In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)

Detalhes bibliográficos
Autor(a) principal: Carloni, Karla Guilherme
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: por
Título da fonte: ArtCultura (Online)
Texto Completo: https://seer.ufu.br/index.php/artcultura/article/view/34265
Resumo: During the first Getúlio Vargas administration (1930-1945), the city of Rio de Janeiro has staged dance performances by dancers with classical training, both Brazilian and foreign, inspired by aspects of indigenous, Brazilian country (sertaneja), and black cultures. Authoritarian nationalism, modernist thinking, and innovations in dance itself both in Brazil and worldwide influenced exchanges between European and Brazilian popular dance expressions, as well as the search for an aesthetic that would represent the “mestizo body”. The National Theater Service (SNT - Serviço Nacional de Teatro), the Rio de Janeiro Municipal Theater, and the city’s casinos took important initiatives. This rich cultural experience was also influenced by its context, which included WWII and the US cultural policy. Keywords: Getúlio Vargas administration (1930-1945); dance; cultural exchange.
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spelling In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)Em busca da identidade nacional: bailarinas dançam maracatu, samba, macumba e frevo nos palcos do Rio de Janeiro (1930-1945)During the first Getúlio Vargas administration (1930-1945), the city of Rio de Janeiro has staged dance performances by dancers with classical training, both Brazilian and foreign, inspired by aspects of indigenous, Brazilian country (sertaneja), and black cultures. Authoritarian nationalism, modernist thinking, and innovations in dance itself both in Brazil and worldwide influenced exchanges between European and Brazilian popular dance expressions, as well as the search for an aesthetic that would represent the “mestizo body”. The National Theater Service (SNT - Serviço Nacional de Teatro), the Rio de Janeiro Municipal Theater, and the city’s casinos took important initiatives. This rich cultural experience was also influenced by its context, which included WWII and the US cultural policy. Keywords: Getúlio Vargas administration (1930-1945); dance; cultural exchange.Durante o primeiro governo de Getúlio Vargas (1930 a 1945), a cidade do Rio de Janeiro foi palco de espetáculos de dança encenados por bailarinos de formação clássica, nacionais e estrangeiros, inspirados em aspectos das culturas indígena, sertaneja e negra. O nacionalismo autoritário, o pensamento modernista e as inovações que ocorriam no próprio campo da dança no Brasil e no mundo influenciaram intercâmbios entre a dança europeia e as manifestações populares brasileiras e a busca de uma estética própria que representasse o “corpo mestiço”. Importantes iniciativas se verificaram no âmbito do Serviço Nacional de Teatro (SNT), no Theatro Municipal do Rio de Janeiro e nos cassinos cariocas. Essa rica experiência cultural também foi influenciada pelo contexto da II Grande Guerra Mundial e da política cultural norte-americana. Palavras-chave: governo Getúlio Vargas; dança; intercâmbio cultural.Universidade Federal de Uberlândia2016-05-06info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.ufu.br/index.php/artcultura/article/view/34265ArtCultura; Vol. 16 No. 29 (2014): ArtCulturaArtCultura; Vol. 16 Núm. 29 (2014): ArtCulturaArtCultura; v. 16 n. 29 (2014): ArtCultura2178-3845reponame:ArtCultura (Online)instname:Universidade Federal de Uberlândia (UFU)instacron:UFUporhttps://seer.ufu.br/index.php/artcultura/article/view/34265/18233Copyright (c) 2016 Artculturainfo:eu-repo/semantics/openAccessCarloni, Karla Guilherme2022-03-29T16:42:37Zoai:ojs.www.seer.ufu.br:article/34265Revistahttp://www.seer.ufu.br/index.php/artcultura/indexPUBhttps://seer.ufu.br/index.php/artcultura/oaiakparanhos@uol.com.br||2178-38452178-3845opendoar:2022-03-29T16:42:37ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
Em busca da identidade nacional: bailarinas dançam maracatu, samba, macumba e frevo nos palcos do Rio de Janeiro (1930-1945)
title In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
spellingShingle In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
Carloni, Karla Guilherme
title_short In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
title_full In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
title_fullStr In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
title_full_unstemmed In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
title_sort In search of national identity: dancing maracatu, samba, macumba, and frevo on Rio de Janeiro stages (1930-1940)
author Carloni, Karla Guilherme
author_facet Carloni, Karla Guilherme
author_role author
dc.contributor.author.fl_str_mv Carloni, Karla Guilherme
description During the first Getúlio Vargas administration (1930-1945), the city of Rio de Janeiro has staged dance performances by dancers with classical training, both Brazilian and foreign, inspired by aspects of indigenous, Brazilian country (sertaneja), and black cultures. Authoritarian nationalism, modernist thinking, and innovations in dance itself both in Brazil and worldwide influenced exchanges between European and Brazilian popular dance expressions, as well as the search for an aesthetic that would represent the “mestizo body”. The National Theater Service (SNT - Serviço Nacional de Teatro), the Rio de Janeiro Municipal Theater, and the city’s casinos took important initiatives. This rich cultural experience was also influenced by its context, which included WWII and the US cultural policy. Keywords: Getúlio Vargas administration (1930-1945); dance; cultural exchange.
publishDate 2016
dc.date.none.fl_str_mv 2016-05-06
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34265
url https://seer.ufu.br/index.php/artcultura/article/view/34265
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.ufu.br/index.php/artcultura/article/view/34265/18233
dc.rights.driver.fl_str_mv Copyright (c) 2016 Artcultura
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2016 Artcultura
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
publisher.none.fl_str_mv Universidade Federal de Uberlândia
dc.source.none.fl_str_mv ArtCultura; Vol. 16 No. 29 (2014): ArtCultura
ArtCultura; Vol. 16 Núm. 29 (2014): ArtCultura
ArtCultura; v. 16 n. 29 (2014): ArtCultura
2178-3845
reponame:ArtCultura (Online)
instname:Universidade Federal de Uberlândia (UFU)
instacron:UFU
instname_str Universidade Federal de Uberlândia (UFU)
instacron_str UFU
institution UFU
reponame_str ArtCultura (Online)
collection ArtCultura (Online)
repository.name.fl_str_mv ArtCultura (Online) - Universidade Federal de Uberlândia (UFU)
repository.mail.fl_str_mv akparanhos@uol.com.br||
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