Chico Bento and the social representations of childhood

Detalhes bibliográficos
Autor(a) principal: Santos, José Douglas Alves dos
Data de Publicação: 2019
Outros Autores: Almeida, Éverton Vasconcelos de
Tipo de documento: Artigo
Idioma: por
Título da fonte: Revista Brasileira de Educação do Campo
Texto Completo: https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/6446
Resumo: ABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it.
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spelling Chico Bento and the social representations of childhoodChico Bento and the social representations of childhoodChico Bento y las representaciones sociales de la infanciaChico Bento and the social representations of childhoodChico Bento e as representações sociais da infânciaChildren and Peasantry ChildhoodCultural ProductionChico BentoNiños y Infancia CampesinaProducción CulturalABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it.ABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it.RESUMEN. Los registros visuales, y los discursos que ellos transmiten, o que de ellos se emiten, generan lecturas sociales que contribuyen para la construcción de un imaginario colectivo. Este artículo se propone a realizar una reflexión sobre el imaginario en función de los sujetos que viven en el campo, más específicamente los niños y infancias rurales, por medio de uno de los principales símbolos de representación de los niños campesinos brasileños, lo personaje de Chico Bento, creado por el cartonista Maurício de Sousa. Se constata que esa producción visual, producida en el contexto urbano y direccionada especialmente para los habitantes de la ciudad, muchas veces (re)produce discursos sobre el campo y sus sujetos impregnados por estereotipos y preconceptos. En este caso, se considera que la producción cultural de imágenes es de gran relevancia en la construcción de la mirada y de la lectura social que a ella se dirige.ABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it.Os registros visuais, e os discursos que eles transmitem, ou que deles se emitem, geram leituras sociais e contribuem para a construção de um imaginário coletivo. Este artigo propõe realizar uma reflexão sobre o imaginário em função dos sujeitos que vivem no campo, mais especificamente às crianças e infâncias rurais, por meio de um dos principais símbolos de representação da criança camponesa brasileira, o personagem de Chico Bento, criado pelo cartunista Maurício de Sousa. Constata-se que essa produção visual, produzida no contexto urbano e endereçada especialmente aos habitantes da cidade, muitas vezes (re)produz discursos sobre o campo e seus sujeitos permeados por estereótipos e preconceitos. Neste caso, considera-se que a produção cultural imagética tem grande relevância na construção do olhar e da leitura social que a ela se direciona. Palavras-chave: Chico Bento, Crianças e Infâncias do Campo, Produção Cultural, Representações Sociais.   Chico Bento and the social representations of childhood                 ABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it. Keywords: Chico Bento, Children and Peasantry Childhood, Cultural Production, Social Representations.   Chico Bento y las representaciones sociales de la infancia RESUMEN. Los registros visuales, y los discursos que ellos transmiten, o que de ellos se emiten, generan lecturas sociales que contribuyen para la construcción de un imaginario colectivo. Este artículo se propone a realizar una reflexión sobre el imaginario en función de los sujetos que viven en el campo, más específicamente los niños y infancias rurales, por medio de uno de los principales símbolos de representación de los niños campesinos brasileños, lo personaje de Chico Bento, creado por el cartonista Maurício de Sousa. Se constata que esa producción visual, producida en el contexto urbano y direccionada especialmente para los habitantes de la ciudad, muchas veces (re)produce discursos sobre el campo y sus sujetos impregnados por estereotipos y preconceptos. En este caso, se considera que la producción cultural de imágenes es de gran relevancia en la construcción de la mirada y de la lectura social que a ella se dirige. Palabras clave: Chico Bento, Niños y Infancia Campesina, Producción Cultural, Representaciones Sociales.Universidade Federal do Tocantins2019-05-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion"Avaliados pelos pares'application/pdftext/htmlhttps://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/644610.20873/uft.rbec.v4e6446Brazilian Journal of Rural Education; Bd. 4 (2019): Publicação Contínua / Continuous Publication; e6446Brazilian Journal of Rural Education; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446Revista Brasileña de Educación Rural; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446Brazilian Journal of Rural Education; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446Revista Brasileira de Educação do Campo; v. 4 (2019): Publicação Contínua / Continuous Publication; e64462525-4863reponame:Revista Brasileira de Educação do Campoinstname:Universidade Federal do Tocantins (UFT)instacron:UFTporhttps://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/6446/15065https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/6446/15066Copyright (c) 2019 Revista Brasileira de Educação do Campoinfo:eu-repo/semantics/openAccessSantos, José Douglas Alves dosAlmeida, Éverton Vasconcelos de2020-12-28T21:54:23Zoai:ojs.revista.uft.edu.br:article/6446Revistahttps://sistemas.uft.edu.br/periodicos/index.php/campoPUBhttps://sistemas.uft.edu.br/periodicos/index.php/campo/oaigustavo.araujo@uft.edu.br||rbec@uft.edu.br||gustavo.araujo@uft.edu.br|| rbec@uft.edu.br2525-48632525-4863opendoar:2020-12-28T21:54:23Revista Brasileira de Educação do Campo - Universidade Federal do Tocantins (UFT)false
dc.title.none.fl_str_mv Chico Bento and the social representations of childhood
Chico Bento and the social representations of childhood
Chico Bento y las representaciones sociales de la infancia
Chico Bento and the social representations of childhood
Chico Bento e as representações sociais da infância
title Chico Bento and the social representations of childhood
spellingShingle Chico Bento and the social representations of childhood
Santos, José Douglas Alves dos
Children and Peasantry Childhood
Cultural Production
Chico Bento
Niños y Infancia Campesina
Producción Cultural
title_short Chico Bento and the social representations of childhood
title_full Chico Bento and the social representations of childhood
title_fullStr Chico Bento and the social representations of childhood
title_full_unstemmed Chico Bento and the social representations of childhood
title_sort Chico Bento and the social representations of childhood
author Santos, José Douglas Alves dos
author_facet Santos, José Douglas Alves dos
Almeida, Éverton Vasconcelos de
author_role author
author2 Almeida, Éverton Vasconcelos de
author2_role author
dc.contributor.author.fl_str_mv Santos, José Douglas Alves dos
Almeida, Éverton Vasconcelos de
dc.subject.por.fl_str_mv Children and Peasantry Childhood
Cultural Production
Chico Bento
Niños y Infancia Campesina
Producción Cultural
topic Children and Peasantry Childhood
Cultural Production
Chico Bento
Niños y Infancia Campesina
Producción Cultural
description ABSTRACT. The visual records, and the discourses they transmit, or that emit them, generate social readings and contribute to the construction of a collective imaginary. This article proposes to accomplish a reflection about the imaginary in function of the subjects who live in the countryside, more specifically children and rural children, through one of the main symbols of representation of the Brazilian peasant child, the character of Chico Bento, created by the cartoonist Mauricio de Sousa. It is observed that this visual production, produced in the urban context and addressed especially to the inhabitants of the city, often (re)produces discourses about the peasantry and its subject and its subjects permeated by stereotypes and prejudices. In this case, it is considered that the imagistic cultural production has great relevance in the construction of the look and the social reading that is directed to it.
publishDate 2019
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https://sistemas.uft.edu.br/periodicos/index.php/campo/article/view/6446/15066
dc.rights.driver.fl_str_mv Copyright (c) 2019 Revista Brasileira de Educação do Campo
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dc.publisher.none.fl_str_mv Universidade Federal do Tocantins
publisher.none.fl_str_mv Universidade Federal do Tocantins
dc.source.none.fl_str_mv Brazilian Journal of Rural Education; Bd. 4 (2019): Publicação Contínua / Continuous Publication; e6446
Brazilian Journal of Rural Education; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446
Revista Brasileña de Educación Rural; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446
Brazilian Journal of Rural Education; Vol. 4 (2019): Publicação Contínua / Continuous Publication; e6446
Revista Brasileira de Educação do Campo; v. 4 (2019): Publicação Contínua / Continuous Publication; e6446
2525-4863
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repository.name.fl_str_mv Revista Brasileira de Educação do Campo - Universidade Federal do Tocantins (UFT)
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