Ruas do meu São Paulo: notações sensoriais e visões críticas na poética de Mário de Andrade

• Autor(a) principal: Cunha, Bruna Araujo
• Data de Publicação: 2014
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: LOCUS Repositório Institucional da UFV
• Texto Completo: http://locus.ufv.br/handle/123456789/4877
• topic: Poesia lírica; Poesia moderna; Sociedade; Mario de Andrade; Lyric poetry; Modern poetry; Society; Mario de Andrade; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA

This work focuses on the analysis of some poems of Paulicéia Desvairada (1922) and Lira Paulistana (1945) in order to observe the street as a place of sociability of the modern man. Paulicéia Desvairada was the first book of modern poetry published in Brazil. The work marks the beginning of the break up with traditional poetic structures with innovative language and stylistic features, such as free and polyphonic verses and dissonances. In Lira Paulistana, innovations are giving way to more regular verses with rhymes and choruses. These two poetic works, apart for over twenty years, poeticized the city of São Paulo in different ways, this place is the great theme of the poems. In Paulicéia Desvairada, the São Paulo city still has remnants of a provincial past, the self-lyrical lies in the crowd and on the streets who are going through a process of modernization. In Lira Paulistana, the city of São Paulo is now a metropolis, the self-lyrical feel even more in the anonymity of this modern streets. In this case, we propose to analyze some poems of Paulicéia Desvairada (1922) and Lira Paulistana (1945), in order to focus our attention between the "I" and the "city", already well identified by criticals, who are aware to the concept of polissensorial and semanticized space and historical and social aspects of the city of São Paulo in the 1920s and 1940s. As we approached these two works of the writer, we realized that he sees some problems about the changes in the city and the consequences caused by these changes, which, for him, it fades the human relationship away.