Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime

Detalhes bibliográficos
Autor(a) principal: de Oliveira, Marcus Vinicius
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/68283
Resumo: Photography had an important role in the elaboration of the colonial experience in the metropolis, once it had been used to record the colonial’s own actions in their different areas and affirm their political ideas, fundamentally those that associated Portuguese nationality with a “gift of colonizing the world”. In this sense, the article intends to analyze the Civilização magazine edition dedicated to the Portuguese Colonial Exhibition of 1934 to assess how the photographic images presented in it could expand the colonial propaganda messages of the regime at a time of construction of colonialism in the Estado Novo. These visual sources were not limited to that time. When made available online today, they continue to promote colonial experiences in a different way regarding the public’s interaction with photography.
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spelling Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regimeFotografias da Exposição Colonial Portuguesa de 1934: uma afirmação política do regime salazaristafotografiaarquivoExposição Colonial PortuguesaphotographyarchivePortuguese Colonial ExhibitionPhotography had an important role in the elaboration of the colonial experience in the metropolis, once it had been used to record the colonial’s own actions in their different areas and affirm their political ideas, fundamentally those that associated Portuguese nationality with a “gift of colonizing the world”. In this sense, the article intends to analyze the Civilização magazine edition dedicated to the Portuguese Colonial Exhibition of 1934 to assess how the photographic images presented in it could expand the colonial propaganda messages of the regime at a time of construction of colonialism in the Estado Novo. These visual sources were not limited to that time. When made available online today, they continue to promote colonial experiences in a different way regarding the public’s interaction with photography.A fotografia teve um importante papel na elaboração da experiência colonial na metrópole, uma vez que foi usada para documentar as ações desenvolvidas pelo próprio colonialismo em seus diferentes arcos de atuação e afirmar seus ideais políticos, fundamentalmente aqueles que associavam a nacionalidade portuguesa a um “dom de colonizar o mundo”. Nesse sentido, o artigo propõe analisar o número da revista Civilização dedicado à Exposição Colonial Portuguesa de 1934 para avaliar de que forma as imagens fotográficas presentes na edição ampliaram as mensagens de propaganda colonial do regime em um momento de construção do colonialismo no Estado Novo. Essas fontes visuais não ficaram restritas àquele período e, ao serem disponibilizadas on-line atualmente, continuam a promover experiências coloniais de uma forma distinta de interação do público com a fotografiaUniversidade Federal de Uberlândia2022-12-28info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/6828310.14393/artc-v24-n45-2022-68283ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 178-198ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 178-198ArtCultura; v. 24 n. 45 (2022): ArtCultura; 178-1982178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/68283/35589de Oliveira, Marcus Viniciusinfo:eu-repo/semantics/openAccess2023-10-16T15:23:16Zoai:ojs.www.seer.ufu.br:article/68283Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2023-10-16T15:23:16ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
Fotografias da Exposição Colonial Portuguesa de 1934: uma afirmação política do regime salazarista
title Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
spellingShingle Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
de Oliveira, Marcus Vinicius
fotografia
arquivo
Exposição Colonial Portuguesa
photography
archive
Portuguese Colonial Exhibition
title_short Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
title_full Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
title_fullStr Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
title_full_unstemmed Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
title_sort Photographies from the 1934 Portuguese Colonial Exhibition: a political affirmation of the salazarist regime
author de Oliveira, Marcus Vinicius
author_facet de Oliveira, Marcus Vinicius
author_role author
dc.contributor.author.fl_str_mv de Oliveira, Marcus Vinicius
dc.subject.por.fl_str_mv fotografia
arquivo
Exposição Colonial Portuguesa
photography
archive
Portuguese Colonial Exhibition
topic fotografia
arquivo
Exposição Colonial Portuguesa
photography
archive
Portuguese Colonial Exhibition
description Photography had an important role in the elaboration of the colonial experience in the metropolis, once it had been used to record the colonial’s own actions in their different areas and affirm their political ideas, fundamentally those that associated Portuguese nationality with a “gift of colonizing the world”. In this sense, the article intends to analyze the Civilização magazine edition dedicated to the Portuguese Colonial Exhibition of 1934 to assess how the photographic images presented in it could expand the colonial propaganda messages of the regime at a time of construction of colonialism in the Estado Novo. These visual sources were not limited to that time. When made available online today, they continue to promote colonial experiences in a different way regarding the public’s interaction with photography.
publishDate 2022
dc.date.none.fl_str_mv 2022-12-28
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68283
10.14393/artc-v24-n45-2022-68283
url https://seer.ufu.br/index.php/artcultura/article/view/68283
identifier_str_mv 10.14393/artc-v24-n45-2022-68283
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/68283/35589
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 24 No. 45 (2022): ArtCultura; 178-198
ArtCultura; Vol. 24 Núm. 45 (2022): ArtCultura; 178-198
ArtCultura; v. 24 n. 45 (2022): ArtCultura; 178-198
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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