Interview with Roberto Machado, a philosopher of aesthetics
Autor(a) principal: | |
---|---|
Data de Publicação: | 2016 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | ArtCultura (Online) |
Texto Completo: | https://seer.ufu.br/index.php/artcultura/article/view/34263 |
Resumo: | Digital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice. |
id |
UFU-15_b1b61c69562ef3a6afd2c07d19fca33e |
---|---|
oai_identifier_str |
oai:ojs.www.seer.ufu.br:article/34263 |
network_acronym_str |
UFU-15 |
network_name_str |
ArtCultura (Online) |
repository_id_str |
|
spelling |
Interview with Roberto Machado, a philosopher of aestheticsEntrevista com Roberto Machado, um filósofo da estéticaDigital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice.A cultura digital transformou os lugares e agentes relacionados à escrita e à vocalidade. A escrita se aproxima da fala, a publicação pode ocorrer sem mediação, e é possível transmitir a voz em arquivos. Além disso, a noção de compartilhamento desafia os usuais lugares de autoria e aproxima os polos de produção e recepção. Se a cultura do impresso representou o recalque do corpo e o processo de autonomização do texto, a cultura digital, em sua demanda pela conexão constante, aproxima o corpo do texto. Seria, assim, admissível definir a cultura contemporânea como uma cultura barroca, pelo infinito apelo ao sensorial que oferece aos corpos conectados? Quais impactos produz o arquivo contemporâneo em que se pode transportar imagem, escrita e som quando comparado ao texto impresso? O que faz do arquivo digital um meio tão eficaz de mobilização política? Palavras-chave: cultura digital; escrita; voz.Universidade Federal de Uberlândia2016-05-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/34263ArtCultura; Vol. 16 No. 29 (2014): ArtCulturaArtCultura; Vol. 16 Núm. 29 (2014): ArtCulturaArtCultura; v. 16 n. 29 (2014): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/34263/18231Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessda Silva, Ademir LuizSilva, Carlos Augusto2022-03-29T16:42:37Zoai:ojs.www.seer.ufu.br:article/34263Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-03-29T16:42:37ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false |
dc.title.none.fl_str_mv |
Interview with Roberto Machado, a philosopher of aesthetics Entrevista com Roberto Machado, um filósofo da estética |
title |
Interview with Roberto Machado, a philosopher of aesthetics |
spellingShingle |
Interview with Roberto Machado, a philosopher of aesthetics da Silva, Ademir Luiz |
title_short |
Interview with Roberto Machado, a philosopher of aesthetics |
title_full |
Interview with Roberto Machado, a philosopher of aesthetics |
title_fullStr |
Interview with Roberto Machado, a philosopher of aesthetics |
title_full_unstemmed |
Interview with Roberto Machado, a philosopher of aesthetics |
title_sort |
Interview with Roberto Machado, a philosopher of aesthetics |
author |
da Silva, Ademir Luiz |
author_facet |
da Silva, Ademir Luiz Silva, Carlos Augusto |
author_role |
author |
author2 |
Silva, Carlos Augusto |
author2_role |
author |
dc.contributor.author.fl_str_mv |
da Silva, Ademir Luiz Silva, Carlos Augusto |
description |
Digital culture has transformed places and agents related to writing and vocality. Writing is closer to orality, publications might not include mediation, and digital files can disseminate voice. Moreover, the notion of “sharing” challenges usual authorship and closes the gap between text production and reception. While printed culture meant body repression and text autonomy, digital culture, by requiring seamless connection, brings body closer to text. Thus, would it be admissible to define contemporary culture as baroque due to its endless sensory appeal to connected bodies? What is the impact of contemporary files - which can carry image, text, and sound -, relative to the impact of printed text? What makes digital files such effective means for political mobilization? Keywords: digital culture; writing; voice. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05-06 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/34263 |
url |
https://seer.ufu.br/index.php/artcultura/article/view/34263 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.ufu.br/index.php/artcultura/article/view/34263/18231 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Artcultura info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Artcultura |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
publisher.none.fl_str_mv |
Universidade Federal de Uberlândia |
dc.source.none.fl_str_mv |
ArtCultura; Vol. 16 No. 29 (2014): ArtCultura ArtCultura; Vol. 16 Núm. 29 (2014): ArtCultura ArtCultura; v. 16 n. 29 (2014): ArtCultura 2178-3845 reponame:ArtCultura (Online) instname:Universidade Federal de Uberlândia (UFU) instacron:UFU |
instname_str |
Universidade Federal de Uberlândia (UFU) |
instacron_str |
UFU |
institution |
UFU |
reponame_str |
ArtCultura (Online) |
collection |
ArtCultura (Online) |
repository.name.fl_str_mv |
ArtCultura (Online) - Universidade Federal de Uberlândia (UFU) |
repository.mail.fl_str_mv |
akparanhos@uol.com.br|| |
_version_ |
1797069141920710656 |