, as a result of the research, I present a set of “seven” objects and images, which constitute the “Re (visit)” exhibition, which evokes my saved things and experienced affections and proposes to reflect on this theme in the field of Art.
publishDate 2020
dc.date.issued.fl_str_mv 2020-03-24
dc.date.accessioned.fl_str_mv 2022-06-23T14:34:51Z
dc.date.available.fl_str_mv 2022-06-23T14:34:51Z
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http://creativecommons.org/licenses/by-nc-nd/4.0/
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dc.publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Artes Visuais
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dc.publisher.country.fl_str_mv Brasil
dc.publisher.department.fl_str_mv Artes
publisher.none.fl_str_mv Universidade Federal de Santa Maria
Centro de Artes e Letras
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