Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations

Detalhes bibliográficos
Autor(a) principal: Furquim Werneck Lima, Evelyn
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/73170
Resumo: This article proposes to discuss artistic practices, especially theatrical ones, which have been appropriated from industrial, port, agricultural, and railway structures, starting from occupations with different spatial possibilities in deactivated industrial warehouses with heritage value. Such occupations seek to ensure a participatory relationship between stage and audience and establish a relevant role in the enjoyment between body and space outside the specific theatre building. On the grounds of the theoretical basis selected among Anglo- Saxon researchers who elaborate concepts on the topic, such as Marvin Carlson, Juliet Rufford, and Andrew Filmer, the argumentative question of this research section was to investigate how industrial structures have been appropriated in the Brazilian scene as performance spaces of different configurations.
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spelling Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurationsO patrimônio industrial e o teatro: ocupações de galpões desativados utilizados para práticas cênicas em diferentes conformações espaciaispatrimônio industrialteatroconfigurações espaciaisindustrial heritagetheatrespatial configurationsThis article proposes to discuss artistic practices, especially theatrical ones, which have been appropriated from industrial, port, agricultural, and railway structures, starting from occupations with different spatial possibilities in deactivated industrial warehouses with heritage value. Such occupations seek to ensure a participatory relationship between stage and audience and establish a relevant role in the enjoyment between body and space outside the specific theatre building. On the grounds of the theoretical basis selected among Anglo- Saxon researchers who elaborate concepts on the topic, such as Marvin Carlson, Juliet Rufford, and Andrew Filmer, the argumentative question of this research section was to investigate how industrial structures have been appropriated in the Brazilian scene as performance spaces of different configurations.O artigo propõe discutir práticas artísticas, em especial as teatrais, que têm se apropriado de estruturas industriais, portuárias, agrícolas e ferroviárias, partindo de ocupações de diferentes possibilidades espaciais em galpões industriais desativados de valor patrimonial. Tais ocupações buscam assegurar uma relação participativa entre palco e plateia e estabelecem papel relevante na fruição entre o corpo e o espaço, fora do edifício teatral específico. À luz da fundamentação teórica selecionada entre pesquisadores anglo- saxões que elaboram conceitos sobre o tema, tais como Marvin Carlson, Juliet Rufford e Andrew Filmer, a questão argumentativa deste recorte da pesquisa foi investigar como estruturas industriais vêm sendo apropriadas na cena brasileira como espaços de performance de distintas configurações.Universidade Federal de Uberlândia2023-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/7317010.14393/artc-v25-n47-2023-73170ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 142-160ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 142-160ArtCultura; v. 25 n. 47 (2023): ArtCultura; 142-1602178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/73170/38545Furquim Werneck Lima, Evelyninfo:eu-repo/semantics/openAccess2024-04-19T17:23:45Zoai:ojs.www.seer.ufu.br:article/73170Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2024-04-19T17:23:45ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
O patrimônio industrial e o teatro: ocupações de galpões desativados utilizados para práticas cênicas em diferentes conformações espaciais
title Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
spellingShingle Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
Furquim Werneck Lima, Evelyn
patrimônio industrial
teatro
configurações espaciais
industrial heritage
theatre
spatial configurations
title_short Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
title_full Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
title_fullStr Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
title_full_unstemmed Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
title_sort Industrial heritage and theatre: deactivated warehouses used for scenic practices in different spatial configurations
author Furquim Werneck Lima, Evelyn
author_facet Furquim Werneck Lima, Evelyn
author_role author
dc.contributor.author.fl_str_mv Furquim Werneck Lima, Evelyn
dc.subject.por.fl_str_mv patrimônio industrial
teatro
configurações espaciais
industrial heritage
theatre
spatial configurations
topic patrimônio industrial
teatro
configurações espaciais
industrial heritage
theatre
spatial configurations
description This article proposes to discuss artistic practices, especially theatrical ones, which have been appropriated from industrial, port, agricultural, and railway structures, starting from occupations with different spatial possibilities in deactivated industrial warehouses with heritage value. Such occupations seek to ensure a participatory relationship between stage and audience and establish a relevant role in the enjoyment between body and space outside the specific theatre building. On the grounds of the theoretical basis selected among Anglo- Saxon researchers who elaborate concepts on the topic, such as Marvin Carlson, Juliet Rufford, and Andrew Filmer, the argumentative question of this research section was to investigate how industrial structures have been appropriated in the Brazilian scene as performance spaces of different configurations.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73170
10.14393/artc-v25-n47-2023-73170
url https://seer.ufu.br/index.php/artcultura/article/view/73170
identifier_str_mv 10.14393/artc-v25-n47-2023-73170
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73170/38545
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 142-160
ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 142-160
ArtCultura; v. 25 n. 47 (2023): ArtCultura; 142-160
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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