The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | EntreLetras |
Texto Completo: | https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/12393 |
Resumo: | This article analyzes the skit Barbies (2018), by Porta dos Fundos. The video dialogues with the Barbie Fascista’s memes. Based on the Bakhtinian conceptions of dialogism utterance, ideology and social voices, this article analyzes its verbivocovisual constitution. The method is the dialectical-dialogical, in a comparison with the memes and Barbie’s commercials. The purpose is to reflect reflect on the criticism, made through acid humor, for white women, wealthy social class and conservative positioning, identified as electors of Bolsonaro. The justification is centre don the social relevance of humor as a resistance. The results show the corrosive power of parody. |
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The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSISAS BARBIES PELO PORTA DOS FUNDOS: UMA ANÁLISE VERBIVOCOVISUALCírculo de BakhtinDiscursoIdeologiaPorta dos FundosBarbieBakhtin CircleDiscourseIdeologyPorta dos FundosBarbieThis article analyzes the skit Barbies (2018), by Porta dos Fundos. The video dialogues with the Barbie Fascista’s memes. Based on the Bakhtinian conceptions of dialogism utterance, ideology and social voices, this article analyzes its verbivocovisual constitution. The method is the dialectical-dialogical, in a comparison with the memes and Barbie’s commercials. The purpose is to reflect reflect on the criticism, made through acid humor, for white women, wealthy social class and conservative positioning, identified as electors of Bolsonaro. The justification is centre don the social relevance of humor as a resistance. The results show the corrosive power of parody.Este artigo analisa o esquete Barbies (2018), do Porta dos Fundos. O vídeo dialoga com os memes da Barbie Fascista. Fundamentado nas concepções bakhtinianas de dialogia, enunciado, ideologia e vozes sociais, este artigo analisa a sua constituição verbivocovisual. O método é o dialético-dialógico, em cotejo com memes e comerciais da Barbie. O objetivo é refletir sobre a crítica, feita por meio do humor ácido, a mulheres brancas, abastadas e conservadoras, identificadas como eleitoras de Bolsonaro. A justificativa está centrada na relevância social do humor como resistência. Os resultados mostram o poder corrosivo da paródia.Universidade Federal do Norte do Tocantins2021-06-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/1239310.20873/uft2179-3948.2021v12n1p345-369EntreLetras; v. 12 n. 1 (2021): ARQUIVO, SUJEITO E MEMÓRIA EM DISCURSOS SOBRE A VIOLÊNCIA NO BRASIL; 345-3692179-3948reponame:EntreLetrasinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://periodicos.ufnt.edu.br/index.php/entreletras/article/view/12393/18733Copyright (c) 2021 EntreLetrasinfo:eu-repo/semantics/openAccessPaula, Luciane deTeixeira, Laura Pereira 2021-06-14T17:12:21Zoai:ojs2.ufnt.acessoacademico.com.br:article/12393Revistahttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/indexPUBhttps://sistemas.uft.edu.br/periodicos/index.php/entreletras/oaientreletrasuft@gmail.com || dirpesq@ufnt.edu.br2179-39482178-9479opendoar:2021-06-14T17:12:21EntreLetras - Universidade Federal do Tocantins (UFT)false |
dc.title.none.fl_str_mv |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS AS BARBIES PELO PORTA DOS FUNDOS: UMA ANÁLISE VERBIVOCOVISUAL |
title |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
spellingShingle |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS Paula, Luciane de Círculo de Bakhtin Discurso Ideologia Porta dos Fundos Barbie Bakhtin Circle Discourse Ideology Porta dos Fundos Barbie |
title_short |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
title_full |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
title_fullStr |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
title_full_unstemmed |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
title_sort |
The BARBIES BY PORTA DOS FUNDOS: A VERBIVOCOVISUAL ANALYSIS |
author |
Paula, Luciane de |
author_facet |
Paula, Luciane de Teixeira, Laura Pereira |
author_role |
author |
author2 |
Teixeira, Laura Pereira |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Paula, Luciane de Teixeira, Laura Pereira |
dc.subject.por.fl_str_mv |
Círculo de Bakhtin Discurso Ideologia Porta dos Fundos Barbie Bakhtin Circle Discourse Ideology Porta dos Fundos Barbie |
topic |
Círculo de Bakhtin Discurso Ideologia Porta dos Fundos Barbie Bakhtin Circle Discourse Ideology Porta dos Fundos Barbie |
description |
This article analyzes the skit Barbies (2018), by Porta dos Fundos. The video dialogues with the Barbie Fascista’s memes. Based on the Bakhtinian conceptions of dialogism utterance, ideology and social voices, this article analyzes its verbivocovisual constitution. The method is the dialectical-dialogical, in a comparison with the memes and Barbie’s commercials. The purpose is to reflect reflect on the criticism, made through acid humor, for white women, wealthy social class and conservative positioning, identified as electors of Bolsonaro. The justification is centre don the social relevance of humor as a resistance. The results show the corrosive power of parody. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-06-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/12393 10.20873/uft2179-3948.2021v12n1p345-369 |
url |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/12393 |
identifier_str_mv |
10.20873/uft2179-3948.2021v12n1p345-369 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.ufnt.edu.br/index.php/entreletras/article/view/12393/18733 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2021 EntreLetras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2021 EntreLetras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
publisher.none.fl_str_mv |
Universidade Federal do Norte do Tocantins |
dc.source.none.fl_str_mv |
EntreLetras; v. 12 n. 1 (2021): ARQUIVO, SUJEITO E MEMÓRIA EM DISCURSOS SOBRE A VIOLÊNCIA NO BRASIL; 345-369 2179-3948 reponame:EntreLetras instname:Universidade Federal do Tocantins (UFT) instacron:UFT |
instname_str |
Universidade Federal do Tocantins (UFT) |
instacron_str |
UFT |
institution |
UFT |
reponame_str |
EntreLetras |
collection |
EntreLetras |
repository.name.fl_str_mv |
EntreLetras - Universidade Federal do Tocantins (UFT) |
repository.mail.fl_str_mv |
entreletrasuft@gmail.com || dirpesq@ufnt.edu.br |
_version_ |
1808458994984943616 |