Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia

Detalhes bibliográficos
Autor(a) principal: Guerra , Paula
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/58637
Resumo: Gustavo Costa closes a modelling trajectory of music in the line of Christopher Small. His taste for music started very early and became a fundamental part of his life. With the musical formation, came his integration in multiple national and international artistic projects and later appeared Sonoscopia, a cultural association that seeks to serve as a stage for experimental music in Portugal, making musicking a local, translocal and virtual scene. Thus, throughout this article and through the analysis of his life history, we aim to perspective the various forms of music that guide Gustavo Costa's daily life, from the creation of instruments from unconventional resources to artistic and cultural programming contributing to the (re)construction of alternative sonic landscapes in Porto, Portugal and even in the European space.
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spelling Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia Paixões sónicas conservadas em disposofonias1 : o musicar de Gustavo Costa e da Sonoscopia musicarcenas artísticas alternativashistória de vidamusickingalternative artistic sceneslife historyGustavo Costa closes a modelling trajectory of music in the line of Christopher Small. His taste for music started very early and became a fundamental part of his life. With the musical formation, came his integration in multiple national and international artistic projects and later appeared Sonoscopia, a cultural association that seeks to serve as a stage for experimental music in Portugal, making musicking a local, translocal and virtual scene. Thus, throughout this article and through the analysis of his life history, we aim to perspective the various forms of music that guide Gustavo Costa's daily life, from the creation of instruments from unconventional resources to artistic and cultural programming contributing to the (re)construction of alternative sonic landscapes in Porto, Portugal and even in the European space.Gustavo Costa encerra uma trajetória modelar do musicar na linha de Christopher Small em Musicking. O seu gosto pela música começou muito cedo e tornou-se uma parte fundamental da sua vida. Com a formação musical, veio a sua integração em múltiplos projetos artísticos nacionais e internacionais e mais tarde surgiu a Sonoscopia, uma associação cultural que procura servir de palco para a música experimental em Portugal, fazendo do musicar uma cena local, translocal e virtual. Assim, ao longo deste artigo e através da análise da sua história de vida, ambicionamos perspetivar as diversas formas de musicar que pautam o quotidiano de Gustavo Costa, desde a criação de instrumentos a partir de recursos não convencionais até a programação artística e cultural contribuindo para a (re)construção de paisagens sónicas alternativas no Porto, em Portugal e mesmo no espaço europeu.Universidade Federal de Uberlândia2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5863710.14393/artc-v22-n41-2020-58637ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 6-27ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 6-27ArtCultura; v. 22 n. 41 (2020): ArtCultura; 6-272178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/58637/30614Guerra , Paula info:eu-repo/semantics/openAccess2022-05-27T16:15:41Zoai:ojs.www.seer.ufu.br:article/58637Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:15:41ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
Paixões sónicas conservadas em disposofonias1 : o musicar de Gustavo Costa e da Sonoscopia
title Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
spellingShingle Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
Guerra , Paula
musicar
cenas artísticas alternativas
história de vida
musicking
alternative artistic scenes
life history
title_short Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
title_full Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
title_fullStr Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
title_full_unstemmed Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
title_sort Sonic passions preserved in disposophony: the Gustavo Costa's musicking and Sonoscopia
author Guerra , Paula
author_facet Guerra , Paula
author_role author
dc.contributor.author.fl_str_mv Guerra , Paula
dc.subject.por.fl_str_mv musicar
cenas artísticas alternativas
história de vida
musicking
alternative artistic scenes
life history
topic musicar
cenas artísticas alternativas
história de vida
musicking
alternative artistic scenes
life history
description Gustavo Costa closes a modelling trajectory of music in the line of Christopher Small. His taste for music started very early and became a fundamental part of his life. With the musical formation, came his integration in multiple national and international artistic projects and later appeared Sonoscopia, a cultural association that seeks to serve as a stage for experimental music in Portugal, making musicking a local, translocal and virtual scene. Thus, throughout this article and through the analysis of his life history, we aim to perspective the various forms of music that guide Gustavo Costa's daily life, from the creation of instruments from unconventional resources to artistic and cultural programming contributing to the (re)construction of alternative sonic landscapes in Porto, Portugal and even in the European space.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/58637
10.14393/artc-v22-n41-2020-58637
url https://seer.ufu.br/index.php/artcultura/article/view/58637
identifier_str_mv 10.14393/artc-v22-n41-2020-58637
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/58637/30614
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 6-27
ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 6-27
ArtCultura; v. 22 n. 41 (2020): ArtCultura; 6-27
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069142806757377

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