The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/41258 |
Resumo: | The words uttered by the “Old man of Restelo” in the epic Os lusíadas (1572), by Camões, are part of one of the most commented episodes of the poem. This article proposes an analysis of this character taking into account the language codes of the time, evaluating the mobilization (or imitation) of clichés from tradition or from custom of the epic genre. In his speech, thereare very old topics, such as valuing experience, condemning greed and praising prudence;this makes the passage rich and central in the poem, as it refers to what was expect from Roman Catholic vassals of the Portuguese Crown. This study refutes the hypothesis according to which this episode would be in disharmony with the rest of the epic because it would portray a position that is contrary to the Portuguese maritime endeavor. Keywords: Os lusíadas; Old Man of Restelo; epic genre. |
id |
UFU-15_2136d082e56c62f13f20d9f341bec624 |
---|---|
oai_identifier_str |
oai:ojs.www.seer.ufu.br:article/41258 |
network_acronym_str |
UFU-15 |
network_name_str |
ArtCultura (Online) |
repository_id_str |
|
spelling |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopeeO velho do Restelo e a empresa de Vasco da Gama na epopeia lusíadaThe words uttered by the “Old man of Restelo” in the epic Os lusíadas (1572), by Camões, are part of one of the most commented episodes of the poem. This article proposes an analysis of this character taking into account the language codes of the time, evaluating the mobilization (or imitation) of clichés from tradition or from custom of the epic genre. In his speech, thereare very old topics, such as valuing experience, condemning greed and praising prudence;this makes the passage rich and central in the poem, as it refers to what was expect from Roman Catholic vassals of the Portuguese Crown. This study refutes the hypothesis according to which this episode would be in disharmony with the rest of the epic because it would portray a position that is contrary to the Portuguese maritime endeavor. Keywords: Os lusíadas; Old Man of Restelo; epic genre.As palavras proferidas pelo velho do Restelo no canto IV da epopeia Os lusíadas (1572), de Camões, integram um dos episódios mais comentados do poema. Este artigo propõe uma análise dessa personagem que leva em consideração os códigos linguísticos da época, avaliando a mobilização (ou imitação) de lugares-comuns presentes na tradição ou no costume do gênero épico. Há, em sua fala, a presença de tópicas muito antigas, como a valorização da experiência, a censura à cobiça e o elogio à prudência, tornando a passagem rica e central no conjunto do poema, por remeter à quilo que se esperava de súditos católicos a serviço da Coroa portuguesa. Por intermédio deste estudo, poder-se-á refutar a hipótese segundo a qual tal episódio estaria em desarmonia com o restante da epopeia por retratar uma posição contrária à empresa marítima portuguesa. Palavras-chave: Os lusíadas; velho do Restelo; gênero épico.Universidade Federal de Uberlândia2017-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/4125810.14393/ArtC-V19n35-2017-2-09ArtCultura; Vol. 19 No. 35 (2017): ArtCulturaArtCultura; Vol. 19 Núm. 35 (2017): ArtCulturaArtCultura; v. 19 n. 35 (2017): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/41258/21818Copyright (c) 2018 Artculturainfo:eu-repo/semantics/openAccessdo Amaral Felipe, Cleber Vinicius2022-05-27T16:17:36Zoai:ojs.www.seer.ufu.br:article/41258Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:17:36ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee O velho do Restelo e a empresa de Vasco da Gama na epopeia lusíada |
title |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
spellingShingle |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee do Amaral Felipe, Cleber Vinicius |
title_short |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
title_full |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
title_fullStr |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
title_full_unstemmed |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
title_sort |
The Old Man of Restelo and Vasco da Gama’s endeavor in the Lusíadas epopee |
author |
do Amaral Felipe, Cleber Vinicius |
author_facet |
do Amaral Felipe, Cleber Vinicius |
author_role |
author |
dc.contributor.author.fl_str_mv |
do Amaral Felipe, Cleber Vinicius |
description |
The words uttered by the “Old man of Restelo” in the epic Os lusíadas (1572), by Camões, are part of one of the most commented episodes of the poem. This article proposes an analysis of this character taking into account the language codes of the time, evaluating the mobilization (or imitation) of clichés from tradition or from custom of the epic genre. In his speech, thereare very old topics, such as valuing experience, condemning greed and praising prudence;this makes the passage rich and central in the poem, as it refers to what was expect from Roman Catholic vassals of the Portuguese Crown. This study refutes the hypothesis according to which this episode would be in disharmony with the rest of the epic because it would portray a position that is contrary to the Portuguese maritime endeavor. Keywords: Os lusíadas; Old Man of Restelo; epic genre. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/41258 10.14393/ArtC-V19n35-2017-2-09 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/41258 |
identifier_str_mv |
10.14393/ArtC-V19n35-2017-2-09 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/41258/21818 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Artcultura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Artcultura |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 19 No. 35 (2017): ArtCultura ArtCultura; Vol. 19 Núm. 35 (2017): ArtCultura ArtCultura; v. 19 n. 35 (2017): ArtCultura 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
_version_ |
1797069142350626816 |