THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM

Detalhes bibliográficos
Autor(a) principal: Germano, Pedro da Cunha
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: EntreLetras
Texto Completo: https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/14156
Resumo: This article provides an understanding of the existing associations between the narrative of the Argentine cinematographic work Necrofobia (2014) and the structure of modern cynicism, according to Peter Sloterdijk (1987), in order to analyze how the film in question works its artistic horror narrative for the construction of the representation of real social horror. From the analysis of cinema as a form of reflection of society, worked by Siegfried Kracauer (1985), the text takes the narrative of the audiovisual work to explore the relationship between the modern cynicism that entered Latin American society and the fascist ideology that articulates in the narrative arc of the protagonist of the work.
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spelling THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISMLA OBRA NECROFOBIA (2014) COMO REPRESENTACIÓN DEL CINISMO MODERNO ARGENTINOA OBRA NECROFOBIA (2014) COMO REPRESENTAÇÃO DO CINISMO MODERNO ARGENTINOexistencialismocinemaAmérica Latinafalsa consciênciaFalsa concienciaExistencialismoCineAmérica LatinaFalse consciousnessExistentialismMovie theaterLatin AmericaThis article provides an understanding of the existing associations between the narrative of the Argentine cinematographic work Necrofobia (2014) and the structure of modern cynicism, according to Peter Sloterdijk (1987), in order to analyze how the film in question works its artistic horror narrative for the construction of the representation of real social horror. From the analysis of cinema as a form of reflection of society, worked by Siegfried Kracauer (1985), the text takes the narrative of the audiovisual work to explore the relationship between the modern cynicism that entered Latin American society and the fascist ideology that articulates in the narrative arc of the protagonist of the work.Este artículo predice la comprensión de las asociaciones entre la narrativa de la obra cinematográfica argentina Necrofobia (2014) y la estructura del cinismo moderno, según Peter Sloterdijk (1987), con el fin de analizar cómo la película en cuestión trabaja su narrativa de horror artístico para construir la representación. del verdadero horror social. A partir del análisis del cine como reflejo de la sociedad, trabajado por Siegfried Kracauer (1985), el texto toma la narrativa del trabajo audiovisual para explorar la relación entre el cinismo moderno que ingresó a la sociedad latinoamericana y la ideología fascista que se articula en el arco narrativo del protagonista de la obra.Este artigo prevê a compreensão das associações existentes entre a narrativa da obra cinematográfica argentina Necrofobia (2014) e a estrutura do cinismo moderno, segundo Peter Sloterdijk (1987), no intuito de analisar como o filme em questão trabalha sua narrativa de horror artístico para a construção da representação do horror social real.  A partir da análise do cinema como forma de reflexo da sociedade, trabalhada por Siegfried Kracauer (1985), o texto toma a narrativa da obra audiovisual para explorar a relação entre o cinismo moderno que adentrou à sociedade latino-americana e a ideologia fascista que se articula no arco narrativo do protagonista da obra.Universidade Federal do Tocantins2022-11-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/1415610.20873/uft2179-3948.2022v13n2p112-127EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 112 - 1272179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/14156/20613Copyright (c) 2022 EntreLetrashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessGermano, Pedro da Cunha2022-11-17T04:55:06Zoai:ojs.revista.uft.edu.br:article/14156Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oai||luiza.to@uft.edu.br|| revista@uft.edu.br2179-39482178-9479opendoar:2022-11-17T04:55:06EntreLetras - Universidade Federal do Tocantins (UFT)false
dc.title.none.fl_str_mv THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
LA OBRA NECROFOBIA (2014) COMO REPRESENTACIÓN DEL CINISMO MODERNO ARGENTINO
A OBRA NECROFOBIA (2014) COMO REPRESENTAÇÃO DO CINISMO MODERNO ARGENTINO
title THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
spellingShingle THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
Germano, Pedro da Cunha
existencialismo
cinema
América Latina
falsa consciência
Falsa conciencia
Existencialismo
Cine
América Latina
False consciousness
Existentialism
Movie theater
Latin America
title_short THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
title_full THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
title_fullStr THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
title_full_unstemmed THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
title_sort THE FILM NECROFOBIA (2014) AS A REPRESENTATION OF MODERN ARGENTINE CYNICISM
author Germano, Pedro da Cunha
author_facet Germano, Pedro da Cunha
author_role author
dc.contributor.author.fl_str_mv Germano, Pedro da Cunha
dc.subject.por.fl_str_mv existencialismo
cinema
América Latina
falsa consciência
Falsa conciencia
Existencialismo
Cine
América Latina
False consciousness
Existentialism
Movie theater
Latin America
topic existencialismo
cinema
América Latina
falsa consciência
Falsa conciencia
Existencialismo
Cine
América Latina
False consciousness
Existentialism
Movie theater
Latin America
description This article provides an understanding of the existing associations between the narrative of the Argentine cinematographic work Necrofobia (2014) and the structure of modern cynicism, according to Peter Sloterdijk (1987), in order to analyze how the film in question works its artistic horror narrative for the construction of the representation of real social horror. From the analysis of cinema as a form of reflection of society, worked by Siegfried Kracauer (1985), the text takes the narrative of the audiovisual work to explore the relationship between the modern cynicism that entered Latin American society and the fascist ideology that articulates in the narrative arc of the protagonist of the work.
publishDate 2022
dc.date.none.fl_str_mv 2022-11-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/14156
10.20873/uft2179-3948.2022v13n2p112-127
url https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/14156
identifier_str_mv 10.20873/uft2179-3948.2022v13n2p112-127
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://sistemas.uft.edu.br/periodicos/index.php/entreletras/article/view/14156/20613
dc.rights.driver.fl_str_mv Copyright (c) 2022 EntreLetras
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 EntreLetras
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal do Tocantins
publisher.none.fl_str_mv Universidade Federal do Tocantins
dc.source.none.fl_str_mv EntreLetras; v. 13 n. 2 (2022): DOSSIÊ - POÉTICAS E IMAGENS DO CAOS: ÉTICA, ESTÉTICA E POLÍTICA; 112 - 127
2179-3948
reponame:EntreLetras
instname:Universidade Federal do Tocantins (UFT)
instacron:UFT
instname_str Universidade Federal do Tocantins (UFT)
instacron_str UFT
institution UFT
reponame_str EntreLetras
collection EntreLetras
repository.name.fl_str_mv EntreLetras - Universidade Federal do Tocantins (UFT)
repository.mail.fl_str_mv ||luiza.to@uft.edu.br|| revista@uft.edu.br
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