Luiz de Barros in Brazilian cinema: historiography and intermediality

Detalhes bibliográficos
Autor(a) principal: Corrêa de Araújo, Luciana
Data de Publicação: 2023
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/73176
Resumo: Luiz “Lulu” de Barros directed more than a hundred films between the 1910s and 1970s, in one of the most enduring careers in Brazilian cinema. He also made a significant contribution to other types of shows, such as teatro de revista (stage revues) and carnival balls, working as a director, set designer and impresario. Discussion of his activities in this article will take two approaches. First, matters regarding Brazilian film historiography will be addressed, as a way to understand the criteria that guided the often negative treatment toward Luiz de Barros’s films and the filmmaker himself. Then, his first years of professional activity in the 1910s will be analyzed from the perspective of intermediality and the dialogue with foreign cinema, in order to emphasize the connections among different media and cultural practices.
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spelling Luiz de Barros in Brazilian cinema: historiography and intermedialityLuiz de Barros no cinema brasileiro: historiografia e intermidialidadeLuiz de Barroscinema brasileirointermidialidadeLuiz de BarrosBrazilian cinemaintermedialityLuiz “Lulu” de Barros directed more than a hundred films between the 1910s and 1970s, in one of the most enduring careers in Brazilian cinema. He also made a significant contribution to other types of shows, such as teatro de revista (stage revues) and carnival balls, working as a director, set designer and impresario. Discussion of his activities in this article will take two approaches. First, matters regarding Brazilian film historiography will be addressed, as a way to understand the criteria that guided the often negative treatment toward Luiz de Barros’s films and the filmmaker himself. Then, his first years of professional activity in the 1910s will be analyzed from the perspective of intermediality and the dialogue with foreign cinema, in order to emphasize the connections among different media and cultural practices.Luiz “Lulu” de Barros realizou mais de uma centena de filmes entre as décadas de 1910 e 1970, em uma das carreiras mais longevas do cinema brasileiro. Teve contribuição expressiva também em outros tipos de espetáculos, como teatro de revista e bailes de carnaval, trabalhando como encenador, cenógrafo e empresário. Este artigo irá discutir suas atividades a partir de duas abordagens. Inicialmente, serão desenvolvidas questões relacionadas à historiografia do cinema brasileiro, procurando compreender os critérios que nortearam o tratamento frequentemente negativo conferido aos filmes de Luiz de Barros e ao próprio cineasta. Em seguida, seus primeiros anos de atividade profissional na década de 1910 serão analisados sob a perspectiva da intermidialidade e do diálogo com o cinema estrangeiro, enfatizando as conexões entre diferentes mídias e práticas culturais.Universidade Federal de Uberlândia2023-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/7317610.14393/artc-v25-n47-2023-73176ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 222-242ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 222-242ArtCultura; v. 25 n. 47 (2023): ArtCultura; 222-2422178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/73176/38549Corrêa de Araújo, Lucianainfo:eu-repo/semantics/openAccess2024-04-19T17:23:45Zoai:ojs.www.seer.ufu.br:article/73176Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2024-04-19T17:23:45ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Luiz de Barros in Brazilian cinema: historiography and intermediality
Luiz de Barros no cinema brasileiro: historiografia e intermidialidade
title Luiz de Barros in Brazilian cinema: historiography and intermediality
spellingShingle Luiz de Barros in Brazilian cinema: historiography and intermediality
Corrêa de Araújo, Luciana
Luiz de Barros
cinema brasileiro
intermidialidade
Luiz de Barros
Brazilian cinema
intermediality
title_short Luiz de Barros in Brazilian cinema: historiography and intermediality
title_full Luiz de Barros in Brazilian cinema: historiography and intermediality
title_fullStr Luiz de Barros in Brazilian cinema: historiography and intermediality
title_full_unstemmed Luiz de Barros in Brazilian cinema: historiography and intermediality
title_sort Luiz de Barros in Brazilian cinema: historiography and intermediality
author Corrêa de Araújo, Luciana
author_facet Corrêa de Araújo, Luciana
author_role author
dc.contributor.author.fl_str_mv Corrêa de Araújo, Luciana
dc.subject.por.fl_str_mv Luiz de Barros
cinema brasileiro
intermidialidade
Luiz de Barros
Brazilian cinema
intermediality
topic Luiz de Barros
cinema brasileiro
intermidialidade
Luiz de Barros
Brazilian cinema
intermediality
description Luiz “Lulu” de Barros directed more than a hundred films between the 1910s and 1970s, in one of the most enduring careers in Brazilian cinema. He also made a significant contribution to other types of shows, such as teatro de revista (stage revues) and carnival balls, working as a director, set designer and impresario. Discussion of his activities in this article will take two approaches. First, matters regarding Brazilian film historiography will be addressed, as a way to understand the criteria that guided the often negative treatment toward Luiz de Barros’s films and the filmmaker himself. Then, his first years of professional activity in the 1910s will be analyzed from the perspective of intermediality and the dialogue with foreign cinema, in order to emphasize the connections among different media and cultural practices.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73176
10.14393/artc-v25-n47-2023-73176
url https://seer.ufu.br/index.php/artcultura/article/view/73176
identifier_str_mv 10.14393/artc-v25-n47-2023-73176
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/73176/38549
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 25 No. 47 (2023): ArtCultura; 222-242
ArtCultura; Vol. 25 Núm. 47 (2023): ArtCultura; 222-242
ArtCultura; v. 25 n. 47 (2023): ArtCultura; 222-242
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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