O espaço ficcional em the lord of the rings: a trajetória de frodo pela terra-média

• Autor(a) principal: Oliveira, Amanda Laís Jacobsen de
• Data de Publicação: 2016
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Biblioteca Digital de Teses e Dissertações do UFSM
• Texto Completo: http://repositorio.ufsm.br/handle/1/12310
• topic: Tolkien; Espaço; Jornada; Frodo; Imagem; Space; Journey; Image; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS

This work arose primarily from two circumstances: my appreciation for J. R. R. Tolkien and his work, and my propensity towards those literary words that evoke images to be not only seen, but also felt. The more I read Tolkien, the more this appreciation grows. My overall goal in this research is to track the spatial elements presented in The Lord of the Rings (1954), centering on the imagetic formations that make abstract ideas into concrete images. Such images enable the reader to visualize those abstractions and connect them to the protagonist of the narrative, Frodo Baggins. Frodo got involved in the Great War of the Ring without meaning to. Nevertheless, he is the only one who can take the Ring back to place where it was forged, in order to destroy it. In spite of considering himself fragile when contrasted with the great enemy, the little hobbit opens his way towards the dark land. The crossing from the Shire (where the hobbits live) to Mordor (the Dark Lord’s land) is long, full of surprises, has unknown places and unexpected meetings. In this sense, the fact that Frodo undertakes a journey is really significant, because it makes him an active character in space and time within the plot. This way, while he wanders through many symptomatic different places (allowing us to keep up with him in this travelling), Frodo provides many pertinent associations between landscape and character, and this plays essential rode in highlighting the antithetical meanings contained in the plot. By connecting the fictional and theoretical readings, I analyse Tolkien’s narrative structure, along with the constitution of space in Middle-earth, to understand the use of the lexicon space and identify how the work’s imagery is composed. In the end of this journey (which becomes our journey, as we keep up with Frodo), I aim to establish in what ways the walkway and the meeting with different places may change the protagonist.