Television as a weapon: this medium operation and use models in Murder by television (1935)
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/58646 |
Resumo: | Here we try to understand historically a Hollywood suspense film – released in 1935 in the USA and distributed in Brazil from the middle of the following year – whose plot presents television as a weapon for murder in an unusual way. In a pioneer way, it contemplates a dispute between television stations and a “foreign government” for open TV transmission technology. Furthermore, scenes and texts/dialogues by Murder by television express, directly or metaphorically, visions and appraisals about operating models and the use of the nascent TV. All of them generated between facts and processes pertaining to the ownership and operation of open television, as well as the production and distribution of its contents, both in the USA and in some European countries. |
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Television as a weapon: this medium operation and use models in Murder by television (1935)A televisão como arma: projeções sobre modelos de operação e do uso do meio no filme Murder by television (1935)assassinado pela televisãotecnologia televisivacinemaMurder by televisiontelevision technologycinemaHere we try to understand historically a Hollywood suspense film – released in 1935 in the USA and distributed in Brazil from the middle of the following year – whose plot presents television as a weapon for murder in an unusual way. In a pioneer way, it contemplates a dispute between television stations and a “foreign government” for open TV transmission technology. Furthermore, scenes and texts/dialogues by Murder by television express, directly or metaphorically, visions and appraisals about operating models and the use of the nascent TV. All of them generated between facts and processes pertaining to the ownership and operation of open television, as well as the production and distribution of its contents, both in the USA and in some European countries.Busca-se aqui compreender historicamente um filme hollywoodiano de suspense – lançado em 1935 nos EUA e distribuído no Brasil a partir de meados do ano seguinte –, cuja trama apresenta, de forma inusitada, a televisão como arma para assassinato. Nele, pioneiramente, se contempla a disputa de emissoras de televisão e um “governo estrangeiro” pela tecnologia de transmissão de tevê aberta. Ademais, cenas e textos/diálogos de Murder by television expressam, de forma direta ou metafórica, visões e apreciações acerca de modelos de operação e do uso da nascente televisão. Todas engendradas em meio a fatos e processos atinentes à propriedade e ao funcionamento da televisão aberta, bem como à produção e veiculação de seus conteúdos, quer nos EUA quer em alguns países europeus.Universidade Federal de Uberlândia2020-12-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/5864610.14393/artc-v22-n41-2020-58646ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 103-125ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 103-125ArtCultura; v. 22 n. 41 (2020): ArtCultura; 103-1252178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/58646/30620Busetto , Áureo info:eu-repo/semantics/openAccess2022-05-27T16:15:41Zoai:ojs.www.seer.ufu.br:article/58646Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-05-27T16:15:41ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Television as a weapon: this medium operation and use models in Murder by television (1935) A televisão como arma: projeções sobre modelos de operação e do uso do meio no filme Murder by television (1935) |
title |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
spellingShingle |
Television as a weapon: this medium operation and use models in Murder by television (1935) Busetto , Áureo assassinado pela televisão tecnologia televisiva cinema Murder by television television technology cinema |
title_short |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
title_full |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
title_fullStr |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
title_full_unstemmed |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
title_sort |
Television as a weapon: this medium operation and use models in Murder by television (1935) |
author |
Busetto , Áureo |
author_facet |
Busetto , Áureo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Busetto , Áureo |
dc.subject.por.fl_str_mv |
assassinado pela televisão tecnologia televisiva cinema Murder by television television technology cinema |
topic |
assassinado pela televisão tecnologia televisiva cinema Murder by television television technology cinema |
description |
Here we try to understand historically a Hollywood suspense film – released in 1935 in the USA and distributed in Brazil from the middle of the following year – whose plot presents television as a weapon for murder in an unusual way. In a pioneer way, it contemplates a dispute between television stations and a “foreign government” for open TV transmission technology. Furthermore, scenes and texts/dialogues by Murder by television express, directly or metaphorically, visions and appraisals about operating models and the use of the nascent TV. All of them generated between facts and processes pertaining to the ownership and operation of open television, as well as the production and distribution of its contents, both in the USA and in some European countries. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58646 10.14393/artc-v22-n41-2020-58646 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/58646 |
identifier_str_mv |
10.14393/artc-v22-n41-2020-58646 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/58646/30620 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 22 No. 41 (2020): ArtCultura; 103-125 ArtCultura; Vol. 22 Núm. 41 (2020): ArtCultura; 103-125 ArtCultura; v. 22 n. 41 (2020): ArtCultura; 103-125 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
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1797069142817243136 |