O ser animado: análise da animação de objetos com referência nas ações básicas de esforçoes de Rudolf Laban

• Autor(a) principal: Moraes, Ana Carla Machado de
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: Repositório Institucional da UFU
• Texto Completo: https://repositorio.ufu.br/handle/123456789/18068
• topic: Artes; Objetos de artes; Animação cultural; Laban, Rudolf von - 1879-1958; Teatro; Animação; Objetos; Theater; Animation; Objects; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES

The present dissertation comes towards the increasing need to found and share with the also increasing number of interested people the creative processes in theater in its different scenic languages. The exploration of a sensitive and non-utilitarian relation between subject and object is present in daily life since earliest times. Therefore, it also became present in the current play-writting, most of all in which we call since the 80´s as ‘Theater of Objects’ - a language inside the Theater Animation. This research had as its goal to investigate some elements found in Rudolf Laban’s method — which would help technically animation work in the Theater of Objects. This help comes from the view of expressive movement in the object body as well as the possibility of composing an action score created from the experience of poetic relations inherent to the scenic language named here as Poetry of Life, Poetry of Risk, Poetry of Death . The scores were created separately by three students from the theater course of Uberlândia’s Federal University, following each of the three poetic relations during the realization of Laboratório Seres (Being Laboratory) to the arrival of Partituras Essenciais (Essential Scores). Hereupon, the Essential Scores of the objects actions, filmed and described in each actor report were analyzed through the board related to Laban´s elements, such as: space, time, weight and fluency. At last, we created movement phrases describing the Essential Scores and identifying its actions, state of spirit and situations. The studies showed that this way of analyzing and registering Theater of Object makes it possible a technical betterment of the artists as well as the development of scenes from the poetic potential.