O corpo e sexualidade no Cinema Lésbico de Barbara Hammer
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2020 |
| Tipo de documento: | Dissertação |
| Idioma: | por |
| Título da fonte: | Repositório Institucional da UNIFESP |
| Texto Completo: | https://repositorio.unifesp.br/xmlui/handle/11600/63562 |
Resumo: | A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra. |
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Repositório Institucional da UNIFESP |
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| spelling |
Raposo, Thais Fernandahttp://lattes.cnpq.br/7374851359575012http://lattes.cnpq.br/0964792926987907Matos, Yanet Aguilera Viruez FranklinVia internet2022-03-18T18:07:51Z2022-03-18T18:07:51Z2020-03-27RAPOSO, T. F. O corpo e sexualidade no Cinema Lésbico de Barbara Hammer. 2020.https://repositorio.unifesp.br/xmlui/handle/11600/63562A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra.The film industry was constructed predominantly masculine, taking a political role in society that recovered this gender’s universal values. With the sexual revolution, cinema could reinvent itself, idealized by the will to transform the reality of oppressed minorities by the patriarchy. This dissertation's objective is to analyse Nitrate Kisses, the first feature film by lesbian filmmaker Barbara Hammer, promoting critical and theoretical thinking of lesbian cultural studies in Brazil, with an emphasis on cinema, contextualizing the lesbian with the studies of sex, sexuality and identity and also analyse image and sound in the production of non-hegemonic sexuality narratives in this work.Não recebi financiamento139 f.porUniversidade Federal de São Paulocinema lésbicocinemaimagemsexualidadeO corpo e sexualidade no Cinema Lésbico de Barbara HammerBody and sexuality in Barbara Hammer's Lesbian Cinemainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:Repositório Institucional da UNIFESPinstname:Universidade Federal de São Paulo (UNIFESP)instacron:UNIFESPEscola de Filosofia, Letras e Ciências Humanas (EFLCH)História da ArteHistória da ArteInstituições, Discursos e AlteridadeORIGINALO corpo e sexualidade no 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InstitucionalPUBhttp://www.repositorio.unifesp.br/oai/requestopendoar:34652023-05-17T04:13:49Repositório Institucional da UNIFESP - Universidade Federal de São Paulo (UNIFESP)false |
| dc.title.pt_BR.fl_str_mv |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| dc.title.alternative.pt_BR.fl_str_mv |
Body and sexuality in Barbara Hammer's Lesbian Cinema |
| title |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| spellingShingle |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer Raposo, Thais Fernanda cinema lésbico cinema imagem sexualidade |
| title_short |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| title_full |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| title_fullStr |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| title_full_unstemmed |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| title_sort |
O corpo e sexualidade no Cinema Lésbico de Barbara Hammer |
| author |
Raposo, Thais Fernanda |
| author_facet |
Raposo, Thais Fernanda |
| author_role |
author |
| dc.contributor.authorLattes.pt_BR.fl_str_mv |
http://lattes.cnpq.br/7374851359575012 |
| dc.contributor.advisorLattes.pt_BR.fl_str_mv |
http://lattes.cnpq.br/0964792926987907 |
| dc.contributor.author.fl_str_mv |
Raposo, Thais Fernanda |
| dc.contributor.advisor1.fl_str_mv |
Matos, Yanet Aguilera Viruez Franklin |
| contributor_str_mv |
Matos, Yanet Aguilera Viruez Franklin |
| dc.subject.por.fl_str_mv |
cinema lésbico cinema imagem sexualidade |
| topic |
cinema lésbico cinema imagem sexualidade |
| description |
A indústria cinematográfica foi construída predominantemente masculina, por isso, assumiu um papel político na sociedade que recupera valores desse universo de gênero. Com a revolução sexual, o cinema pôde reinventar-se, idealizado pela vontade de transformar a realidade das minorias oprimidas pelo patriarcado. O objetivo desta dissertação é analisar Nitrate Kisses, primeiro longa-metragem da cineasta lésbica Barbara Hammer, fomentando o pensamento crítico e teórico dos estudos culturais lésbicos no Brasil, com ênfase no cinema, ao contextualizar a lesbianidade com os estudos de gênero, sexualidade e identidade e também analisar imagem e som na produção de narrativas de sexualidades não hegemônicas nesta obra. |
| publishDate |
2020 |
| dc.date.issued.fl_str_mv |
2020-03-27 |
| dc.date.accessioned.fl_str_mv |
2022-03-18T18:07:51Z |
| dc.date.available.fl_str_mv |
2022-03-18T18:07:51Z |
| dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
| format |
masterThesis |
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