Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930)
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/58645 |
Resumo: | Considering the process that gave voice to the screen stars in a operation that made speach fixation, sound tracks, and recorded noises present and adding another layer to the film, this article seeks to reflect what the printed press of the 20's and 30's published about the arrival of spoken cinema in Brazil in niched film making magazines – mainly, in São Paulo and Rio – and how it impacted not only in the movie making, writting, distribuiting and consumming, but also, took part in the differents perspectives given the contradictory and tense scenery of the build up process of the Brazilian nationality. |
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Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930)Diálogos em ação: o cinema falado e as tensões na construção da nacionalidade brasileira (1920-1930)cinema-faladomodernidadenacionalidadetalking-moviemodernitnationalityConsidering the process that gave voice to the screen stars in a operation that made speach fixation, sound tracks, and recorded noises present and adding another layer to the film, this article seeks to reflect what the printed press of the 20's and 30's published about the arrival of spoken cinema in Brazil in niched film making magazines – mainly, in São Paulo and Rio – and how it impacted not only in the movie making, writting, distribuiting and consumming, but also, took part in the differents perspectives given the contradictory and tense scenery of the build up process of the Brazilian nationality.Considerando o processo que deu voz às estrelas do écran, numa operação que tornou capaz a fixação da fala, da trilha musical e dos ruídos gravados junto à película, o artigo busca refletir, a partir da análise de publicações em revistas especializadas veiculadas pela imprensa nas décadas de 1920 e 1930, como a chegada do cinema falado no Brasil – especificamente em São Paulo e no Rio de Janeiro – não só impactou a maneira de fazer, distribuir e consumir os filmes, como participou de um intenso debate entre diferentes perspectivas acerca do tenso e contraditório processo de construção de uma moderna nacionalidade brasileira.Universidade Federal de Uberlândia2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5864510.14393/artc-v22-n41-2020-58645ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 90-102ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 90-102ArtCultura; v. 22 n. 41 (2020): ArtCultura; 90-1022178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/58645/30619Miucci Ferraresi de Barros, Carla info:eu-repo/semantics/openAccess2022-05-27T16:15:41Zoai:ojs.www.seer.ufu.br:article/58645Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:15:41ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) Diálogos em ação: o cinema falado e as tensões na construção da nacionalidade brasileira (1920-1930) |
title |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
spellingShingle |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) Miucci Ferraresi de Barros, Carla cinema-falado modernidade nacionalidade talking-movie modernit nationality |
title_short |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
title_full |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
title_fullStr |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
title_full_unstemmed |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
title_sort |
Dialogues in action: the talking movie and tensions in the construction of Brazilian nationality (1920-1930) |
author |
Miucci Ferraresi de Barros, Carla |
author_facet |
Miucci Ferraresi de Barros, Carla |
author_role |
author |
dc.contributor.author.fl_str_mv |
Miucci Ferraresi de Barros, Carla |
dc.subject.por.fl_str_mv |
cinema-falado modernidade nacionalidade talking-movie modernit nationality |
topic |
cinema-falado modernidade nacionalidade talking-movie modernit nationality |
description |
Considering the process that gave voice to the screen stars in a operation that made speach fixation, sound tracks, and recorded noises present and adding another layer to the film, this article seeks to reflect what the printed press of the 20's and 30's published about the arrival of spoken cinema in Brazil in niched film making magazines – mainly, in São Paulo and Rio – and how it impacted not only in the movie making, writting, distribuiting and consumming, but also, took part in the differents perspectives given the contradictory and tense scenery of the build up process of the Brazilian nationality. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58645 10.14393/artc-v22-n41-2020-58645 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/58645 |
identifier_str_mv |
10.14393/artc-v22-n41-2020-58645 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58645/30619 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 90-102 ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 90-102 ArtCultura; v. 22 n. 41 (2020): ArtCultura; 90-102 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
_version_ |
1797069142816194560 |