A emoção no discurso da música gospel como estratégia na captação de fiéis

• Autor(a) principal: Gonçalves, Gisele Siqueira
• Data de Publicação: 2012
• Tipo de documento: Dissertação
• Idioma: por
• Título da fonte: LOCUS Repositório Institucional da UFV
• Texto Completo: http://locus.ufv.br/handle/123456789/4847
• topic: Análise do discurso; Teoria semiolinguística; Emoção; Música Gospel; Discourse analysis; Semiolinguística Theory; Emotion; Gospel music; CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA

Nowadays we can observe a new and increasing care given to emotion. It is the emotion seen under a discursive view. This conception has allowed several analyses of meaning effects that the announcer intends to cause through discourse on his interlocutors. Thus, based on such perspective, this study proposed to verify the pathemic character present in gospel music discourse, considering its evidence on the media as well as the phonographic market, in the last few years. In this way, our aim was to describe the lyrics of the gospel songs and relate their discursive organization to the pathemic effect that they aim at causing on the listener, as a captivation strategy of followers to the Protestantism. The analysis focused on songs and testimony by gospel singer and songwriter Lázaro, present in his album entitled Testemunho e Louvor , winner of several categories in the most prestigious gospel music event of 2009, the Troféu Talento award. As theoretical framework and for methodology it was used the Semiolinguistic Theory by Patrick Charaudeau, through the modes of discourse organization, which allowed us to describe the organization of the songs. Associated with this theory, we used others theories that approached emotion in discourse and religious discourse as well.