Cangaço and popular literature in verses: post-modernity tradition
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/58648 |
Resumo: | By analyzing the representations of cangaço in the literature of leaflets, this article takes on the challenge of establishing a dialogue between tradition and postmodernity, with the aim of breaking with a certain primitive or almost medieval reading of this literary production. As an arena of consent and resistance, the leaflets were forged in line with a certain essentialist idea of popular culture, shaped in the late 19th and first half of the 20th century, forming an base imaginary, reinvented in the second half of the 20th century and beginning of the 21st. Contrary to that primitive reading, we approached the capacity for renewal and permanent absorption of narratives, languages, imaginary, especially in relation to mass culture and digital technologies, revealing the processes of resistance, but also of conformism, of popular cultures in Brazil. |
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Cangaço and popular literature in verses: post-modernity traditionO cangaço e a literatura popular em versos: a tradição na pós-modernidade literatura popular em versoscangaçorepresentaçãopopular literature in versescamgaçorepresentationBy analyzing the representations of cangaço in the literature of leaflets, this article takes on the challenge of establishing a dialogue between tradition and postmodernity, with the aim of breaking with a certain primitive or almost medieval reading of this literary production. As an arena of consent and resistance, the leaflets were forged in line with a certain essentialist idea of popular culture, shaped in the late 19th and first half of the 20th century, forming an base imaginary, reinvented in the second half of the 20th century and beginning of the 21st. Contrary to that primitive reading, we approached the capacity for renewal and permanent absorption of narratives, languages, imaginary, especially in relation to mass culture and digital technologies, revealing the processes of resistance, but also of conformism, of popular cultures in Brazil.Ao analisar as representações do cangaço na literatura de folhetos, este artigo lança-se ao desafio de estabelecer um diálogo entre tradição e pósmodernidade, com o objetivo de romper com certa leitura arcaica ou quase medieval dessa produção literária. Como arena de consentimento e resistência, os folhetos foram forjados em consonância com determinada ideia essencialista de cultura popular, moldada no final do século XIX e primeira metade do século XX, formadora de um imaginário-base, reinventado na segunda metade do século XX e início do XXI. Ao contrário daquela leitura arcaizante, abordamos a capacidade de renovação e permanente absorção de narrativas, de linguagens, de imaginários, especialmente com relação à cultura de massa e das tecnologias digitais, reveladora dos processos de resistência, mas também de conformismo, das culturas populares no Brasil.Universidade Federal de Uberlândia2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5864810.14393/artc-v22-n41-2020-58648ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 148-163ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 148-163ArtCultura; v. 22 n. 41 (2020): ArtCultura; 148-1632178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/58648/30623de Araújo Sá , Antônio Fernando info:eu-repo/semantics/openAccess2022-05-27T16:15:41Zoai:ojs.www.seer.ufu.br:article/58648Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:15:41ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Cangaço and popular literature in verses: post-modernity tradition O cangaço e a literatura popular em versos: a tradição na pós-modernidade |
title |
Cangaço and popular literature in verses: post-modernity tradition |
spellingShingle |
Cangaço and popular literature in verses: post-modernity tradition de Araújo Sá , Antônio Fernando literatura popular em versos cangaço representação popular literature in verses camgaço representation |
title_short |
Cangaço and popular literature in verses: post-modernity tradition |
title_full |
Cangaço and popular literature in verses: post-modernity tradition |
title_fullStr |
Cangaço and popular literature in verses: post-modernity tradition |
title_full_unstemmed |
Cangaço and popular literature in verses: post-modernity tradition |
title_sort |
Cangaço and popular literature in verses: post-modernity tradition |
author |
de Araújo Sá , Antônio Fernando |
author_facet |
de Araújo Sá , Antônio Fernando |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Araújo Sá , Antônio Fernando |
dc.subject.por.fl_str_mv |
literatura popular em versos cangaço representação popular literature in verses camgaço representation |
topic |
literatura popular em versos cangaço representação popular literature in verses camgaço representation |
description |
By analyzing the representations of cangaço in the literature of leaflets, this article takes on the challenge of establishing a dialogue between tradition and postmodernity, with the aim of breaking with a certain primitive or almost medieval reading of this literary production. As an arena of consent and resistance, the leaflets were forged in line with a certain essentialist idea of popular culture, shaped in the late 19th and first half of the 20th century, forming an base imaginary, reinvented in the second half of the 20th century and beginning of the 21st. Contrary to that primitive reading, we approached the capacity for renewal and permanent absorption of narratives, languages, imaginary, especially in relation to mass culture and digital technologies, revealing the processes of resistance, but also of conformism, of popular cultures in Brazil. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58648 10.14393/artc-v22-n41-2020-58648 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/58648 |
identifier_str_mv |
10.14393/artc-v22-n41-2020-58648 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58648/30623 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 148-163 ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 148-163 ArtCultura; v. 22 n. 41 (2020): ArtCultura; 148-163 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069142820388864 |