WHEN FICTIONAL BRAZIL MAKES TO THINK THE REAL BRAZIL. How does criticism enter this history?

• Autor(a) principal: Carlos Magno, Maria Ignês
• Data de Publicação: 2017
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Revista Observatório
• Texto Completo: https://sistemas.uft.edu.br/periodicos/index.php/observatorio/article/view/3161
• topic: Soap opera; Criticism; History; Helena Silveira and Artur da Távola; Telenovela; Crítica; Helena Silveira e Artur da Távola.; Telenovela; crítica; história; Helena Silveira and Artur da Távola; telenovela; Crítica; História; Helena Silveira e Arthur da Távola

This text is part of the research: The Brazilian soap opera under the eyes of criticism in the 1970s. Considering telefiction as an object of research given its constant dialogue with the Brazilian locus of this relationship, the proposal of this article is to understand in the scope of critical language which relations can be established between the soap opera critique and the historical discussions that took place in Brazil in the 1970s. Criticism is understood as part of the social process and theoretical activity that, in the transmission of thoughts and reflections on television and soap operas, exerts a cultural and historical function . In order to develop the study of the dialogues between criticism in the print media and the historical themes of soap operas, I chose Jorge Andrade's novel Os Ossos do Barão (1973/74) and the critiques of Helena Silveira and Artur da Tavola published in Folha de S. Paulo and in the newspaper O Globo.