Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada

Detalhes bibliográficos
Autor(a) principal: Rabelo, Sara Gonçalves
Data de Publicação: 2021
Tipo de documento: Tese
Idioma: por
Título da fonte: Repositório Institucional da UFU
Texto Completo: https://repositorio.ufu.br/handle/123456789/32369
http://doi.org/10.14393/ufu.te.2021.5516
Resumo: In Vésperas, written in 2002, the writer from Santa Catarina, Adriana Lunardi builds female literary characters based on authors who have composed the literary scene in recent centuries: Virginia Woolf, Dorothy Parker, Clarice Lispector, Ana Cristina, Sidonie-Gabrielle Colette, Katherine Mansfield, Sylvia Plath, Zelda Fitzgerald and Júlia da Costa. Lunardi fictionalizes and creates short stories that address the anxieties that each of them may have faced in their last moments of life, but fictionalizing them, and relates these last moments with other lives and plots. In order to develop this thesis, the concepts of biography, biobibliography and writing of death were discussed. Furthermore, curating was analysed as a term taken from art and its dialogue, in literature, with polyphony Aiming to understand Vespers as a polyphonic curatorial work. As main theoretical contribution, we use the works of Bakhtin (2018a; 2018b), Lejeune (2014), Benjamin (2012), Bloom (1991), Azevedo (2018), Villa-Forte (2018; 2019), Ariès (2003; 2014), Minois (2018; 2019), Morin (1997) and Sontag (1984) with the aim of defining the basic concept, coined by us, which supports this thesis: polyphonic curation. Theoretical-scientific studies on biography, biobibliography, polyphony, memory and curating aim to understand different voices in the narratives, in addition to discuss the fictionalization processes of characters-writers, since different ways of thinking about the final moments revisited by each of the authors that make up Lunardi's tales.
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spelling Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparadaWomen of Vesperas: polyphonic curation and writing of death in comparative perspectiveCuradoria PolifônicaVésperasEscrita FemininaMortePolyphonic curationWomen’s writingDeathCNPQ::LINGUISTICA, LETRAS E ARTESMorte na literaturaBiobibliografiaIn Vésperas, written in 2002, the writer from Santa Catarina, Adriana Lunardi builds female literary characters based on authors who have composed the literary scene in recent centuries: Virginia Woolf, Dorothy Parker, Clarice Lispector, Ana Cristina, Sidonie-Gabrielle Colette, Katherine Mansfield, Sylvia Plath, Zelda Fitzgerald and Júlia da Costa. Lunardi fictionalizes and creates short stories that address the anxieties that each of them may have faced in their last moments of life, but fictionalizing them, and relates these last moments with other lives and plots. In order to develop this thesis, the concepts of biography, biobibliography and writing of death were discussed. Furthermore, curating was analysed as a term taken from art and its dialogue, in literature, with polyphony Aiming to understand Vespers as a polyphonic curatorial work. As main theoretical contribution, we use the works of Bakhtin (2018a; 2018b), Lejeune (2014), Benjamin (2012), Bloom (1991), Azevedo (2018), Villa-Forte (2018; 2019), Ariès (2003; 2014), Minois (2018; 2019), Morin (1997) and Sontag (1984) with the aim of defining the basic concept, coined by us, which supports this thesis: polyphonic curation. Theoretical-scientific studies on biography, biobibliography, polyphony, memory and curating aim to understand different voices in the narratives, in addition to discuss the fictionalization processes of characters-writers, since different ways of thinking about the final moments revisited by each of the authors that make up Lunardi's tales.Tese (Doutorado)Na obra Vésperas, escrita em 2002, a escritora catarinense Adriana Lunardi constrói personagens femininas literárias com base em autoras que compuseram o cenário literário nos últimos séculos: Virginia Woolf, Dorothy Parker, Clarice Lispector, Ana Cristina Cesar, Sidonie-Gabrielle Colette, Katherine Mansfield, Sylvia Plath, Zelda Fitzgerald e Júlia da Costa. Lunardi ficcionaliza e cria contos que abordam as angústias que cada uma delas pode ter enfrentado em seus últimos instantes de vida, mas ficcionalizando-as, e entrecruza esses momentos derradeiros com outras vidas e enredos. Para desenvolver esta tese foram discutidos os conceitos de biografia, biobibliografia e escrita da morte. Além disso, foram analisadas a curadoria como termo tomado da arte e seu diálogo, na literatura, com a polifonia no intuito de entendermos Vésperas como uma obra curatorial polifônica. Como aporte teórico principal, usamos as obras de Bakhtin (2018a; 2018b), Lejeune (2014), Benjamin (2012), Bloom (1991), Azevedo (2018), Villa-Forte (2018; 2019), Ariès (2003; 2014), Minois (2018;2019), Morin (1997) e Sontag (1984) com o objetivo de definir o conceito basilar, cunhado por nós, que sustenta esta tese – a curadoria polifônica. Os estudos teórico-científicos sobre a biografia, a biobibliografia, a polifonia, a memória e a curadoria têm como objetivo compreender as diversas vozes nas narrativas, além de discutir os processos de ficcionalização de personagens-escritoras, uma vez que foram retratadas formas diferentes de pensar os momentos finais revisitados de cada uma das autoras que compõem os contos de Lunardi.Universidade Federal de UberlândiaBrasilPrograma de Pós-graduação em Estudos LiteráriosSylvestre, Fernanda Aquinohttp://lattes.cnpq.br/7263180497540978Amorim, José Edilson dehttp://lattes.cnpq.br/6524195105007515Gandara, Lemuel da Cruzhttp://lattes.cnpq.br/7649361942295698Cunha, Betina Ribeiro Rodrigues dahttp://lattes.cnpq.br/0504371515180190Pereira, Kenia Maria de Almeidahttp://lattes.cnpq.br/6565924641557935Rabelo, Sara Gonçalves2021-07-06T12:18:40Z2021-07-06T12:18:40Z2021-06-17info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesisapplication/pdfRABELO, Sara Gonçalves. Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada. 2021. 184 f. Tese (Doutorado em Estudos Literários) - Universidade Federal de Uberlândia, Uberlândia, 2021. DOI http://doi.org/10.14393/ufu.te.2021.5516.https://repositorio.ufu.br/handle/123456789/32369http://doi.org/10.14393/ufu.te.2021.5516porhttp://creativecommons.org/licenses/by-nc-nd/3.0/us/info:eu-repo/semantics/openAccessreponame:Repositório Institucional da UFUinstname:Universidade Federal de Uberlândia (UFU)instacron:UFU2021-07-07T06:22:38Zoai:repositorio.ufu.br:123456789/32369Repositório InstitucionalONGhttp://repositorio.ufu.br/oai/requestdiinf@dirbi.ufu.bropendoar:2021-07-07T06:22:38Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU)false
dc.title.none.fl_str_mv Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
Women of Vesperas: polyphonic curation and writing of death in comparative perspective
title Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
spellingShingle Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
Rabelo, Sara Gonçalves
Curadoria Polifônica
Vésperas
Escrita Feminina
Morte
Polyphonic curation
Women’s writing
Death
CNPQ::LINGUISTICA, LETRAS E ARTES
Morte na literatura
Biobibliografia
title_short Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
title_full Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
title_fullStr Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
title_full_unstemmed Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
title_sort Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada
author Rabelo, Sara Gonçalves
author_facet Rabelo, Sara Gonçalves
author_role author
dc.contributor.none.fl_str_mv Sylvestre, Fernanda Aquino
http://lattes.cnpq.br/7263180497540978
Amorim, José Edilson de
http://lattes.cnpq.br/6524195105007515
Gandara, Lemuel da Cruz
http://lattes.cnpq.br/7649361942295698
Cunha, Betina Ribeiro Rodrigues da
http://lattes.cnpq.br/0504371515180190
Pereira, Kenia Maria de Almeida
http://lattes.cnpq.br/6565924641557935
dc.contributor.author.fl_str_mv Rabelo, Sara Gonçalves
dc.subject.por.fl_str_mv Curadoria Polifônica
Vésperas
Escrita Feminina
Morte
Polyphonic curation
Women’s writing
Death
CNPQ::LINGUISTICA, LETRAS E ARTES
Morte na literatura
Biobibliografia
topic Curadoria Polifônica
Vésperas
Escrita Feminina
Morte
Polyphonic curation
Women’s writing
Death
CNPQ::LINGUISTICA, LETRAS E ARTES
Morte na literatura
Biobibliografia
description In Vésperas, written in 2002, the writer from Santa Catarina, Adriana Lunardi builds female literary characters based on authors who have composed the literary scene in recent centuries: Virginia Woolf, Dorothy Parker, Clarice Lispector, Ana Cristina, Sidonie-Gabrielle Colette, Katherine Mansfield, Sylvia Plath, Zelda Fitzgerald and Júlia da Costa. Lunardi fictionalizes and creates short stories that address the anxieties that each of them may have faced in their last moments of life, but fictionalizing them, and relates these last moments with other lives and plots. In order to develop this thesis, the concepts of biography, biobibliography and writing of death were discussed. Furthermore, curating was analysed as a term taken from art and its dialogue, in literature, with polyphony Aiming to understand Vespers as a polyphonic curatorial work. As main theoretical contribution, we use the works of Bakhtin (2018a; 2018b), Lejeune (2014), Benjamin (2012), Bloom (1991), Azevedo (2018), Villa-Forte (2018; 2019), Ariès (2003; 2014), Minois (2018; 2019), Morin (1997) and Sontag (1984) with the aim of defining the basic concept, coined by us, which supports this thesis: polyphonic curation. Theoretical-scientific studies on biography, biobibliography, polyphony, memory and curating aim to understand different voices in the narratives, in addition to discuss the fictionalization processes of characters-writers, since different ways of thinking about the final moments revisited by each of the authors that make up Lunardi's tales.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-06T12:18:40Z
2021-07-06T12:18:40Z
2021-06-17
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/doctoralThesis
format doctoralThesis
status_str publishedVersion
dc.identifier.uri.fl_str_mv RABELO, Sara Gonçalves. Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada. 2021. 184 f. Tese (Doutorado em Estudos Literários) - Universidade Federal de Uberlândia, Uberlândia, 2021. DOI http://doi.org/10.14393/ufu.te.2021.5516.
https://repositorio.ufu.br/handle/123456789/32369
http://doi.org/10.14393/ufu.te.2021.5516
identifier_str_mv RABELO, Sara Gonçalves. Mulheres de Vésperas: curadoria polifônica e escrita de morte em perspectiva comparada. 2021. 184 f. Tese (Doutorado em Estudos Literários) - Universidade Federal de Uberlândia, Uberlândia, 2021. DOI http://doi.org/10.14393/ufu.te.2021.5516.
url https://repositorio.ufu.br/handle/123456789/32369
http://doi.org/10.14393/ufu.te.2021.5516
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language por
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eu_rights_str_mv openAccess
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dc.publisher.none.fl_str_mv Universidade Federal de Uberlândia
Brasil
Programa de Pós-graduação em Estudos Literários
publisher.none.fl_str_mv Universidade Federal de Uberlândia
Brasil
Programa de Pós-graduação em Estudos Literários
dc.source.none.fl_str_mv reponame:Repositório Institucional da UFU
instname:Universidade Federal de Uberlândia (UFU)
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instname_str Universidade Federal de Uberlândia (UFU)
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institution UFU
reponame_str Repositório Institucional da UFU
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repository.name.fl_str_mv Repositório Institucional da UFU - Universidade Federal de Uberlândia (UFU)
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