Interview with Roberto Machado, a philosopher of aesthetics

Detalhes bibliográficos
Autor(a) principal: da Silva, Ademir Luiz
Data de Publicação: 2016
Outros Autores: Silva, Carlos Augusto
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/34263
Resumo: Digital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice.
id UFU-15_b1b61c69562ef3a6afd2c07d19fca33e
oai_identifier_str oai:ojs.www.seer.ufu.br:article/34263
network_acronym_str UFU-15
network_name_str ArtCultura (Online)
repository_id_str
spelling Interview with Roberto Machado, a philosopher of aestheticsEntrevista com Roberto Machado, um filósofo da estéticaDigital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice.A cultura digital transformou os lugares e agentes relacionados à escrita e à vocalidade. A escrita se aproxima da fala, a publicação pode ocorrer sem mediação, e é possível transmitir a voz em arquivos. Além disso, a noção de compartilhamento desafia os usuais lugares de autoria e aproxima os polos de produção e recepção. Se a cultura do impresso representou o recalque do corpo e o processo de autonomização do texto, a cultura digital, em sua demanda pela conexão constante, aproxima o corpo do texto. Seria, assim, admissível definir a cultura contemporânea como uma cultura barroca, pelo infinito apelo ao sensorial que oferece aos corpos conectados? Quais impactos produz o arquivo contemporâneo em que se pode transportar imagem, escrita e som quando comparado ao texto impresso? O que faz do arquivo digital um meio tão eficaz de mobilização política? Palavras-chave: cultura digital; escrita; voz.Universidade Federal de Uberlândia2016-05-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/34263ArtCultura; Vol. 16 No. 29 (2014): ArtCulturaArtCultura; Vol. 16 Núm. 29 (2014): ArtCulturaArtCultura; v. 16 n. 29 (2014): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/34263/18231Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessda Silva, Ademir LuizSilva, Carlos Augusto2022-03-29T16:42:37Zoai:ojs.www.seer.ufu.br:article/34263Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-03-29T16:42:37ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Interview with Roberto Machado, a philosopher of aesthetics
Entrevista com Roberto Machado, um filósofo da estética
title Interview with Roberto Machado, a philosopher of aesthetics
spellingShingle Interview with Roberto Machado, a philosopher of aesthetics
da Silva, Ademir Luiz
title_short Interview with Roberto Machado, a philosopher of aesthetics
title_full Interview with Roberto Machado, a philosopher of aesthetics
title_fullStr Interview with Roberto Machado, a philosopher of aesthetics
title_full_unstemmed Interview with Roberto Machado, a philosopher of aesthetics
title_sort Interview with Roberto Machado, a philosopher of aesthetics
author da Silva, Ademir Luiz
author_facet da Silva, Ademir Luiz
Silva, Carlos Augusto
author_role author
author2 Silva, Carlos Augusto
author2_role author
dc.contributor.author.fl_str_mv da Silva, Ademir Luiz
Silva, Carlos Augusto
description Digital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice.
publishDate 2016
dc.date.none.fl_str_mv 2016-05-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34263
url https://seer.ufu.br/index.php/artcultura/article/view/34263
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34263/18231
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 16 No. 29 (2014): ArtCultura
ArtCultura; Vol. 16 Núm. 29 (2014): ArtCultura
ArtCultura; v. 16 n. 29 (2014): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
_version_ 1797069141920710656

Registros relacionados