Literality and the modes of modern art

Detalhes bibliográficos
Autor(a) principal: Freitas, Artur
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/34824
Resumo: What we call “modern art” has two modes of existence: “autonomy” and “literality.” This article examines only the literalist mode by mapping various historiographical and theoretical ways of aesthetic literality in the early twentieth century. The text begins with a presentation of ideological and aesthetic features of modernism and then analyses a few artistic examples that showcase the major expedients of literality: montage and ready-made. Keywords: modern art; literality; art and society.
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spelling Literality and the modes of modern artA literalidade e os modos do moderno do início do século XXWhat we call “modern art” has two modes of existence: “autonomy” and “literality.” This article examines only the literalist mode by mapping various historiographical and theoretical ways of aesthetic literality in the early twentieth century. The text begins with a presentation of ideological and aesthetic features of modernism and then analyses a few artistic examples that showcase the major expedients of literality: montage and ready-made. Keywords: modern art; literality; art and society.O que chamamos de arte moderna é, entre outras coisas, a soma de dois modos complementares de existência, aqui nomeados de "autonomia" e "literalidade". Para os limites deste artigo, será realizada uma análise exclusiva do viés literalista, com ênfase no mapeamento teórico e historiográfico dos diversos caminhos da literalidade da arte nas primeiras décadas do século XX. Para tanto, o texto se inicia com uma apresentação sumária dos fundamentos estético-ideológicos do modernismo artístico, para em seguida analisar alguns casos exemplares que permitam compreender os principais vetores da literalidade, a saber, a montagem e o ready-made. Palavras-chave: arte moderna; literalidade; arte e sociedade.Universidade Federal de Uberlândia2016-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/34824ArtCultura; Vol. 17 No. 30 (2015): ArtCulturaArtCultura; Vol. 17 Núm. 30 (2015): ArtCulturaArtCultura; v. 17 n. 30 (2015): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/34824/18430Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessFreitas, Artur2022-03-29T16:42:28Zoai:ojs.www.seer.ufu.br:article/34824Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-03-29T16:42:28ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Literality and the modes of modern art
A literalidade e os modos do moderno do início do século XX
title Literality and the modes of modern art
spellingShingle Literality and the modes of modern art
Freitas, Artur
title_short Literality and the modes of modern art
title_full Literality and the modes of modern art
title_fullStr Literality and the modes of modern art
title_full_unstemmed Literality and the modes of modern art
title_sort Literality and the modes of modern art
author Freitas, Artur
author_facet Freitas, Artur
author_role author
dc.contributor.author.fl_str_mv Freitas, Artur
description What we call “modern art” has two modes of existence: “autonomy” and “literality.” This article examines only the literalist mode by mapping various historiographical and theoretical ways of aesthetic literality in the early twentieth century. The text begins with a presentation of ideological and aesthetic features of modernism and then analyses a few artistic examples that showcase the major expedients of literality: montage and ready-made. Keywords: modern art; literality; art and society.
publishDate 2016
dc.date.none.fl_str_mv 2016-06-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34824
url https://seer.ufu.br/index.php/artcultura/article/view/34824
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34824/18430
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 17 No. 30 (2015): ArtCultura
ArtCultura; Vol. 17 Núm. 30 (2015): ArtCultura
ArtCultura; v. 17 n. 30 (2015): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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